as the book began I didn't care much for the characters, and I was in a hurry to get past the kidnapping, out of the house and (hopefully) into the Jungle, where it would becomes about survivalism. After awhile it became clear that nobody was going anywhere; our set was almost claustrophobically small. You don't really get a visual of what is happening beyond the wall - you are one of them, the kidnapped; you are all of them. The plot didn't feel realistic, which irked me a little, but the characters did. And once you realized where it was going, there couldn't be any other way for it to get there. A younger me would have liked this better. A younger me might not have had as much respect for the logistics of allowing 59 people to grow roots in a mansion. An older me knows better; the very unsustainability (irresponsability?) of the house's society in microcosm kept me from becoming fully invested in it. As much as I wanted to suspend disbelief as we are told the characters did, I could feel the inevitability of the return to "real life" bearing down on the book like a semi-truck...and the fact that the characters somehow lost track of the fact of The End ultimately throws into question their maturity.I still believe in "tribes", in families. I still believe in everyone being allowed to fall into their proper roles; in the growth of affection and respect through proximity. I wish I could've crossed the gap and invested properly in this tribe; but as stories go, this was a pleasant enough one just to watch from a distance.

Raised from birth in the orphanage at St. Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

In this follow-up to The Tattooist of Auschwitz, the author tells the story, based on a true one, of a woman who survives Auschwitz, only to find herself locked away again. Cilka Klein is 18 years old when Auschwitz-Birkenau is liberated by Soviet soldiers. But Cilka is one of the many women who is sentenced to a labor camp on charges of having helped the Nazis--with no consideration of the circumstances Cilka and women like her found themselves in as they struggled to survive. Once at the Vorkuta gulag in Sibera, where she is to serve her 15-year sentence, Cilka uses her wits, charm, and beauty to survive.

No one’s ever told Eleanor that life should be better than fineMeet Eleanor Oliphant: she struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond’s big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she'll learn that she, too, is capable of finding friendship—and even love—after all.Smart, warm, uplifting, Eleanor Oliphant Is Completely Fine is the story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey as she realizes. . .  the only way to survive is to open your heart.

The surprising, stunning book that took the publishing world by storm: a coming-of-age memoir of unimaginable perils and unexpected joys, steeped in the rhythms of folk tales and poetry, that is as unforgettable as it is rare--a treasure for readers. Qais Akbar Omar was born in Kabul in a time of relative peace. Until he was 7, he lived with his father, a high school physics teacher, and mother, a bank manager, in the spacious, garden-filled compound his grandfather had built. Noisy with the laughter of his cousins (with whom they lived in the typical Afghan style), fragrant with the scent of roses and apple blossoms, and rich in shady, tucked-away spots where Qais and his grandfather sat and read, home was the idyllic centre of their quiet, comfortable life. But in the wake of the Russian withdrawal and the bloody civil conflict that erupted, his family was forced to flee and take refuge in the legendary Fort of Nine Towers, a centuries-old palace in the hills on the far side of Kabul. On a perilous trip home, Omar and his father were kidnapped, narrowly escaping, and the family fled again, his parents leading their 6 children on a remarkable, sometimes wondrous journey. Hiding inside the famous giant Bamiyan Buddhas sculpture, and among Kurchi herders, Omar cobbles together an education, learning the beautiful art of carpet-weaving from a deaf mute girl, which will become the family's means of support. Against a backdrop of uncertainty, violence and absurdity, young Qais Omar weaves together a story--and a self--that is complex, colourful, and profound.

“If you cannot speak truth at a beheading, when can you speak it?”England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves.Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?With The Mirror &amp; the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion, and courage.

One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

If you knew the date of your death, how would you live your life? It's 1969 in New York City's Lower East Side, and word has spread of the arrival of a mystical woman, a traveling psychic who claims to be able to tell anyone the day they will die. The Gold children—four adolescents on the cusp of self-awareness—sneak out to hear their fortunes.The prophecies inform their next five decades. Golden-boy Simon escapes to the West Coast, searching for love in '80s San Francisco; dreamy Klara becomes a Las Vegas magician, obsessed with blurring reality and fantasy; eldest son Daniel seeks security as an army doctor post-9/11; and bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality.A sweeping novel of remarkable ambition and depth, The Immortalists probes the line between destiny and choice, reality and illusion, this world and the next. It is a deeply moving testament to the power of story, the nature of belief, and the unrelenting pull of familial bonds.

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

A funny, often poignant tale of boy meets girl with a twist: what if one of them couldn't stop slipping in and out of time? Highly original and imaginative, this debut novel raises questions about life, love, and the effects of time on relationships.Audrey Niffenegger’s innovative debut, The Time Traveler’s Wife, is the story of Clare, a beautiful art student, and Henry, an adventuresome librarian, who have known each other since Clare was six and Henry was thirty-six, and were married when Clare was twenty-three and Henry thirty-one. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity in his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing. The Time Traveler’s Wife depicts the effects of time travel on Henry and Clare’s marriage and their passionate love for each other as the story unfolds from both points of view. Clare and Henry attempt to live normal lives, pursuing familiar goals—steady jobs, good friends, children of their own. All of this is threatened by something they can neither prevent nor control, making their story intensely moving and entirely unforgettable.

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  From "a formidably gifted writer" (\
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    The New York Times Book Review\
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  ), a book that asks: Is there life after the internet? \
As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?"Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

Reading the third of Anne Truitt's journals is a delight. She touches on many topics of being an artist who is growing older and meeting her new limitations. Yet despite this these years are rich with her experiences of travel, creation, and taking on administration of Yaddo Artist Colony for one of their years. She speaks of after her first book came out and the toll it took on her in elegant terms, "I am trying to feel out the new topology that the publication of Daybook is drawing around me: enlarging dimensions with amoeboid edges sensitive to changing forces outside and inside myself; but I seem also to have developed up. To have become more visible, as if I were a hill that had swelled into prominence from some inner accrual of substance. What I must in honesty name achievement in the real sense of actualized potentiality has made a topographical change. The hill of my prominence is modest, in due proportion to the plain from which it has risen. Still, I am having to accustom myself to being visible instead of indistinguishable in a stretch of land."She speaks of the "abuses of guilt" and "of the lag that sometimes exists, even for years, between an act and a realization that the act was wrong; of the surprise that realization can be, of the agonizing prick of compunction, the bite of remorse; and of how the habit of gnawing at oneself can lead to inanition so that addiction to one's own pain can block growth. We came finally to the purpose of repentance: the decision to learn from one's past in order to amend one's future."She speaks of "insight preceded by humility": "I have noticed over and over that a certain sort of depression presages a jump in my perception of my situation or of my work. Perhaps insight has to be preceded by humility."I also like her realizations that: "affection abides conflict." "Worry is a form of blasphemy, a substitution of one's own will for divine will." "Reproduction fatally weakens the force of art." That "home is the implicit promise of stabile continuation" and that "what human life is, a period of time during which one abides without the possibility of continuity."One quote of hers that stands out near the end of the book: "I will die with the detritus of my history: the decay of mistakes made, of promises unfulfilled." Another, "We can no longer afford the expression of all privileges of individuality if we are to enjoy the kindlyness of family understanding." And, "By keeping on being what we most intimately are, we can continually redefine ourselves so that we become what we have not before been able to be. If we live this way, we surprise ourselves."A good book for long term artists to read.

Clicca qui per l'edizione "Storie senza tempo".Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

An illuminating exploration of the intersection between life, art and the sea from the award-winning author of The Whale.In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition. Dürer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But his art captured more than the physical world, he also captured states of mind. Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip’s experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Dürer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.

In this breathtaking novel—rich in history and adventure—The New York Times bestselling author Diana Gabaldon continues the story of Claire Randall and Jamie Fraser that began with the now-classic novel Outlander and continued in Dragonfly in Amber and Voyager. Once again spanning continents and centuries, Diana Gabaldon has created a work of sheer passion and brilliance.... It began at an ancient Scottish stone circle. There, a doorway, open to a select few, leads into the past—or the grave. Dr. Claire Randall survived the extraordinary passage, not once but twice.Her first trip swept her into the arms of Jamie Fraser, an eighteenth-century Scot whose love for her became a legend—a tale of tragic passion that ended with her return to the present to bear his child. Her second journey, two decades later, brought them together again in the American colonies. But Claire had left someone behind in the twentieth century—their daughter, Brianna....Now Brianna has made a disturbing discovery that sends her to the circle of stones and a terrifying leap into the unknown. In search of her mother and the father she has never met, she is risking her own future to try to change history ... and to save their lives. But as Brianna plunges into an uncharted wilderness, a heartbreaking encounter may strand her forever in the past ... or root her in the place she should be, where her heart and soul belong....

From the author of the breathtaking bestsellers Outlander and Dragonfly in Amber, the extraordinary saga continues.Their passionate encounter happened long ago by whatever measurement Claire Randall took. Two decades before, she had traveled back in time and into the arms of a gallant eighteenth-century Scot named Jamie Fraser. Then she returned to her own century to bear his child, believing him dead in the tragic battle of Culloden. Yet his memory has never lessened its hold on her... and her body still cries out for him in her dreams.Then Claire discovers that Jamie survived. Torn between returning to him and staying with their daughter in her own era, Claire must choose her destiny. And as time and space come full circle, she must find the courage to face the passion and pain awaiting her...the deadly intrigues raging in a divided Scotland... and the daring voyage into the dark unknown that can reunite or forever doom her timeless love.

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