Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

In Breakfast of Champions, one of Kurt Vonnegut’s  most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

In late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome - Schopenhauer, Wagner, Socrates, Christ - and predicts the cataclysmic impact of his 'forthcoming revelation of all values'. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche's main beliefs and is in every way his last testament.

A mysterious stranger and his retinue have astonished the locals of Stalin’s Moscow with the magic show to end all magic shows and have quite literally set the town alight. But what’s the real purpose behind their visit?

Translated and with a preface by Mark HarmanLeft unfinished by Kafka in 1922 and not published until 1926, two years after his death, The Castle is the haunting tale of K.’s relentless, unavailing struggle with an inscrutable authority in order to gain access to the Castle. Scrupulously following the fluidity and breathlessness of the sparsely punctuated original manuscript, Mark Harman’s new translation reveals levels of comedy, energy, and visual power, previously unknown to English language readers.

Kundera initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.

In this classic work of psychological terror, Paul Bowles examines the ways in which Americans apprehend an alien culture--and the ways in which their incomprehension destroys them. The story of three American travelers adrift in the cities and deserts of North Africa, The Sheltering Sky is at once merciless and heartbreaking in its compassion. It etches the limits of human reason and intelligence--perhaps even the limits of human life --when they touch the unfathomable emptiness and impassive cruelty of the desert.

In Borges's short story, the world consists of a gigantic library which contains every possible book that can ever be written. So, somewhere, there must logically be the book, the one that reveals the Library's secret! Unfortunately, there is no filing system, and no one has any idea of how to find the elusive book. In fact, it's challenging even to locate one which contains a meaningful sentence: most of them are gibberish from beginning to end. Well, our own world isn't quite as bad - but it's still harder than it should be to locate the books you really want to read, when they're mixed up with the ones you just think you might want to read. I am often appalled at the amount of time I waste on this site, but comfort myself with the thought that it has helped me find some amazing books I normally wouldn't even have considered. But exactly how helpful has it been? The other day, it occurred to me to try and answer this question quantitatively. I calculate that, since I started hanging out here in late 2008, I have read 42 books just because someone here has recommended them. (I didn't count books recommended by people on Goodreads whom I also know in real life, otherwise the figure would be considerably higher). After some more thought, I've picked out a Top Ten, which I present here for your amusement:10. I've never seen anyone outside Goodreads mention \
  Everything Explained Through Flowcharts\
, recommended to me by David G, but it's the funniest thing I've seen in ages. I challenge you to read it without giggling helplessly at least a couple of times. Why it isn't more famous is more than I understand.9. \
  À rebours\
, a weird 19th century French novel recommended to me by Sabrina, is another book that deserves to be better known. Nothing happens, but it's somehow utterly compelling. I think it's also been very influential.8. I love books written under strong formalist constraints, but I'd never heard of \
  Eunoia\
, recommended by Gary. Five chapters, each using only one vowel, and, even though it sounds impossible, it works remarkably well as poetry. Really!7. Eric W recommended \
  The Terrible Hours: The Greatest Submarine Rescue in History\
. If you're after inspiration and good old-fashioned heroism, look no further. 6. Choupette was so indignant about \
  Plateforme\
 that I had to check it out for myself. I liked it enough that I also read \
  Les particules élémentaires\
. I won't promise that you'll enjoy them, but they're certainly going to make you think.5. Everyone recommended \
  The Shallows: What the Internet Is Doing to Our Brains\
. Alas, all too true. The mere fact that I'm sitting here writing this proves his point.4. Would you believe it, I hadn't even heard of \
  Infinite Jest\
 before I joined GR. Within a couple of months, I'd given in and bought a copy. Admittedly, I also bought a copy of \
  Twilight\
 at the same time...3. Pavel told me I had to read \
  Voices from Chernobyl\
, and he was right. Whatever your opinions on nuclear power, it's irresponsible not to. You can't take more than a chapter or so at a time; after that, you just sit there stunned, doing your best not to cry. Another book that people have unaccountably overlooked.2. Was I really going to read a thousand page physics text full of scary math? I did a math degree in the late 70s, but this looked way over my level. However, Nick called me chicken enough times that I decided to tackle \
  The Road to Reality: A Complete Guide to the Laws of the Universe\
. I've finally got to the end, and wow, was it a fascinating read! If you like math and physics, take Nick's advice: forget the pop science books and go for the big one. It's worth the effort.1. I don't really know Norwegian, and how likely was it that I'd buy a three volume magical-realist Norwegian novel by an author I'd never heard of? But, moved by Oriana's glowing review, I started thinking that I speak Swedish, Norwegian isn't that different (it's a kind of Spanish/Portugese deal), so why not give it a shot? By the time I was 20 pages into \
  Forføreren\
, I was hooked, and then I immediately continued with \
  Erobreren\
 and \
  Oppdageren\
. The trilogy is the most brilliant thing I have read this century, and I can't recommend it highly enough. Thank you Oriana!So, there you are, and I hope I've made at least one sale :) In the interests of completeness, here's the rest of the list, in alphabetical order:\
  99 Ways to Tell a Story: Exercises in Style\
\
  The Authoritarians\
\
  The Bent Sword\
\
  Breaking Dawn\
\
  Crowds and Power\
\
  The Dreamfighter: And Other Creation Tales\
\
  Eclipse\
\
  L'élégance du hérisson\
\
  Exercices de Style\
\
  Fate, Time, and Language: An Essay on Free Will\
\
  Go the Fuck to Sleep\
\
  Galatea 2.2\
\
  Gray Matters\
\
  Help! Mom! There Are Liberals Under My Bed!\
\
  The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos\
\
  How To Learn Any Language: Quickly, Easily, Inexpensively, Enjoyably and on Your Own\
\
  Musical Chairs\
\
  Mysterier\
\
  New Moon\
\
  No Hope for Gomez!\
\
  Not a Chance: Fictions\
\
  The Riddler's Gift (Lifesong, #1)\
\
  The Sparrow\
\
  Sult\
\
  The Triple A's Check It Out\
\
  Unequal Protection: The Rise of Corporate Dominance and the Theft of Human Rights\
\
  Whom God Would Destroy\
\
  Zazie dans le métro\
Happy Goodreading!

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

A gripping tale of human unrelieved horror, of survival and resilience, and of the ways in which humankind confronts death, The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

A distinguished psychiatrist from Martinique who took part in the Algerian Nationalist Movement, Frantz Fanon was one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history. Fanon's masterwork is a classic alongside Edward Said's Orientalism or The Autobiography of Malcolm X, and it is now available in a new translation that updates its language for a new generation of readers.The Wretched of the Earth is a brilliant analysis of the psychology of the colonized and their path to liberation. Bearing singular insight into the rage and frustration of colonized peoples, and the role of violence in effecting historical change, the book incisively attacks the twin perils of post-independence colonial politics: the disenfranchisement of the masses by the elites on the one hand, and intertribal and interfaith animosities on the other.Fanon's analysis, a veritable handbook of social reorganization for leaders of emerging nations, has been reflected all too clearly in the corruption and violence that has plagued present-day Africa. The Wretched of the Earth has had a major impact on civil rights, anticolonialism, and black consciousness movements around the world, and this bold new translation by Richard Philcox reaffirms it as a landmark.

**Kirkus Best Books of the Year (2013)**If you really want to know a people, start by looking inside their bedrooms. As political change sweeps the streets and squares, the parliaments and presidential palaces of the Arab world, Shereen El Feki has been looking at an upheaval a little closer to home—in the sexual lives of men and women in Egypt and across the region. The result is an informative, insightful, and engaging account of a highly sensitive and still largely secret aspect of Arab society. Sex is entwined in religion, tradition, politics, economics, and culture, so it is the perfect lens through which to examine the complex social landscape of the Arab world. From pregnant virgins to desperate housewives, from fearless activists to religious firebrands, from sex work to same-sex relations, Sex and the Citadel takes a fresh look at the sexual history of the region and brings new voices to the debate over its future.  This is no peep show or academic treatise but a highly personal and often humorous account of one woman’s journey to better understand Arab society at its most intimate and, in the process, to better understand her own origins. Rich with five years of groundbreaking research, Sex and the Citadel gives us a unique and timely understanding of everyday lives in a part of the world that is changing before our eyes.

Since the Holocaust, it has been almost impossible to hide large-scale crimes against humanity. In our communicative world, few modern catastrophes are concealed from the public eye. And yet, Ilan Pappe unveils, one such crime has been erased from the global public memory: the ethnic cleansing of the Palestinians in 1948. But why is it denied, and by whom? The Ethnic Cleansing of Palestine offers an investigation of this mystery.

In 2011, many Syrians took to the streets of Damascus to demand the overthrow of the government of Bashar al-Assad. Today, much of Syria has become a warzone and many worry that the country is on the brink of collapse.  Burning Country explores the complicated reality of life in present-day Syria with unprecedented detail and sophistication, drawing on new first-hand testimonies from opposition fighters, exiles lost in an archipelago of refugee camps, and courageous human rights activists. Yassin-Kassab and Al-Shami expertly interweave these stories with an incisive analysis of the militarization of the uprising, the rise of the Islamists and sectarian warfare, and the role of Syria’s government in exacerbating the brutalization of the conflict. Through these accounts and a broad range of secondary source material, the authors persuasively argue that the international community has failed in its stated commitments to support the Syrian opposition movements.   Covering ISIS and Islamism, regional geopolitics, new grassroots revolutionary organizations, and the worst refugee crisis since World War Two, Burning Country is a vivid and groundbreaking look at a modern-day political and humanitarian nightmare.

Justice in the Question of Palestine is often framed as a question of law. Yet none of the Israel-Palestinian conflict's most vexing challenges have been resolved by judicial intervention. Occupation law has failed to stem Israel's settlement enterprise. Laws of war have permitted killing and destruction during Israel's military offensives in the Gaza Strip. The Oslo Accord's two-state solution is now dead letter.Justice for Some offers a new approach to understanding the Palestinian struggle for freedom, told through the power and control of international law. Focusing on key junctures--from the Balfour Declaration in 1917 to present-day wars in Gaza--Noura Erakat shows how the strategic deployment of law has shaped current conditions. Over the past century, the law has done more to advance Israel's interests than the Palestinians'. But, Erakat argues, this outcome was never inevitable.Law is politics, and its meaning and application depend on the political intervention of states and people alike. Within the law, change is possible. International law can serve the cause of freedom when it is mobilized in support of a political movement. Presenting the promise and risk of international law, Justice for Some calls for renewed action and attention to the Question of Palestine.

What are the myths--and reality--behind the state of Israel? Ilan Pappe is one of the most outspoken and radical thinkers writing on the history of Israel. In this groundbreaking and controversial book he examines ten of the most contested ideas concerning the origins and identity of the contemporary state of Israel. Once and for all he explodes the myths that justify the rights of the Israeli state, asking,  - Was Palestine an empty land at the time of the Balfour Declaration?  - Were the Jews a people without a land?  - Is there no difference between Zionism and Judaism?  - Is Zionism not a colonial project of occupation?  - Did the Palestinians leave their homeland voluntarily in 1948?  - Was the June 1967 War a war of -no choice-?  - Is Israel the only democracy in the Middle East?  - Were the failed Oslo negotiations of 1992 the PLO's fault?  - Was it a question of national security to bomb Gaza?  - Is the Two States Solution still achievable? Written for the general reader, this book will prompt a huge, and necessary, debate.

In the French port town of Calais, the historic home of the lace industry, a city within a city has arisen. This new town, known as the Jungle, is the home of thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images by turns shocking, angering, wry, and heartbreaking.Weaving into the story hostile comments about the migrants from nativist politicians and Internet trolls, Threads addresses one of the most pressing issues of modern times making a compelling case, through intimate evidence, for compassionate treatment of refugees and the free movement of peoples. Evans s creativity and passion as an artist, activist, and mother shine through.

A fascinating portrait of life with the Black Panthers in Algiers: a story of liberation and radical politicsFollowing the Algerian war for independence and the defeat of France in 1962, Algiers became the liberation capital of the Third World. Here, Elaine Mokhtefi, a young American woman who had become involved in the struggle and worked with leaders of the Algerian Revolution, including Frantz Fanon, found a home. As journalist and translator, she lived among guerillas, revolutionaries, exiles and visionaries, was even present in the groundbreaking The Battle of Algiers.

A retired colonel, a small rooster, and a seventy five year patience.In a desolate shantytown in the middle of nowhere, on a military controlled zone, endures with great hardships an old retired colonel. A dangerously declining health, an aging wife with recurring asthmatic attacks, a house slowly coming down to pieces, a son lost to the revolution. All his hopes are focused on the arrival of news regarding his veteran pension, that seems never to come; and a little cockfighting rooster, that seems to be the strongest of all three.A short novella about the unbreakable will of the eternally patient, and the penurious conditions of a hardly day-to-day living.Interesting, readable, but not exceptionally enjoyable. I've been wanting to read Gabo again for some time now; I've read a lot of his books, but this is sadly not the one I loved most. And I still have "One hundred years of solitude" on tbr. I know, unforgivable.Still remaining, the movie (1999).Until next time,-----------------------------------------------Un coronel retirado, un pequeño gallo, y una paciencia de setenta y cinco años.En una desolada villa en el medio de la nada, en una zona controlada por milirates, sobrevive a duras penas un viejo retirado coronel. Una salud peligrosamente declinante, una envejecida esposa con recurrentes crisis asmáticas, una casa cayéndose lentamente a pedazos, un hijo muerto en la revolución. Todas sus esperanzas se centran en la llegada de alguna noticia sobre la pensión de veterano que parece nunca llegar; y en un pequeño gallo de peleas, que parece ser el más fuerte de los tres.Una corta novella sobre la voluntad inquebrantable del eterno paciente, y las penurias de sobrevivir difícilmente día a día.Interesante, leíble, pero no excepcionalmente disfrutable. Hace mucho tiempo que tenía ganas de volver a leer Gabo, pero lamentablemente éste no es el libro que más voy a recordar de él. Y todavía me debo leer "Cien años de soledad". Lo sé, imperdonable.Queda pendiente la película (1999).Hasta la próxima,

In this honest and stunning novel, James Baldwin has given America a moving story of love in the face of injustice. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

Some works of literature just beg to be read out loud - This is the House that Jack Built and Hiawatha are two that most people are familiar with. Under Milk Wood too, is better appreciated read aloud. Try it for yourself. A sample (read aloud with Welsh accent, sing-song, go up like a question at the end of the line, extend vowels, as in 'weeedkiller' and emphasis is usually on the first syllable.)FIRST VOICEMr Pugh, in the School House opposite, takes up the morningtea to Mrs Pugh, and whispers on the stairs MR. PUGHHere's your arsenic, dear.And your weedkiller biscuit.I've throttled your parakeet.I've spat in the vases.I've put cheese in the mouseholes.Here's your... [_Door creaks open_ ...nice tea, dear. MRS PUGHToo much sugar.Or try this, read by Richard Burton, who was also from the same area so has exactly the right intonation. full cast production of Under Milk Wood If you would like to listen to a young Richard Burton reading the play alone (which I much prefer), it is in two parts, part one and part two.When I read this play by Dylan Thomas, I hear the village life of my childhood come to life. He caught the lilt and cadence of the Valleys speech and the trivial preoccupations of the people perfectly. Of course it helps that like Dylan Thomas I am also from South Wales and have the accent down pat!A little known fact, apparent to all Welsh people but no-one else, is that the village of Llareggub which looks perfectly Welsh is actually the English Bugger All backwards. (If it had been Welsh it would have been Llanreggub and mean the Parish of St. Reggub).Dylan Thomas wasn't at all poetic, his poems are just as much for people who don't like poetry as those who like reading it and contemplating what the poet meant by his imagery. There is not such issue with Dylan Thomas, he says what he means and you get it straightaway. If you enjoyed the play, read Dylan Thomas's magnificent [book:Do Not Go Gentle Into That Good Night|6619539]. Considerably rewritten 18 October on being told the link to Under Milk Wood no longer worked.

A history of the Louvre during the Nazi occupation and a meditation on the meaning and timelessness of art.

A war drama film who merger between documentary and reportage and fiction which turned over common sense, a unique where people in the 19th century was interviewed and covered on television, many of them are working class but the bourgeoisie had not escaped from camera's observation, each recorded their speech and gestures even the revolt that led to extreme and radical and heartbreaking for the working class. One of the most important French film at 21st century.

After the Syrian Revolution, Al-Assad's regime besieges the district of Yarmouk, largest Palestinian refugee camp in the world. Yarmouk is cut off. The director records the daily deprivations while celebrating the people's courage.

Documentary that explores mankind's desire to be famous and its effect on society.

Director Raed Andoni places a newspaper advertisement in Ramallah. He is looking for former inmates of the Moskobiya interrogation centre in Jerusalem. In his ad he asks that the men should also have experience as craftsmen, architects or actors. After a casting process that almost feels like role play, he arranges for a replica of the centre's interrogation rooms and cells to be built to scale inside a hall - under close supervision from the former inmates and based on their memories. In this realistic setting the men subsequently re-enact their interrogations, discuss details about the prison, and express the humiliation they experienced during their detention. Using techniques that are reminiscent of the so-called 'theatre of the oppressed' they work together to dramatise their real-life experiences. Their reconstruction brings long repressed emotions and undealt with trauma to the fore. Working on the film takes its toll on the men - both physically and mentally. The director also appears in front of the camera; not only is he creating a stage for his protagonists, he is also coming to terms with his own fragmented memories of imprisonment in Moskobiya thirty years previously.

"Which Way Home" is a feature documentary film that follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States. We follow children like Olga and Freddy, nine-year old Hondurans, who are desperately trying to reach their parents in the US.; children like Jose, a ten-year old El Salvadoran, who has been abandoned by smugglers and ends up alone in a Mexican detention center; and Kevin, a canny, streetwise fourteen-year old Honduran, whose mother hopes that he will reach the U.S. and send money back to her. These are stories of hope and courage, disappointment and sorrow. They are the children you never hear about; the invisible ones.

In a rough style, by way of unique footage, the brutal consequences of modern wars are exposed. The film also depicts the ability of women and children to handle their everyday life after a dramatic war experience. Many of them live in tents or in ruins without walls or roofs. They are all in need of money, food, water and electricity. Others have lost family members, or are left with seriously injured children. Can war solve conflicts or create peace? The film follows three children through the war and the period after the ceasefire.

2010 documentary film directed by Vibeke Løkkeberg

One of the largest and most controversial legal cases on the planet. An inside look at the infamous $27 billion "Amazon Chernobyl" case, CRUDE is a real-life high stakes legal drama set against a backdrop of the environmental movement, global politics, celebrity activism, human rights advocacy, the media, multinational corporate power, and rapidly-disappearing indigenous cultures. Presenting a complex situation from multiple viewpoints, the film examines a complicated situation from several angles while bringing a story of environmental peril and human suffering into focus.

Documentary portraying the actions of U.S. corporate contractors in the U.S.-Iraq war. Interviews with employees and former employees of such companies as Halliburton, CACI, and KBR suggest that government cronyism is behind apparent "sweetheart" deals that give such contractors enormous freedom to profit from supplying support and material to American troops while providing little oversight. Survivors of employees who were killed discuss the claim that the companies cared more for profit than for the welfare of their own workers, and soldiers indicate that the quality of services provided is sub-standard and severely in contradiction to the comparatively huge profits being generated. Also depicted are the unsuccessful attempts by the filmmakers to get company spokesmen to respond to the charges made by the interviewees.

A searing examination of the unrelenting Chechen conflict, observed through the prisms of a Russian military boys academy, a war-torn town and a children's refugee camp.

Documentary filmmaker Yoav Shamir's depiction of the checkpoints that the Israel Defense Forces man in the Palestinian Authority.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

This video shows how the foreign policy interests of American political elites-working in combination with Israeli public relations stratgies-influence US news reporting about the Middle East conflict. Combining American and British TV news clips with observations of analysts, journalists and political activists, Peace, Propaganda & the Promised Land provides a brief historical overview, a striking media comparison, and an examination of factors that have distorted U.S. media coverage and, in turn, American public opinion.

2004 documentary film directed by Sut Jhally and Bathsheba Ratzkoff

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

Thought-provoking documentary on war propaganda: how governments manipulate the facts and how most media let them get away with it. WWI, Vietnam War, post-2001 Afghanistan, post-2003 Iraq, Palestine: a historical account of PR, embedded journalism, lies and cover-ups, but also of courageous journalists who disclose the truth.

An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.

2014 Danish documentary film directed by Joshua Oppenheimer

French Canadians face execution after a revolt against British bureaucrats in Quebec.

In this poignant gay cinema classic, the first film to address the AIDS pandemic, a New York City gay man in a monogamous relationship becomes a "buddy" or volunteer bedside companion to another gay man dying of AIDS. The last film directed by 70s and 80s gay film pioneer Arthur J. Bressan, Jr., who himself died of complications from AIDS just two years after the film was released in 1985.

"Les Invisibles" (The Invisible) of the title are a group men and women born between the two world wars. They have nothing in common except they are all gay and that they decided to be open about their homosexuality at a time when society rejected them. Despite general disapproval, they refused to deny who they actually were, thus maintaining their integrity. Today they talk before Sébastien Lifshitz's camera. Without hate. Without bitterness. With cheerful dignity.

2012 French documentary by Sébastien Lifshitz

Documentary about Brandon Teena (aka Teena Brandon), a transgender man, who was murdered along with two others in 1993 in rural Nebraska. The story is told through interviews with people who knew Brandon, recorded interrogation and trial transcripts, and photographs and file film footage.

American guitarist, singer and songwriter (1942–1970)

American singer, songwriter and actress (born 1958)

American singer and pianist (1930–2004)

American singer, songwriter, pianist, and actress

British singer and songwriter (1983–2011)

A look at how infants learn and discover during their first year of life.

A look at the lives of undocumented immigrants living in the United States.

Film lovers examine the cinematic moments that thrilled, perplexed, challenged and forever changed them in this collection of visual essays.

From a nuclear lake to a haunted forest, New Zealand filmmaker and journalist David Farrier ('Tickled') visits unusual -- and often macabre -- tourism spots around the world.

2018 travel documentary television series

Kitty Medici

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From 'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

A truly extraordinary work. Beautifully written, cogently and convincingly argued. Passionate and powerful and vital. Read it. "Some Americans think and say that the nation freed the black slave and gave him a vote and that, unable to use it intelligently, he lost it. That is not so. To win the war America freed the slave and armed him; and the threat to arm the mass of the black workers of the Confederacy stopped the war. Nor does this fact for a moment deny that some prophets and martyrs demanded first and last the abolition of slavery as the sole object of the war and at any cost of life and wealth. So, too, some Americans demanded not simply physical freedom but votes, land, and education for blacks, not only in order to compass the economic emancipation of labor, but also as the only fulfillment of American democratic ideals; but most Americans used the Negro to defend their own economic interests and, refusing him adequate land and real education and even common justice, deserted him shamelessly as soon as their selfish interests were safe. " "Reconstruction, therefore, in the South degenerated into a fight of rivals to control property and through that to control the labor vote. This rivalry between dictators led to graft and corruption as they bid against each other for the vote of the Negro, while meantime Negro labor in its ignorance and poverty was agonizing for ways of escape. Northern capital compromised, and Southern capital accepted race hate and black disfranchisement as a permanent program of exploitation."****************Still in mid-read, but wanted to share this, not least for how relevant to the last few months it seems: “Above this lowest mass rose a middle class of poor whites in the making. There were some small farmers who had more than a mere sustenance and yet were not large planters. There were overseers. There was a growing class of merchants who traded with the slaves and free Negroes and became in many cases larger traders, dealing with the planters for the staple crops. Some poor whites rose to the professional class, so that the rift between the planters and the mass of the whites was partially bridged by this smaller intermediate class. While revolt against the domination of the planters over the poor whites was voiced by men like Helper, who called for a class struggle to destroy the planters, this was nullified by deep-rooted antagonism to the Negro, whether slave or free. If black labor could be expelled from the United States or eventually exterminated, then the fight against the planter could take place. But the poor whites and their leaders could not for a moment contemplate a fight of united white and black labor against the exploiters. Indeed, the natural leaders of the poor whites, the small farmer, the merchant, the professional man, the white mechanic and slave overseer, were bound to the planters and repelled from the slaves and even from the mass of the white laborers in two ways: first, they constituted the police patrol who could ride with planters and now and then exercise unlimited force upon recalcitrant or runaway slaves; and then, too, there was always a chance that they themselves might also become planters by saving money, by investment, by the power of good luck; and the only heaven that attracted them was the life of the great Southern planter.” And this, longer, but so beautifully written I could not dare cut a word, and which also seems painfully worth reading during our present times: "This brings us down to the period of the Civil War. Up to the time that the war actually broke out, American labor simply refused, in the main, to envisage black labor as a part of its problem. Right up to the edge of the war, it was talking about the emancipation of white labor and the organization of stronger unions without saying a word, or apparently giving a thought, to four million black slaves. During the war, labor was resentful. Workers were forced to fight in a strife between capitalists in which they had no interest and they showed their resentment in the peculiarly human way of beating and murdering the innocent victims of it all, the black free Negroes of New York and other Northern cities; while in the South, five million non-slaveholding poor white farmers and laborers sent their manhood by the thousands to fight and die for a system that had degraded them equally with the black slave. Could one imagine anything more paradoxical than this whole situation? America thus stepped forward in the first blossoming of the modern age and added to the Art of Beauty, gift of the Renaissance, and to Freedom of Belief, gift of Martin Luther and Leo X, a vision of democratic self-government: the domination of political life by the intelligent decision of free and self-sustaining men. What an idea and what an area for its realization — endless land of richest fertility, natural resources such as Earth seldom exhibited before, a population infinite in variety, of universal gift, burned in the fires of poverty and caste, yearning toward the Unknown God; and self-reliant pioneers, unafraid of man or devil. It was the Supreme Adventure, in the last Great Battle of the West, for that human freedom which would release the human spirit from lower lust for mere meat, and set it free to dream and sing. And then some unjust God leaned, laughing, over the ramparts of heaven and dropped a black man in the midst. It transformed the world. It turned democracy back to Roman Imperialism and Fascism; it restored caste and oligarchy; it replaced freedom with slavery and withdrew the name of humanity from the vast majority of human beings. But not without struggle. Not without writhing and rending of spirit and pitiable wail of lost souls. They said: Slavery was wrong but not all wrong; slavery must perish and not simply move; God made black men; God made slavery; the will of God be done; slavery to the glory of God and black men as his servants and ours; slavery as a way to freedom — the freedom of blacks, the freedom of whites; white freedom as the goal of the world and black slavery as the path thereto. Up with the white world, down with the black! Then came this battle called Civil War, beginning in Kansas in 1854, and ending in the presidential election of 1876 — twenty awful years. The slave went free; stood a brief moment in the sun; then moved back again toward slavery. The whole weight of America was thrown to color caste. The colored world went down before England, France, Germany, Russia, Italy and America. A new slavery arose. The upward moving of white labor was betrayed into wars for profit based on color caste. Democracy died save in the hearts of black folk. Indeed, the plight of the white working class throughout the world today is directly traceable to Negro slavery in America, on which modern commerce and industry was founded, and which persisted to threaten free labor until it was partially overthrown in 1863. The resulting color caste founded and retained by capitalism was adopted, forwarded and approved by white labor, and resulted in subordination of colored labor to white profits the world over. Thus the majority of the world's laborers, by the insistence of white labor, became the basis of a system of industry which ruined democracy and showed its perfect fruit in World War and Depression. And this book seeks to tell that story. " E-readers can find the whole book here https://archive.org/details/blackreco...

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of black people and black communities as agents of change and resistance. Black radicalism must be linked to the traditions of Africa and the unique experiences of blacks on western continents, Robinson argues, and any analyses of African American history need to acknowledge this.To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright.

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Four exceptional women mount grassroots campaigns against powerful incumbents in Knock Down the House, an inspiring look at the 2018 midterm elections that tipped the balance of power. When tragedy struck her family in the middle of the financial crisis, Bronx-born Alexandria Ocasio-Cortez had to work double shifts as a bartender to save her home from foreclosure. After losing a loved one to a preventable medical condition, Amy Vilela didn't know what to do with the anger she felt about America's broken health care system. Cori Bush, a registered nurse and pastor, was drawn to the streets when the police shooting of an unarmed black man brought protests and tanks into her neighborhood. A coal miner's daughter, Paula Jean Swearengin was fed up with watching her friends and family suffer from the environmental effects of the coal industry.

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A documentary of New York's LGBT scene in the 1980s, showing the real life of poor Black and Latin LGBT people, introduce the ballrooms, the categories, the houses, the voguing, and the dreams and ambitions of these people who are systematically excluded from society, they fight to conquer the right to be and to reinvent themselves in a world starring straight and white people. They use the balls to show their creativity, have fun with their community and family, shining, and having their names recognized in the ballroom scene.

A comprehensive documentary of the history of gays and lesbians in cinema, from negative to positive reflections of gay characters and the troubles of actors and actresses.

A group of LGBTQ youths of color unite to form a safe gathering space.

Candy Darling was a fixture in the New York Off-Broadway scene in the 60s, in Warhol films such as Women in Revolt and Flesh, and became a prominent personality in Warhol's circles, influencing such noted contemporary artists as Madonna, David Bowie and Lou Reed. This documentary will use a series of interviews, archival footage, and images from Candy's home in Massapequa, NY. Archival footage includes rare 25 year old interviews conducted by Jeremiah Newton with members of Warhol's Factory and Tennessee Williams. The film features interviews with colleagues, contemporaries and friends of Candy, including John Waters, Peter Beard, Holly Woodlawn, Bob Colacello, Geraldine Smith, Pat Hackett and Ron Delsener.

2010 documentary film directed by James Rasin

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Hilarious, terrifying, insightful, and compulsively readable, these are the articles that Hunter S. Thompson wrote for Rolling Stone magazine while covering the 1972 election campaign of President Richard M. Nixon and his unsuccessful opponent, Senator George S. McGovern. Hunter focuses largely on the Democratic Party's primaries and the breakdown of the national party as it splits between the different candidates.With drug-addled alacrity and incisive wit, Thompson turned his jaundiced eye and gonzo heart to the repellent and seductive race for president, deconstructed the campaigns, and ended up with a political vision that is eerily prophetic

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