drama

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

With minimal narration by the director and very little context this is a kaleidoscope of stunning visuals from Calcutta, a city of 8,000,000 in the late 1960's: rich and poor, exotic and mundane, secular and religious, children and adults, animate and inanimate. Given only the images, the viewer can read any meaning she or he wants into the film.

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

Patricio Guzmán left Chile more than 40 years ago when the military dictatorship took over the democratically-elected government, but he never stopped thinking about a country, a culture, and a place on the map that he never forgot. After covering the North in Nostalgia for the Light and the South in The Pearl Button, his shots get up-close with what he calls "the vast revealing backbone of Chile's past and recent history.

Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.

Two in the Wave is the story of a friendship. Jean-Luc Godard was born in 1930; Francois Truffaut two years later. Love of movies brings them together. They write in the same magazines, Cahiers du Cinema and Arts. When the younger of the two becomes a filmmaker with "The 400 Blows", which triumphs in Cannes in 1959, he helps his older friend shift to directing, offering him a screenplay which already has a title, A bout de souffle, or Breathless. Through the 1960s the two loyally support each other. History and politics separate them in 1968, when Godard plunges into radical politics but Truffaut continues his career as before. Between the two of them, the actor Jean-Pierre Leaud is torn like a child caught between two separated and warring parents. Their friendship and their break-up embody the story of French cinema.

"Araya" is an old natural salt mine located in a peninsula in northeastern Venezuela which was still, by 1959, being exploited manually five hundred years after its discovery by the Spanish. Margot Benacerraf captures in images, the life of the "salineros" and their archaic methods of work before their definite disappearance with the arrival of the industrial exploitation.

Introduction to Sociology. For three years (1998-2001) Pierre Carles followed Pierre Bourdieu, a major sociologist, working to have his research understood and people prompted to action. Sociology is a fighting sport, not an intellectual technical tool for the elite to validate their choices. People need sociology to understand the growing inequalities and fire back, find their way out of the all-economic fatalism.

An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip.

Trials tribulation dreams and aspirations of a young farmer earning a living making and selling charcoal in Congo.

During the '35th Cannes International Film Festival' (14th-26th May 1982), German director

"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

A collection of stories about and images of our world, offering an immersion to the core of what it means to be human.

Documentary examining Bokassa's rule in the Central African Republic using the testimony of witnesses and visits to key sites.

As war-ravaged South Sudan claims independence from North Sudan and its brutal President, Omar al-Bashir, a tiny, homemade prop plane wings in from France. It is piloted by eagle-eyed documentarian Hubert Sauper, who is mining for stories in a land trapped in the past but careening toward an apocalyptic future.

Chantal Akerman films her mother, an old woman of Polish origin who is short lifetime, in her apartment in Brussels. For two hours, we will see them eating, chatting and sharing memories, sometimes accompanied by Sylvaine, Chantal's sister. Also, and to show how small the world has become, Chantal remains in contact with her mother at other times of the year via Skype from lands as far away from Belgium as Oklahoma or New York.

Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962, the first springtime of peace after the ceasefire with Algeria and the first time in 23 years that France was not involved in any war.

From world-renowned filmmaker Hubert Sauper - director of Sundance winner WE COME AS FRIENDS and the Oscar®-nominated DARWIN'S NIGHTMARE - comes EPICENTRO, an immersive and metaphorical portrait of post-colonial, "utopian" Cuba, where the 1898 explosion of the USS Maine still resonates. This Big Bang ended Spanish colonial dominance in the Americas and ushered in the era of the American Empire. At the same time and place, a powerful tool of conquest was born: cinema as propaganda. In EPICENTRO, Sauper explores a century of interventionism and myth-making together with the extraordinary people of Havana-particularly its children, who he calls "young prophets" - to interrogate time, imperialism and cinema itself.