disturbing documentaries

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

A documentary on the chaotic production of

Jackson Heights, Queens, New York City is one of the most ethnically and culturally diverse communities in the United States and the world. There are immigrants from every country in South America, Mexico, Bangladesh, Pakistan, Afghanistan, India and China. Some are citizens, some have green cards, some are without documents. The people who live in Jackson Heights, in their cultural, racial and ethnic diversity, are representative of the new wave of immigrants to America. 167 languages are spoken in Jackson Heights. Some of the issues the film raises-assimilation, integration, immigration and cultural and religious differences-are common to all the major cities of the Western world. The subject of the film is the daily life of the people in this community-their businesses, community centers, religions, and political, cultural and social lives-and the conflict between maintaining ties to traditions of the countries of origin and the need to learn and adapt to American ways and values. This is Frederick Wiseman's third film about communities, the others being ASPEN and BELFAST, MAINE. In these films, as in all his films, he is trying to present a broad and complex portrait of contemporary life.

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

Tells the story of two men whose fateful encounter in 1996 set them on a course of events that led them to Afghanistan, Osama bin Laden, 9/11, Guantanamo, and the U.S. Supreme Court.

One of the most astonishing and engaging cinematic works of the past decade, CHILDREN UNDERGROUND is a profoundly intimate and heart-wrenching drama about homeless children struggling for survival on the streets and in the subways of Bucharest, Romania.

The larger scope of the story explores the gun trade to Africa that takes place under the covers -- Russian pilots fly guns into Africa, then fly fish back out to Europe. The hazards and consequences of this trade are explored, including the pan-African violence propagated by constant flow of weapons into the continent. If it is a "survival of the fittest" world, as Darwin concluded, then the capitalist interests that fund the gun runners are climbing the evolutionary ladder on the backs of the Africans in this stark Darwinian example. Much like the foreseeable extinction of the Lake Victoria perch, and death of Lake Victoria itself, the Africans are in grave jeopardy, even as they survive in the only ways they know how.

Two political opponents are appointed to write Zimbabwe's new constitution. It is the ultimate test that can bring an end to President Mugabe's 30 years of autocratic rule. It can go either way: towards the birth of a constitutional democracy - or renewed repression.

The global protest against the Iraq War on 15 February 2003 was a pivotal moment in recent history, the consequences of which have gone unreported. We Are Many chronicles the struggle to shift power from the old establishment to the new superpower that is global public opinion, through the prism of one historic day.

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.

A collection of stories about and images of our world, offering an immersion to the core of what it means to be human.

What kind of future do we want to live in? Jeff Bridges presents this beautifully photographed 4K tour de force of original thinking on who we are and the life challenges we face. This film upends our way of thinking and provides original insights into our subconscious motivations, the unintended consequences, and how our fundamental nature influences our future as mankind.

Filmed over 5 years, A Syrian Love Story charts an incredible odyssey to political freedom. For Raghda and Amer, it is a journey of hope, dreams and despair: for the revolution, their homeland and each other.

'Werner Herzog' takes his camera to Antarctica where we meet the odd men and women who have dedicated their lives to furthering the cause of science in treacherous conditions. A scientist studies neutrinos, which are everywhere, yet elusive; he likens them to spirits. A researcher's nighttime performance art includes contorting her body into a luggage bag. A survival guide teaches his students to survive white-out conditions by wearing cartoon-face buckets over their heads. Animal researchers milk mother seals as part of their study. Volcanologists offer advice on what to do when a volcano erupts. A pipefitter shows us the anomaly in his hands that he says are a sign he descended from Atzec royalty. A former Colorado banker drives what he has christened Ivan the Terra Bus. An underwater diver shows his colleagues DVDs of apocalyptic sci-fi films like

Multimedia artist

Several stories are told simultaneously: a frog farm in northern Brasil launders money for a corrupt politician; a young woman who was kidnapped for ransom talks about her ordeal; a plastic surgeon discusses then demonstrates how to reconstruct a severed ear; a young business man has his cars armored and takes a course in evasive driving; a policeman in Sao Paulo's anti-kidnapping squad discusses his work; a civil engineer, the attorney general, and a district attorney describe their anti-corruption efforts. Violence and corruption is Brasil: the object is money.

From red light districts to lush rain-forests, 'Black Mother' is a loving and lyrical ode to Jamaica and its people, a visual poem that is at once deeply felt love letter and ecstatic street-corner prayer.

Near Penn Station, next to the Amtrak tracks, squatters have been living for years. Marc Singer goes underground to live with them, and films this "family." A dozen or so men and one woman talk about their lives: horrors of childhood, jail time, losing children, being coke-heads. They scavenge, they've built themselves sturdy one-room shacks; they have pets, cook, chat, argue, give each other haircuts. A bucket is their toilet. Leaky overhead pipes are a source of water for showers. They live in virtual darkness. During the filming, Amtrak gives a 30-day eviction notice.