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The Decadent Movement

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Imre Kertész

Imre Kertész (Hungarian: [ˈimrɛ ˈkɛrteːs]; 9 November 1929 – 31 March 2016) was a Hungarian author and recipient of the 2002 Nobel Prize in Literature, "for writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history". He was the first Hungarian to win the Nobel in Literature. His works deal with themes of the Holocaust (he was a survivor of German concentration and death camps), dictatorship, and personal freedom.

Kertész was born in Budapest, Hungary, on 9 November 1929, the son of Aranka Jakab and László Kertész, a middle-class Jewish couple. After his parents separated when he was around the age of five, Kertész attended a boarding school, and, in 1940, he started secondary school where he was put into a special class for Jewish students. During World War II, Kertész was deported in 1944 at the age of 14 with other Hungarian Jews to the Auschwitz concentration camp, and was later sent to Buchenwald. Upon his arrival at Auschwitz, Kertész claimed to be a 16-year-old worker, thus saving him from the instant extermination that awaited a 14-year-old person. After his camp was liberated in 1945, Kertész returned to Budapest, graduated from high school in 1948, and then went on to find work as a journalist and translator. In 1951, he lost his job at the journal Világosság (Clarity), after the publication started leaning towards Communism. For a short term, he worked as a factory worker, and then in the press department of the Ministry of Heavy Industry. From 1953, he started freelance journalism and translated various works into Hungarian, including Friedrich Nietzsche, Sigmund Freud, Ludwig Wittgenstein, and Elias Canetti.

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    Southern Gothic

    «Southern Gothic is an artistic subgenre of fiction, country music, film and television that are heavily influenced by Gothic elements and the American South. Common themes of Southern Gothic include storytelling of deeply flawed, disturbing or eccentric characters who may be involved in hoodoo, decayed or derelict settings,[2] grotesque situations, and other sinister events relating to or stemming from poverty, alienation, crime, or violence».
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      Latin American Boom Fiction

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        Tasmanian Gothic

        «Just about anything Tasmanian can be Gothic: the landscape – Hells Gates, Cape Pillar, Dismal Swamp, Cape Grim, Fury Gorge and Mount Horror all suggest a Gothic toponymy, places named for their secrets and hidden histories; the history of flagellation, sodomy and cannibalism; the ‘feudal’ social remnants; the genetic devolution and loss of material culture; degenerate folk art (Tasmanian Grotesque); the haunting psychoses of a genocidal history; the fauna – especially the extinct tiger; decaying colonial buildings, infused with convict labour, but also ruined mansions and ghost towns (Judy Tierney and Bob Casey, Fonthill: a true story of love, luck, murder and scandal, 2015); the scary megafauna and ducking-box in the Hobart Museum; the horizontal scrub, or bauera, of the remote south-west – even the weather. Excess, intricacy, threat, haunting, darkness, eruptive trauma, uncanniness».
        October 2022
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          Jane Austen Legacy Writers

          List includes: Rosamunde Pilcher, Evelyn Waugh, Philip Larkin
          October 2022
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