An intensely powerful new novel from the best-selling author of The Bastard of Istanbul and Honour'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore. Her brain cells, having run out of blood, were now completely deprived of oxygen. But they did not shut down. Not right away...'For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life - friends who are now desperately trying to find her. . .

Once, when my middle child was 7 or 8 years old, I was listening to the usual rhythm of her saying her evening prayer, when she surprised me by adding, “And Lord, please remember, when I die, I want to come back as a horse. Amen.”I laughed out loud at her prayer, but then I immediately realized my mistake, when I saw her face. She wasn't joking. I switched gears quickly, got serious, and said, “Honey. I don't get it. Why are you asking God to bring you back as a horse?”She answered very matter-of-factly, “Being a person is too hard. I don't want to come back as one, next time. Horses know exactly what to do and they have more fun.”Well, how can anyone argue with THAT? She's right. A horse eats, it drinks, it sleeps, it plays, it procreates, it eliminates, it dies. The horse's trajectory is ruled by nature. It does what a horse does. The end.But, humans. Sigh. Humans. Humans have strayed so far from the caves, our code for being human has become lost to us. Gone are the days of “Ugga, Ugga, Ugga” and all of our problems were solved. Gone are the days of the finger point to the vagina, the penis, the fire, the meat, the water, the baby, the sky, the ground. Our fingers used to do the talking, and I bet we were a HELL of a lot happier, too. (I've pointed my finger at Viggo Mortensen's penis in an earlier review, and nothing happened. It's like all the magic's gone.)But, I digress.Now, depending on culture, religion, geography, and social and economic status, the code can be completely different for each person, and chances are, the human code for YOU is close to impossible anyway, and you feel as though you're failing every day.Nobody's role is simple, these days. Not even a kid's. It used to mean minding your manners, respecting those who were bigger than you, treating each day as a surprise package, waiting to be opened. . . this is the age of perfection, kid. Everybody try their emotional and physical damndest. Strive, strive. Correct all defects.Correct all defects. Don't show weakness. The code for humans is so complicated now, it seems based on a pursuit of perfection we sought for ourselves, but had no realistic basis. We have holy texts that guide us to be good, but none that I'm aware of that ask us to be God.But we ain't Divine, people. And most of us are doing a lousy job of being perfect, but an excellent job of being miserable.And no make-up or yoga pants or juice cleanse or private college or grad school or Paleo diet or test scores or attractive spouse or clever children or 2-car garage or 4,000 square foot home or Mercedes Benz or colored hair or bank account or successful career or skinny ass or perpetual smile is ever going to make us PERFECT.Because we're ORDINARY, people.And as far as I'm concerned. . . the sooner we head back to the caves, the better. I'm headed to mine right now. (I'm trading in my overpriced yoga pants for leopard skins, and Viggo M's ass better be waiting for me).My daughter says she'll carry me on her back.

Dr. Black is a good man with a few vices. He is willing to sacrifice his career for his wife, Pria. He takes an internship at a hick institution in Southern Alabama to make his wife happy, but once he is situated in this old hospital, he finds that old habits die-hard. He is sexually compulsive and easily seduced by his supervisor, Cassie, who takes him to the bowels of the institution and shows him its tragic history. As Dr. Black loses himself in his obsession with Cassie, he becomes convinced that she is the key to Circe's mythology and magic and a series of bizarre murders leaves him convinced that she has opened the gates to another world. Madness and sanity begin to blur for Dr. Black and he becomes entangled in the mystery at the heart of Circe. A mystery that's as old as the ancient hospital itself. A mystery that could incriminate Cassie, an old god, or Dr. Black himself.

In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves-and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

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  Resuming the narrative of his Pulitzer Prize-winning \
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    Ghost Wars,\
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   bestselling author Steve Coll tells for the first time the epic and enthralling story of America's intelligence, military, and diplomatic efforts to defeat Al Qaeda and the Taliban in Afghanistan and Pakistan since 9/11\
Prior to 9/11, the United States had been carrying out small-scale covert operations in Afghanistan, ostensibly in cooperation, although often in direct opposition, with I.S.I., the Pakistani intelligence agency. While the US was trying to quell extremists, a highly secretive and compartmentalized wing of I.S.I., known as "Directorate S," was covertly training, arming, and seeking to legitimize the Taliban, in order to enlarge Pakistan's sphere of influence. After 9/11, when fifty-nine countries, led by the U. S., deployed troops or provided aid to Afghanistan in an effort to flush out the Taliban and Al Qaeda, the U.S. was set on an invisible slow-motion collision course with Pakistan.Today we know that the war in Afghanistan would falter badly because of military hubris at the highest levels of the Pentagon, the drain on resources and provocation in Muslim world caused by the U.S.-led invasion of Iraq, and corruption. But more than anything, as Coll makes painfully clear, the war in Afghanistan was doomed because of the failure of the United States to apprehend the motivations and intentions of I.S.I.'s "Directorate S". This was a swirling and shadowy struggle of historic proportions, which endured over a decade and across both the Bush and Obama administrations, involving multiple secret intelligence agencies, a litany of incongruous strategies and tactics, and dozens of players, including some of the most prominent military and political figures. A sprawling American tragedy, the war was an open clash of arms but also a covert melee of ideas, secrets, and subterranean violence. Coll excavates this grand battle, which took place away from the gaze of the American public. With unsurpassed expertise, original research, and attention to detail, he brings to life a narrative at once vast and intricate, local and global, propulsive and painstaking. This is the definitive explanation of how America came to be so badly ensnared in an elaborate, factional, and seemingly interminable conflict in South Asia. Nothing less than a forensic examination of the personal and political forces that shape world history, Directorate S is a complete masterpiece of both investigative and narrative journalism.

When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her--freedom, prison or death.With The Testaments, the wait is over.Margaret Atwood's sequel picks up the story more than fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.In this brilliant sequel to The Handmaid's Tale, acclaimed author Margaret Atwood answers the questions that have tantalized readers for decades."Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in." --Margaret Atwood

'The Wall', the lead story in this collection, introduces three political prisoners on the night prior to their execution. Through the gaze of an impartial doctor--seemingly there for the men's solace--their mental descent is charted in exquisite, often harrowing detail. And as the morning draws inexorably closer, the men cross the psychological wall between life and death, long before the first shot rings out.This brilliant snapshot of life in anguish is the perfect introduction to a collection of stories where the neurosis of the modern world is mirrored in the lives of the people that inhabit it.

Coby

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