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Tasmanian Gothic

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«Just about anything Tasmanian can be Gothic: the landscape – Hells Gates, Cape Pillar, Dismal Swamp, Cape Grim, Fury Gorge and Mount Horror all suggest a Gothic toponymy, places named for their secrets and hidden histories; the history of flagellation, sodomy and cannibalism; the ‘feudal’ social remnants; the genetic devolution and loss of material culture; degenerate folk art (Tasmanian Grotesque); the haunting psychoses of a genocidal history; the fauna – especially the extinct tiger; decaying colonial buildings, infused with convict labour, but also ruined mansions and ghost towns (Judy Tierney and Bob Casey, Fonthill: a true story of love, luck, murder and scandal, 2015); the scary megafauna and ducking-box in the Hobart Museum; the horizontal scrub, or bauera, of the remote south-west – even the weather. Excess, intricacy, threat, haunting, darkness, eruptive trauma, uncanniness».

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Kate Grenville

Catherine Elizabeth Grenville (born 1950) is an Australian author. She has published fifteen books, including fiction, non-fiction, biography, and books about the writing process. In 2001, she won the Orange Prize for The Idea of Perfection, and in 2006 she won the Commonwealth Writers' Prize for The Secret River. The Secret River was also shortlisted for the Man Booker Prize.

Her novels have been published worldwide and have been translated into many languages. Three have been adapted into feature films. The Secret River was adapted for the stage by Andrew Bovell and toured by the Sydney Theatre Company in 2019.

Kate Grenville was born in 1950, one of three children born to Kenneth Grenville Gee, a District Court judge and barrister; and Isobel Russell, a pharmacist. She was educated at Cremorne Girls High School, the University of Sydney (BA Hons) and the University of Colorado (MA). After completing her undergraduate degree at the University of Sydney, Grenville worked in the film industry, mostly editing documentaries at Film Australia. She has also been a teacher of creative writing. Between 1976 and 1980 she lived in London and Paris, and wrote fiction while supporting herself by doing film-editing, writing, and secretarial jobs. In 1980 she went to the University of Colorado at Boulder to do a master's degree in creative writing. She returned to Australia in 1983 and became a sub-editor at SBS Television in the subtitling department. She won a literary grant in 1986 and left SBS to pursue her writing. Since the early 1990s she has been an Honorary Associate at the University of Sydney.