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Nic and Jules are in a long term, committed, loving but by no means perfect same-sex relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay-at-home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni (conceived by Nic) and Laser (by Jules). Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat reluctantly, she does. He is late thirty-something Paul, a co-op farmer and restaurateur. Despite his seemingly successful businesses, Paul has always shirked responsibility, most specifically in his personal life. After Joni and Laser meet with Paul, Nic and Jules learn what their children have done and, although they don't want Paul infiltrating their lives, want to meet him - especially as Joni and Laser seem to want to maintain some sort of relationship with him. As Paul's relationship with the entire family grows (which includes his hiring Jules to design and construct his backyard), they have an effect on what he wants in life. In turn, he affects their family dynamic as well as each person's relationships outside of it.

Diana Watts is an English teacher at Westerbrook High School in Austin, Texas. A longtime and continuing undisclosed issue between her and her mother may be only one factor in Diana looking for love in the wrong place. That place is at school, as she has just embarked on a secret affair with one of her students, Eric Tull. This relationship is the most fulfilling she's had in quite some time. A few incidents and the first real close call in being caught leads to Diana calling off the affair several months in, as she finally comes to the understanding that being caught would certainly mean the end of her teaching career and her good reputation. This close time away from Eric also gives Diana the opportunity to look at their relationship through a slightly different perspective, with the old adage of absence making the heart grow fonder kicking in. As such, Diana gets torn between doing what she knows is the right thing by staying away from Eric, or listening to her troubled heart, her growing obsession and need for what she considers love which may make staying away from Eric difficult.

Violet and her two cohorts attempt to help their "less-fortunate" students at Seven Oaks College - primarily by running a Suicide Prevention Centre and offering their off-beat advice whenever they get a chance. Violet's newest rescue is transfer student, Lily, and Violet wants to teach her how to talk and dress properly, and how to select appropriate men to be interested in. Along their way in helping everybody at the college, the damsels teach the fraternity doofi to hit the books, they get their hearts broken, but then attempt to start an international dance craze.

Maggie's plan to have a baby on her own is derailed when she falls in love with John, a married man, destroying his volatile marriage to the brilliant and impossible Georgette. But one daughter and three years later, Maggie is out of love and in a quandary: what do you do when you suspect your man and his ex wife are actually perfect for each other?

Sasha and Paige's co-dependent friendship is tested as Paige gets serious with a guy for the first time.

Cathy is the perfect 50s housewife, living the perfect 50s life: healthy kids, successful husband, social prominence. Then one night she stumbles in on her husband Frank, kissing another man, and her tidy world starts spinning out of control. In her confusion and grief, she finds consolation in the friendship of their African-American gardener, Raymond - a socially taboo relationship that leads to the further disintegration of life as she knew it. Despite Cathy and Frank's struggle to keep their marriage afloat, the reality of his homosexuality and her feelings for Raymond open a painful, if more honest, chapter in their lives.

About a recent college grad who returns home while she tries to figure out what to do with her life.

Hollywood actor Johnny Marco, nested in his luxury hotel of choice, is a stimulated man. Drinking, parties and women keep a creeping boredom under wraps in between jobs. He is the occasional father of a bright girl, Cleo, who may be spoiled but doesn't act it. When Cleo's mother drops her off and leaves town, Johnny brings her along for the ride, but can he fit an 11-year-old girl into his privileged lifestyle?

A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her?

In this quirky episodic tale about a friendship that's almost something more, Wes and Alison are pals who ought to be lovers, but their timing has never been right. When Alison makes a late-night visit to Wes on the eve of leaving for Tokyo to rejoin her beau, the two chums travel down an emotional memory lane, discovering truths about their relationship in the process. In the mix is Wes's mysterious and comical guardian angel.

A teen artist living in 1970s San Francisco enters into an affair with her mother's boyfriend.

This day really isn't all that different than every other day, except today Ned's gay son Jonah wants to go to a college party, his wife is bringing home her elderly father to live with them, and his outrageous boss seems to have become even more crazy and demanding than would even seem possible. As his wife tries to take care of her father and reconnect with him, Ned tries to reconnect with Jonah, and then without trying, he seems to have formed a connection with his co-worker. If he can get through days like these, he should be able to get through anything else life throws at him.

Almost forty years ago, a young girl of fourteen has sex, gets pregnant, and gives her baby up for adoption. Fast-forwarding to the present day, we meet three very different women, each of whom struggles to maintain control of their lives. There's Elizabeth, a smart and successful lawyer who uses her body to her advantage. Any time she feels that she doesn't have the upper hand, and cannot control the situation, she uses her sex appeal - whether that be starting a romance with her boss when she suspects he is trying to start one himself, or finding some way to control her overly friendly neighbor and husband. Karen, meanwhile, is a bitter health care professional who obviously has a lot of heart but never shows it. She gave up a daughter at the age of fourteen (wonderfully shown rather than told, she is the young girl and mother of Elizabeth), and has never gotten over it - her bitterness inspiring her to lash out at everyone around her - even the gentle man at work who is undeniably drawn to her. Finally, Lucy is a woman who has failed to conceive with her husband, so she turns to adoption to make the family she desires.

It's the final semester before graduating from high school, and aspiring actress and good girl Alexa (

Nora Wilder is freaking out. Everyone around her is either in a relationship, married, or has children. Nora is in her thirties, alone with job she's outgrown and a mother who constantly reminds her of it all. Not to mention her best friend Audrey's "perfect marriage". But after a series of disastrous dates, Nora unexpectedly meets Julien, a quirky Frenchman who opens her eyes to a lot more than love.

Pippa Lee feels dislocated when she and her husband Herb move from Manhattan to a retirement community. He's older than she, they have two children who are young adults, and the daughter hardly speaks to Pippa. Pippa tells us about her life, in long flashbacks, starting with her birth to a mom who was a social dynamo and addicted to pills. As a teen, Pippa moves out and lives a hippie life until meeting Herb, who was then married to a young siren. Pippa discloses tragedies and discoveries. In the present, she's sleepwalking at night and talking from time to time with a burned-out case, the 35-year-old son of a neighbor. Can Pippa connect?

In 2003, 38-year-old graphic artist Oliver Fields has just lost his father Hal to cancer, 5 years after his mother Georgia's death. Oliver is naturally sullen because of his relationships with his parents growing up (especially his mother, who had a unique view of life) and watching their cordial but somewhat distant marital relationship, but he's more so now as he deals with his personal losses. He embarks on a relationship with French actress Anna, hoping that his re-energized relationship with Hal following Georgia's death, and Hal's new outlook on life, will show him how to act in a loving relationship. After Georgia's death, Hal came out of the closet and began to live with a new joie de vivre and have an open relationship with Andy, a much-younger man. Oliver's relationship with Anna has other obstacles, including her own vagabond lifestyle and Oliver inheriting Arthur, Hal's very needy Jack Russell terrier.

Following the break-up with and imminent divorce from her entertainment lawyer husband David, thirty-something Amy moves back in with her upper middle class parents Ruth and Stan Minsky in Westport, Connecticut. David asked for the divorce following an affair he had with who Amy considered a friend. Knowledge of the affair and David asking for the divorce came out of left field for Amy, who thought she had the perfect marriage. In her surprise and shock about David, she left David basically with the clothes on her back, and has not asked for anything in the divorce settlement. Three months later, she is still in a depressed state, not leaving the house and not knowing what to do with her life. She has no real job experience, has only a liberal arts degree, and abandoned her Master's degree studies in Photography to marry David. She believes her parents have mixed feelings about her return. Although they have both welcomed her back, she believes Ruth is critical not so much about what she does but more about what she doesn't do. Focused Ruth has a perfectly laid out plan for the twilight of her and Stan's lives, which largely is to complete the renovations on the house and travel the world, and didn't include Amy moving back in with them. Conversely, Amy believes Stan is the only person who loves her unconditionally, despite he admitting he never knowing the right thing to say to her. To her surprise and reluctance, Amy enters into a clandestine relationship with nineteen year old Jeremy, an actor with a modicum of success and fame. The reason for not telling anyone of the relationship is due to a combination of the differences in their ages, and the fact that Jeremy's stepfather Larry is a potential client of Stan's, Stan who feels that he needs Larry as a client to be able to retire, something he has already postponed due to market forces working against him. As much as both Amy and Jeremy become emotionally invested in the other's life - Jeremy who is facing his own issues, despite the overwhelming support from his therapist mother, Gwen, who is his biggest champion in whatever he does - Amy is still reluctant to classify what they have as a relationship. As certain realities come to light within this collective of people, Amy may come to some conclusions about the post-David phase of her life.