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Roya, a dreamy, idealistic teenager living amid the political upheaval of 1953 Tehran, finds a literary oasis in kindly Mr. Fakhri’s neighborhood stationery shop, stocked with books and pens and bottles of jewel-colored ink.Then Mr. Fakhri, with a keen instinct for a budding romance, introduces Roya to his other favorite customer—handsome Bahman, who has a burning passion for justice and a love for Rumi’s poetry—and she loses her heart at once. Their romance blossoms, and the little stationery shop remains their favorite place in all of Tehran.A few short months later, on the eve of their marriage, Roya agrees to meet Bahman at the town square when violence erupts—a result of the coup d’etat that forever changes their country’s future. In the chaos, Bahman never shows. For weeks, Roya tries desperately to contact him, but her efforts are fruitless. With a sorrowful heart, she moves on—to college in California, to another man, to a life in New England—until, more than sixty years later, an accident of fate leads her back to Bahman and offers her a chance to ask him the questions that have haunted her for more than half a century: Why did you leave? Where did you go? How is it that you were able to forget me?A poignant, heartfelt new novel by the award-nominated author of Together Tea that explores loss, reconciliation, and the quirks of fate.

From the author of The Five Stages of Andrew Brawley comes a brand-new novel about a teenage boy who must decide whether or not the world is worth saving.Henry Denton has spent years being periodically abducted by aliens. Then the aliens give him an ultimatum: The world will end in 144 days, and all Henry has to do to stop it is push a big red button.Only he isn’t sure he wants to.After all, life hasn’t been great for Henry. His mom is a struggling waitress held together by a thin layer of cigarette smoke. His brother is a jobless dropout who just knocked someone up. His grandmother is slowly losing herself to Alzheimer’s. And Henry is still dealing with the grief of his boyfriend’s suicide last year.Wiping the slate clean sounds like a pretty good choice to him.But Henry is a scientist first, and facing the question thoroughly and logically, he begins to look for pros and cons: in the bully who is his perpetual one-night stand, in the best friend who betrayed him, in the brilliant and mysterious boy who walked into the wrong class. Weighing the pain and the joy that surrounds him, Henry is left with the ultimate choice: push the button and save the planet and everyone on it…or let the world—and his pain—be destroyed forever.

I want life. I want to read it and write it and feel it and live it. I want, for as much of the time as possible in this blink-of-an-eye existence we have, to feel all that can be felt. I hate depression. I am scared of it. Terrified, in fact. But at the same time, it has made me who I am. And if - for me - it is the price of feeling life, it's a price always worth paying.Reasons to Stay Alive is about making the most of your time on earth. In the western world the suicide rate is highest amongst men under the age of 35. Matt Haig could have added to that statistic when, aged 24, he found himself staring at a cliff-edge about to jump off. This is the story of why he didn't, how he recovered and learned to live with anxiety and depression. It's also an upbeat, joyous and very funny exploration of how live better, love better, read better and feel more.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer.2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed?Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

In the bestselling, prize-winning A Short History of Nearly Everything, Bill Bryson achieved the seemingly impossible by making the science of our world both understandable and entertaining to millions of people around the globe.Now he turns his attention inwards to explore the human body, how it functions and its remarkable ability to heal itself. Full of extraordinary facts and astonishing stories, The Body: A Guide for Occupants is a brilliant, often very funny attempt to understand the miracle of our physical and neurological make up.A wonderful successor to A Short History of Nearly Everything, this book will have you marvelling at the form you occupy, and celebrating the genius of your existence, time and time again.

Fiercely told, this is a timely coming-of-age story, told in verse about the journey to self-acceptance. Perfect for fans of Sarah Crossan, Poet X and Orangeboy.A boy comes to terms with his identity as a mixed-race gay teen - then at university he finds his wings as a drag artist, The Black Flamingo. A bold story about the power of embracing your uniqueness. Sometimes, we need to take charge, to stand up wearing pink feathers - to show ourselves to the world in bold colour.*I masquerade in makeup and feathers and I am applauded.*

In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.But when the Eastwood sisters--James Juniper, Agnes Amaranth, and Beatrice Belladonna--join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote-and perhaps not even to live-the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive.There's no such thing as witches. But there will be.

Eight year-old orphan Beth Harmon is quiet, sullen, and by all appearances unremarkable. That is until she plays her first game of chess. Her senses grow sharper, her thinking clearer, and for the first time in her life she feels herself fully in control. By the age of sixteen, she's competing for the U.S. Open championship. But as she hones her skills on the professional circuit, the stakes get higher, her isolation grows more frightening, and the thought of escape becomes all the more tempting. Engaging and fast-paced, The Queen's Gambit speeds to a conclusion as elegant and satisfying as a mate in four.

Body-snatching has never been so heartwarming . . .The Humans is a funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves. Combine Douglas Adams’s irreverent take on life, the universe, and everything with a genuinely moving love story, and you have some idea of the humor, originality, and poignancy of Matt Haig’s latest novel.Our hero, Professor Andrew Martin, is dead before the book even begins. As it turns out, though, he wasn’t a very nice man--as the alien imposter who now occupies his body discovers. Sent to Earth to destroy evidence that Andrew had solved a major mathematical problem, the alien soon finds himself learning more about the professor, his family, and “the humans” than he ever expected. When he begins to fall for his own wife and son--who have no idea he’s not the real Andrew--the alien must choose between completing his mission and returning home or finding a new home right here on Earth.

From the New York Times bestselling author of the National Book Award longlist title The Poet X comes a dazzling novel in prose about a girl with talent, pride, and a drive to feed the soul that keeps her fire burning bright.Ever since she got pregnant freshman year, Emoni Santiago’s life has been about making the tough decisions—doing what has to be done for her daughter and her abuela. The one place she can let all that go is in the kitchen, where she adds a little something magical to everything she cooks, turning her food into straight-up goodness.Even though she dreams of working as a chef after she graduates, Emoni knows that it’s not worth her time to pursue the impossible. Yet despite the rules she thinks she has to play by, once Emoni starts cooking, her only choice is to let her talent break free.

"Remember that hope is a good thing, Red, maybe the best of things, and no good thing ever dies."Rita Hayworth and The Shawshank Redemption is subtitled 'Hope Springs Eternal' - and that perfectly sums up the soul of his book. It's hope that keeps you going - even after everything horrible that you can ever imagine has already happened to you, even after life has knocked you down over and over again, even after there seems to be nothing left. Hope is the last thing to die, they say. Andy Dufresne has taken that saying to heart, apparently.The Shawshank Redemption is a prime example of why Stephen King will always remain among my favorite authors. Branded a horror writer, a representative of a genre that is so easy and tempting to altogether judge and dismiss by book snobs lovers¹ (and I have been among them on more than one occasion, I must confess) results in way too frequent overlooking of his captivating storytelling skills and excellent character development that is the driving force behind his stories. His best books - and this is one of them, undeniably - are based on "what if?" approach, and then watching his characters try to find their way out of the "what if?" situation, shaping themselves in the process of writing into fully fleshed figures which are so much more than just the vehicles for necessities of plot development.¹ From Neil Gaiman's interview with King:"I was down here in the supermarket, and this old woman comes around the corner, this old woman – obviously one of the kind of women who says whatever is on her brain. She said, 'I know who you are, you are the horror writer. I don’t read anything that you do, but I respect your right to do it. I just like things more genuine, like that Shawshank Redemption.'And I said, 'I wrote that'. And she said, 'No you didn’t'. And she walked off and went on her way."\ The Shawshank Redemption is the story narrated by Red, a prisoner at the fictional Shawshank prison in Maine, immortalized by Morgan Freeman (what a fitting last name!) in a well-known Frank Darabont screen adaptation of this book. Red tells us the story of his fellow prisoner Andy Dufresne, falsely accused of a murder he did not commit and sentenced to a life behind bars as a result. Andy, a small calm level-headed former banker, who would seem to be destined for the role of perpetual victim in the place where brawn seems to be worth more than brains, where he has met violence and humiliation and senseless brutality from both guards and prisoners. It was a place destined to break Andy's spirit. It's supposed to do that to everyone. That's the point.And yet Andy Dufresne calmly refuses to be broken. Andy so fiercely clings to his humanity, to his hope that he becomes a legend. His demeanor - that of a free man even caged seemingly forever - is what gives hope to others, especially Red, his friend and narrator.\ "So yeah - if you asked me to give you a flat-out answer to the question of whether I'm trying to tell you about a man or a legend that got made up around the man, like a pearl around a little piece of grit - I'd have to say that the answer lies somewhere in between. All I know for sure is that Andy Dufresne wasn't much like me or anyone else I ever knew since I came inside. He brought in five hundred dollars jammed up his back porch, but somehow that graymeat son a bitch managed to bring in something else as well. A sense of his own worth, maybe, or a feeling that he would be the winner in the end... or maybe it was only a sense of freedom, even inside these goddamned gray walls. It was a kind of light he carried around with him."\ Andy Dufresne meticulously and patiently clings to a bit of hope, so irrational and fickle that anyone would have given up. And it's this hope, so inherent to his nature, that allows him to retain his humanity and quiet but undeniable dignity in a place where neither is supposed to exist. Violence, corruption, power, greed, cruelty - Andy goes through it all with his unexpected backbone of steel, allowing all of it to only barely tarnish his amazing resilient spirit, winning his little victories against the system along the way, in his own way brightening the existence of those for whom there'd appear to be little left, patiently fighting his fight to keep little glimpses of humanity in the place where they are rarely seen.\ "Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure."\ I first read this book as a fourteen-year-old teenage cynical know-it-all - and when I got to the end, I cried. Because it hit me then how, despite my teenage sense of invulnerability, the world can be cruel to you for no reason, and sometimes hope is all you have left. Now I'm twice that age, having seen a bit of the life's cruelty that King so frequently alludes to, and I no longer cry at the ending of this book; instead, I marvel with a feeling of sadness and quiet fascination at how aptly he captured the need to keep going despite all odds, even when it appears there is nothing left to live and hope for. Because hope dies last, and sometimes you just need to see it through to the end. And as long as you haven't lost yourself, your inner little sense of worth, there remains something to live and fight for.\ "I find I am excited, so excited I can hardly hold the pencil in my trembling hand. I think it is the excitement that only a free man can feel, a free man starting a long journey whose conclusion is uncertain.I hope Andy is down there.I hope I can make it across the border.I hope to see my friend and shake his hand.I hope the Pacific is as blue as it has been in my dreams.I hope."\

It is 1962, and Elisa Esposito—mute her whole life, orphaned as a child—is struggling with her humdrum existence as a janitor working the graveyard shift at Baltimore’s Occam Aerospace Research Center. Were it not for Zelda, a protective coworker, and Giles, her loving neighbor, she doesn’t know how she’d make it through the day.Then, one fateful night, she sees something she was never meant to see, the Center’s most sensitive asset ever: an amphibious man, captured in the Amazon, to be studied for Cold War advancements. The creature is terrifying but also magnificent, capable of language and of understanding emotions…and Elisa can’t keep away. Using sign language, the two learn to communicate. Soon, affection turns into love, and the creature becomes Elisa’s sole reason to live.But outside forces are pressing in. Richard Strickland, the obsessed soldier who tracked the asset through the Amazon, wants nothing more than to dissect it before the Russians get a chance to steal it. Elisa has no choice but to risk everything to save her beloved. With the help of Zelda and Giles, Elisa hatches a plan to break out the creature. But Strickland is on to them. And the Russians are, indeed, coming.

Inspired by an astonishing true story from World War II, a young woman with a talent for forgery helps hundreds of Jewish children flee the Nazis in this unforgettable historical novel from the international bestselling author of the “epic and heart-wrenching World War II tale” (Alyson Noel, #1 New York Times bestselling author) The Winemaker’s Wife.Eva Traube Abrams, a semi-retired librarian in Florida, is shelving books one morning when her eyes lock on a photograph in a magazine lying open nearby. She freezes; it’s an image of a book she hasn’t seen in sixty-five years—a book she recognizes as The Book of Lost Names.The accompanying article discusses the looting of libraries by the Nazis across Europe during World War II—an experience Eva remembers well—and the search to reunite people with the texts taken from them so long ago. The book in the photograph, an eighteenth-century religious text thought to have been taken from France in the waning days of the war, is one of the most fascinating cases. Now housed in Berlin’s Zentral- und Landesbibliothek library, it appears to contain some sort of code, but researchers don’t know where it came from—or what the code means. Only Eva holds the answer—but will she have the strength to revisit old memories and help reunite those lost during the war?As a graduate student in 1942, Eva was forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town in the Free Zone, she begins forging identity documents for Jewish children fleeing to neutral Switzerland. But erasing people comes with a price, and along with a mysterious, handsome forger named Rémy, Eva decides she must find a way to preserve the real names of the children who are too young to remember who they really are. The records they keep in The Book of Lost Names will become even more vital when the resistance cell they work for is betrayed and Rémy disappears.An engaging and evocative novel reminiscent of The Lost Girls of Paris and The Alice Network, The Book of Lost Names is a testament to the resilience of the human spirit and the power of bravery and love in the face of evil.

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenth-century Istanbul, from one of the most prominent contemporary Turkish writers.The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery–or crime? –lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power.

Lucy Silchester has an appointment with her life – and she’s going to have to keep it.Lying on Lucy Silchester’s carpet one day when she returns from work is a gold envelope. Inside is an invitation – to a meeting with Life. Her life. It turns out she's been ignoring it and it needs to meet with her face to face.It sounds peculiar, but Lucy’s read about this in a magazine. Anyway, she can’t make the date: she’s much too busy despising her job, skipping out on her friends and avoiding her family.But Lucy’s life isn’t what it seems. Some of the choices she’s made – and stories she’s told – aren’t what they seem either. From the moment she meets the man who introduces himself as her life, her stubborn half-truths are going to be revealed in all their glory – unless Lucy learns to tell the truth about what really matters to her.

“what a perfect collision of star it was that came together at just the right moment at just the right time to build the incredible thing that is you” ― Nikita Gill, Your Soul is a River