read!

For all of those who keep insisting that Stephen King is a literary equivalent of Big Mac and fries, writing in the comfortable confines of the frequently-despised 'genre' - please take a look at The Body: The Fall from Innocence, which is much more familiar to public in the quite faithful adaptation by Rob Reiner - 'Stand by Me'. It's not King's trademark horror; it is actually free of the constraints of any so-called 'genre'. It is a coming-of-age character-study novella set in 1960 Maine where monsters are not hiding behind bushes but instead live in the hearts of people - the setting and themes at which King excels.************This is a story of four boys on the brink of adolescence; \ the last moments of childhood told with occasional almost Bradbury-esque nostalgia but with the rose-tinted glasses mercilessly torn off.\ The blue-collar childhood in a small Maine town in 1960 is not a place of magic and wonder - these boys are no strangers to abandonment and abuse and prejudice. Hot-tempered and volatile Teddy Duchamp has been physically mutilated by his mentally ill father whom he still worships. Childish and not-too-bright Vern Tessio lives in fear of his brother. Gordie Lachance, whose adult writer self is telling us this story, is little but a stranger to his parents who never got over the death of his older brother. Smart and tough Chris Chambers, a kid from a family that supplies Castle Rock with alcoholics and juvenile delinquents, is being seriously abused by his father and is seen as a worthless and even dangerous person because of his family."Chris didn't talk much about his dad, but we all knew he hated him like poison. Chris was marked up every two weeks or so, bruises on his cheeks and neck or one eye swelled up and as colorful as a sunset, and once he came to school with a big clumsy bandage on the back of his head. Other times he never got to school at all. His mom would call him in sick because he was too lamed up to come in. Chris was smart, really smart, but he played truant a lot, and Mr. Halliburton, the town truant officer, was always showing up at Chris's house, driving his old black Chevrolet with the NO RIDERS sticker in the corner of the windshield. If Chris was being truant and Bertie (as we called him - always behind his back, of course) caught him, he would haul him back to school and see that Chris got detention for a week. But if Bertie found out that Chris was home because his father had beaten the shit out of him, Bertie just went away and didn't say boo to a cuckoo bird. It never occurred to me to question this set of priorities until about twenty years later."But childhood, even though not at all sheltered, still gives them something of a shield against the world - that sense of invulnerability that only the young children have, the love for adventure, and the protection of sincere and lighthearted friendship."Everything was there and around us. We knew exactly who we were and exactly where we were going. It was grand." **********But we meet them right at the time when they are about to leave the protection of childhood behind them, when in the miserably hot summer of 1960 they set out on a trip to find a body of a boy who disappeared in the woods - a trip that makes at least two of them go through quite significant emotional turmoil and reevaluate their priorities and see the strengthening of one friendship while the others fall apart as the realization sets in that there is more to friendship than just fun and leisure. This is a trip that uncovers both the steel and the vulnerability in the characters of Chris and Gordie, and shoves them from the haven of childhood into the world where things take work and sacrifice and pain, the world that is often cruel and cynical and unavoidable."But he said: "Your friends drag you down, Gordie. Don't you know that? [...] Your friends do. They're like drowning guys that are holding onto your legs. You can't save them. You can only drown with them."****This is a scary realization when you are young - that your friends are not good for you. I remember getting that feeling at around twelve, the age the boys in this book are, and I remember how unsettling that realization was. At that time it feels like friendships are forever, and that things that connect you to other people are there to stay - and realizing how easy and even necessary it can be to break those bonds is quite unsettling. "You always know the truth, because when you cut yourself or someone else with it, there's always a bloody show."******And some of this is present here - but on the other hand we are also treated to the strengthening of the true friendship between Gordie and Chris. Gordie, a kid who is emotionally neglected by his family, acutely feels the sincerity and kindness that Chris brings into the world, despite his 'tough' origins - Chris, the center of this ragtag group, is grown up beyond his years, and has some hard-earned wisdom for his twelve years of age, sprinkled with a bit of pain and bitterness but grounded in common sense."But it was only survival. We were clinging to each other in deep water. I've explained about Chris, I think; my reasons for clinging to him were less definable. His desire to get away from Castle Rock and out of the mill's shadow seemed to me to be my best part, and I could not just leave him to sink or swim on his own. If he had drowned, that part of me would have drowned with him, I think."**********I love the narrative voice of this story - the narration by a young but accomplished writer Gordon Lachance, bringing the perspective that the few decades that have passed since that summer of 1960 have given him - but yet conveying the feelings and the attitudes of a twelve-year-old boy who feels both resentment and love and experiences profound beauty and the low of human ugliness. There are lyrical parts and trademark-King unflinching gory parts, and social commentary without the slightest sugar-coating. The story is peppered in places with the stories written by older Gordon and full of reflections of the adult man reflecting on the important and defining experience of the end of his childhood. "The most important things are hardest to say, because words diminish them." It is a fascinating, engrossing read, the one that is well worth several hours of your time, even if you have never been a fan of King. 5 stars and highly recommend!

The Department of Scientific Intelligence (aka "The Shop") never anticipated that two participants in their research program would marry and have a child. Charlie McGee inherited pyrokinetic powers from her parents, who had been given a low-grade hallucinogen called "Lot Six" while at college. Now the government is trying to capture young Charlie and harness her powerful firestarting skills as a weapon.--stephenking.com

HE IS ONE OF THE MOST HAUNTING CHARACTERSIN ALL OF LITERATURE.AT LAST THE EVOLUTION OF HIS EVILIS REVEALED.Hannibal Lecter emerges from the nightmare of the Eastern Front, a boy in the snow, mute, with a chain around his neck. He seems utterly alone, but he has brought his demons with him.Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki.Lady Murasaki helps Hannibal to heal. With her help he flourishes, becoming the youngest person ever admitted to medical school in France.But Hannibal’s demons visit him and torment him. When he is old enough, he visits them in turn.He discovers he has gifts beyond the academic, and in that epiphany, Hannibal Lecter becomes death’s prodigy.

It’s finally here. The long-awaited sequel to the bestselling Unwind, which Publishers Weekly called a “gripping, brilliantly imagined futuristic thriller.”Thanks to Connor, Lev, and Risa—and their high-profile revolt at Happy Jack Harvest Camp—people can no longer turn a blind eye to unwinding. Ridding society of troublesome teens while simltaneously providing much-needed tissues for transplant might be convenient, but its morality has finally been brought into question. However, unwinding has become big business, and there are powerful political and corporate interests that want to see it not only continue, but also expand to the unwinding of prisoners and the impoverished.Cam is a product of unwinding; made entirely out of the parts of other unwinds, he is a teen who does not technically exist. A futuristic Frankenstein, Cam struggles with a search for identity and meaning and wonders if a rewound being can have a soul. And when the actions of a sadistic bounty hunter cause Cam’s fate to become inextricably bound with the fates of Connor, Risa, and Lev, he’ll have to question humanity itself.Rife with action and suspense, this riveting companion to the perennially popular Unwind challenges assumptions about where life begins and ends—and what it means to live.

I read this with my daughter for a school book report. We read the first book together and decided to give this one a try too. The rating is from my daughter who I asked, "If five means you loved it and one you hated it, how many stars?" I think the plot in this one was more complex and meaty. They are still very short, at just over 100 pages. My daughter's favorite part was the griffin and she thought Hogsqueal was cute. The river troll and the scene with the goblins around the fire creeped her out (the goblins ate cats). Review for book one.

On an island off the coast of Maine, a man is found dead. There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

Why?Many years from now, historians will look back on this story and wonder why it was so important. And believe me, my friends, important it was. Today, most thrillers and police procedurals gets measured against it.For this review, I will refer to TSOTL as the story, because I'm going to talk about the book, movie, facts, fiction and some of my own opinions.TSOTL was the second Dr. Hannibal Lector story. It was also the second movie adaptation - wait just a damn moment, you might be saying to me, Red Dragon was the first book but it was made after the TSOTL movie was so successful...Correct.However, there was an attempt at a screen adaptation of Red Dragon a few years before TSOTL, called MANHUNTER. It was directed by Michael Mann. To the best of my knowledge, it was a flop at the box office.There are a few things TSOTL had going for it that counted in its favor. By all means, Thomas Harris is a brilliant writer - if you've read any of the books you will know this. But most movie freaks and geeks will agree with me that the story is probably one of the best adaptations from book to screen ever.Then you look at the cast - Jody Foster managed to play a vulnerable yet strong female (IMPORTANT) lead. You know she is intelligent, yet she knows that she has no chance against the superior intellect of Dr. Hannibal Lector. In comes Anthony Hopkins, whose portrayal of the psychopathic genius is so convincing, it catapults him to one of the biggest super villains of all time, yet he is so charming that the audience can't help but like him.And, of course, Buffalo Bill is played by Ted Levine, who is utterly convincing, even if you've seen him as the cop in MONK.With a strong cast and story, this movie became an unlikely contender at the Academy Awards. And they won a few!Right, lets take a step back, to the research phase of this story.Thomas Harris, in the early 80's, were doing research and was fortunate enough to get involved with criminal profiling, which at that time had been an unproven and highly speculative science. It was during the time when they were on the trail of one Ted Bundy. If you know a bit about this famous serial killer, you will probably know that he used to fake injuries by wearing a cast and asking victims for their help - Do you remember how Buffalo Bill got that girl in the back of the van? And while Bundy was incarcerated on death row, he was willing to help the police do a profile on another serial killer of the time, The Green River Killer. I believe Bundy told them not to remove a body when they discover it, because the killer will go back to his treasure - something that was later confirmed to have happened. Remember that agent Sterling asked Dr. Lector for his help? And then there was the killer Ed Gein, many decades before, who robbed graves and ultimately killed people to make himself a female skin, which was apparently hard to sow without tearing. Need I explain this one? The fact of the matter is, while some things may have seemed preposterous to us in the early eighties, like they could only happen in the movies, there were some truly messed up people out there who were doing some truly messed up things - wow, it's been a while since I've kept a sentence PG like that...I will accept your applause humbly.Also, there was and, unfortunately, still are some stereo types about women in the FBI. Harris took the opportunity to make a statement, maybe very subtly, but still very important, about power vs. emotion. At no time does this story feel like a Hollywood blockbuster, where the star is cocky and always has a way out of a sticky situation, where it's all guns and fire and explosions, etc. No, this story was meant to cut close to home, to show the possibilities, for we are all vulnerable in this world. Agent Clarice is scared, she fears for her life, she doesn't know if she will survive, but she fights the big, bad (Goliath) killer. And she wins.This story is also important from a psychological point of view. Whatever your feelings about profiling may be, they have discovered so much and found impossible connections through their research, and we will never know how many lives it has saved. It's a kind of Paying-it-forward thing: By doing what they do, they prevent things that may have been inevitable in a different world.I once saw something (I can't remember exactly where) about some research they were doing on inmates. They took brain scans of a number of them, and noted that those who were certified as psychopathic, had an underdeveloped area in a certain part of their brains. If I can remember correctly, it had something to do with the mother producing too much serotonin during pregnancy, or some such scientific thing.How is this helpful, you may ask?Well, this is my personal opinion, so if it offends you, stop reading:Casey Anthony...Is she a psychopath who got away with murder?Yes, when I look at the facts of the case, and the things her attorney's did to get her free, I'm sickened to think the jurors couldn't believe a mother would do that to her child. Nobody LIKES to believe it, but I wish I could have seen a brain scan of her compared to those other psychopaths. I wish there was a psychologist who could have explained it to them.But enough about that.This book is, was and always will be important, because it brought certain realities home to the world we find ourselves in.If you haven't read it - but managed to get through this long review - what's the matter with you?But I am not trying to convince anybody of my point of view, so feel free to disagree.

Cujo slept.He lay on the verge of grass by the porch, his mangled snout on his fore-paws. His dreams were confused, lunatic things. It was dusk, and the sky was dark with wheeling, red-eyed bats. He leaped at them again and again, and each time he leaped he brought one down, teeth clamped on a leathery, twitching wing. But the bats kept biting his tender face with their sharp little rat-teeth. That was where the pain came from. That was where all the hurt came from. But he would kill them all. He would--Cujo is a two-hundred-pound Saint Bernard, the beloved family pet of the Joe Cambers of Castle Rock, Maine, and the best friend ten-year-old Brett Camber has ever had. One day Cujo pursues a rabbit into a bolt-hole--a cave inhabited by some very sick bats. What happens to Cujo, and to those unlucky enough to be near him, makes for the most heart-squeezing novel Stephen King has yet written.Vic Trenton, New York adman obsessed by the struggle to hand on to his one big account, his restive and not entirely faithful wife, Donna, and their four-year-old son, Tad, moved to Castle Rock seeking the peace of rural Maine. But life in this small town--evoked as vividly as a Winesburg or a Spoon River--is not what it seems. As Tad tries bravely to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage suddenly on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight, and that the fateful currents of their lives will eddy closer and faster to the horrifying vortex that is Cujo.Stephen King has never written a book in which readers will turn the pages with such a combination of anticipation and dire apprehension. Doing so, they will experience an absolute master at work.

Alternate cover for this ISBN can be found hereRoused by a single drop of blood, Rosie Daniels wakes up to the chilling realisation that her husband is going to kill her. And she takes flight - with his credit card. Alone in a strange city, Rosie begins to build a new life: she meets Bill Steiner and she finds an odd junk shop painting, 'Rose Madder', which strangely seems to want her as much as she wants it. But it's hard for Rosie not to keep looking over her shoulder. Rose-maddened and on the rampage, Norman is a corrupt cop with a dog's instinct for tracking people. And he's getting close. Rosie can feel just how close he's getting...

When it first appeared, one volume per month, Stephen King's THE GREEN MILE was an unprecedented publishing triumph: all six volumes ended up on the New York Times bestseller lists—simultaneously—and delighted millions of fans the world over.Welcome to Cold Mountain Penitentiary, home to the Depression-worn men of E Block. Convicted killers all, each awaits his turn to walk the Green Mile, keeping a date with "Old Sparky," Cold Mountain's electric chair. Prison guard Paul Edgecombe has seen his share of oddities in his years working the Mile. But he's never seen anyone like John Coffey, a man with the body of a giant and the mind of a child, condemned for a crime terrifying in its violence and shocking in its depravity. In this place of ultimate retribution, Edgecombe is about to discover the terrible, wondrous truth about Coffey, a truth that will challenge his most cherished beliefes... and yours.

\ Creepy fun reading!\ \ LAUGHING WHILE CREEPING OUT!\ This is a great novel, only that curiously when I bought this book, I bought also, another novel by Dean Koontz titled "Life Expectancy" (you can see my review of that book here: Life Expectancy . I comment this, since I found both novels quite similar.Not exactly the general story and developing but the mood of the storyline.I totally adored Life Expectancy and I jumped right after that book to read this one and I was like "Mmh, I'm feeling like deja vú".But don't get me wrong, the stories are totally different but I think that since before of these two books, I hadn't read a Dean Koontz book with such many humor elements, usually you find characters quite likable and some amusing moments where you smile, but so far, my Koont experience was strictly of creepy horror, not creepy fun.And I don't tell this as something bad, since I think that's kinda expected to do standard horror, but crafting stories with clear horror intention, but with such rich funny sense, it's quite cool.Even recently, you find a lot of this in movies and TV series, but at least me, back in 2007, it wasn't something so usual.But I totally embrace it.So, initially, I thought that Life Expectancy was like unique on that angle, but right after I read that one, I found here, in Ticktock, another horror book with rich humor elements.\ THOSE WONDERFUL WOMEN\ Another thing that I found quite similar is the female companion character of the main protagonist.On both books, the main protagonist finds a spectacular female character with great personality.So, while I loved both characters in each novel, it didn't help to my "deja vú" feeling.I know that Dean Koontz re-use a lot of elements, like smart dogs, protagonists who like to read and/or are writers, over-detailed towns, etc... and I love his work for all that. As I say, "Tick Tock" is a wonderful horror story with a great humorous ambiance, quite entertaining and a really page-turner. In fact I read it quite quickly. So, I still recommend it a lot. Just try to read this book, Ticktock and Life Expectancy with some time in between of each of them.Quite advisable, if you read something else, of a different genre, in between.I'm sure that you'll enjoy both books!!!Have creepy fun!!!

\ \ John Wayne Cleaver is dangerous, and he knows it.He's spent his life doing his best not to live up to his potential.He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation.Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means.Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could.Dan Wells' debut novel is the first volume of a trilogy that will keep you awake and then haunt your dreams.\ \

Christopher Snow is different from all the other residents of Moonlight Bay, different from anyone you've ever met. For Christopher Snow has made his peace with a very rare genetic disorder shared by only one thousand other Americans, a disorder that leaves him dangerously vulnerable to light. His life is filled with the fascinating rituals of one who must embrace the dark. He knows the night as no one else ever will, ever can - the mystery, the beauty, the many terrors, and the eerie, silken rhythms of the night - for it is only at night that he is free. Until the night he witnesses a series of disturbing incidents that sweep him into a violent mystery only he can solve, a mystery that will force him to rise above all fears and confront the many-layered strangeness of Moonlight Bay and its residents.

Years after his escape, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Hannibal lives the good life in Florence, playing lovely tunes by serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno. Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets.

All those who enjoyed shuddering their way through Alvin Schwartz's first volume of Scary Stories To Tell In The Dark will find a satisfyingly spooky sequel in this new collection of the macabre, the funny, and the fantastic.Is it possible to die -- and not know it? What if a person is buried too soon? What happens to a thief foolish enough to rob a corpse, or to a murderer whose victim returns from the grave? Read about these terrifying predicaments as well as what happens when practical jokes produce gruesome consequences and initiations go awry.Stephen Gammell's splendidly creepy drawings perfectly capture the mood of more than two dozen scary stories -- and even a scary song -- all just right for reading alone or for telling aloud in the dark.If You Dare!

A modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.Make a date with terror and live the nightmare that is...Carrie--back cover

Amanda and Josh think the old house they have just moved into is weird. Spooky. Possibly haunted. And the town of Dark Falls is pretty strange, too. — But their parents don't believe them. You'll get used to it, they say. Go out and make some new friends. — So Amanda and Josh do. But these creepy new friends are not exactly what their parents had in mind.Because they want to be friends......Forever.

The New York Times bestsellerA LOVE THAT TRANSCENDS HEAVEN AND HELLWhat happens to us after we die? Chris Nielsen had no idea, until an unexpected accident cut his life short, separating him from his beloved wife, Annie. Now Chris must discover the true nature of life after death.But even Heaven is not complete without Annie, and when tragedy threatens to divide them forever, Chris risks his very soul to save Annie from an eternity of despair.Richard Matheson's powerful tale of life---and love---after death was the basis for the Oscar-winning film starring Robin Williams.