Lists

Picture of a book: Night Show
Picture of a book: To Wake the Dead
Picture of a book: The Traveling Vampire Show
Picture of a book: triage
Picture of a book: Island
Picture of a book: Friday Night in Beast House
Picture of a book: The Midnight Tour
Picture of a book: Among the Missing
Picture of a book: Midnight's Lair
Picture of a book: Bite
Picture of a book: Night in the Lonesome October
Picture of a book: After Midnight
Picture of a book: No Sanctuary
Picture of a book: The Lake
Picture of a book: Dark Mountain
Picture of a book: Beware!

33 Books

Laymon Books I've Read

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Picture of a book: Funland
books

Funland

Richard Laymon
No, no, no, no...bad Laymon. Baaaaaad. Okay, this isn't the worst book I've ever read, but for a Laymon book, it's distinctly horrible, in extremely bad taste, and too dull in too many sections to give it that zap! and zing! I've come to expect from him. The late Richard Laymon is always my go-to guy for a pulpy, sometimes sleazy, never politically correct but always satisfying horror romp. There's just something so delightfully wicked and deranged about his straightforward, shoot from the hip, slice like a razor blade prose that puts you right into the action and hardly ever relents until the last page is turned. Once upon a time, Stephen King referred to his own work as the literary equivalent of a Big Mac and fries. Not a chance Mr. King; even on your worst day you offer up something rich and tasty with complex flavor profiles that linger long in the memory luring readers back over and over again for repeated tastings. Laymon's books, however (and I love them for this) are a cheeseburger and fries that you wolf down and perhaps groan in pleasure while doing so, then lie back for a satiated moment of stoned out bliss. You'd never want to subsist entirely on a diet of Laymon books, but Jesus, who doesn't get a craving every now and then for an injection of grease and carbs?But god help you if you get a bad burger and spend the night in the john or grasping that bottle of Pepto Bismol in your weak and shaky hands (I'm definitely taking this metaphor too far, but seriously, I feel like I just ate a bad burger, and I'm not happy about it). The indigestion is leaving me a little pissy and put out. This book has its moments that salvage it from the garbage heap completely -- the last section in the Funhouse is pretty messed up and unfolds nicely with Laymon's characteristic cinematic style. Why more of his books have not been made into movies is beyond me. They are the perfect fodder for the slasher crowd. But for the most part, this book is too slow to really get started. The characters are mostly terrible and so dislikable it kept making me curl my lip in distaste. I've pretty much gotten used to Laymon's standard sex-obsessed male adolescent who ogles all the female characters and thinks nasty, inappropriate things about them in his mind. Doesn't matter if death is breathing down your neck or some monster is crawling up out of the floor, if there's any chance of getting laid, these male characters will never pass up an opportunity to cop a feel or make out. This time the level of inappropriate hormone-driven angst is ridiculous, and insulting. The comments made about the girls drove me bananas! Maybe I'm just getting too old for this shit. All I know is my tolerance for blatant male chauvinism bordering on misogyny has whittled down to zero. Laymon tries to balance this with "strong" female leads who are the heroes of the story, but it wasn't enough to tip the scales for me. Furthermore, there are huge, long, meandering sections supposedly reserved for "character development" but do much more to bog the story down than enrich it in any way. Sorry Laymon my man. Rest in peace and all, but this one is a real miss for me.
Picture of a book: Out Are the Lights
books

Out Are the Lights

Richard Laymon
For some inexplicable reason I'm repeatedly drawn back to Laymon's work, every year or two, even though I'm batting way below the Mendoza line* as far as the hit/miss ratio. I think I like the idea of Laymon more than I enjoy reading him, much of the time. The idea of reading brainless, B slasher movies in novel form, filled with hopelessly stupid (and hopelessly horny) teens who get offed one by one seems fun as hell. But the actual reading of them can sometimes be a chore, as the characters are usually so moronic that you can't help but root for them to die, which is fine when watching a movie, but reading a novel requires -- at least for me -- some sort of connection with/sympathy for the characters, especially in a horror novel.This one's an early work of his, and you can tell because it's short and moves fast -- one of the only things I liked about it. There aren't nearly as many wasted pages compared with his 90s work, where he'd stretch out a 200-page story to near-epic length. I think his writing skills did improve over the years, but he also learned to pad the hell out of his novels, as became the norm in horror in general.The basic story is that there are new films being shown at the Haunted Palace movie theater, but these aren't your typical horror films -- they're quick little bursts of terror and violence, and very realistic. Almost like snuff films. These shorts are very popular among the younger crowd, until some of them become potential fodder for the next "movie." Brit thinks she recognizes an old friend in one of the films, a friend she suddenly can't get a hold of. Of course this friend was "killed" in the movie, and Brit wonders if maybe it was real, so she decides to investigate..This is definitely lower-tier Laymon -- not offensively bad, but not good either, imo. It's just sorta there, in the typical "making it up as he goes along" Laymon way, throwing anything and everything at the wall to see what sticks. The characterization is paper thin compared to his later novels, but I'd actually take that over 500 pages of the depraved thoughts of virtually every (male) Laymon character ever. It's also pretty light, not nearly as sadistic and gross as some of his other work. But I usually find that, compared with similar authors like Jack Ketchum or Bryan Smith, I'm never actually disturbed or unsettled when reading his work, as it's all so silly and over-the-top in its depiction of violence.** And there's nothing wrong with a light, fun horror read. Hell, I've read enough of them, so I must enjoy them at least some. But this one's a little too light, and even though I just read it, it's already fading from memory, just like my last few Laymon reads. So I think I'm officially done with him, finally.Until next time.2.0 Stars*That's a baseball reference that means a batting average that's very, very bad, named after a Pirates shortstop from the 70s who was very, very bad and should feel bad. In case any of you reading this are non baseball-loving heathens.**All this makes it sound as if I hate all of Laymon's work, which isn't the case. I especially enjoy his late 80s novels, before they became too bloated, such as his books under the name Richard Kelly -- Midnight's Lair and Tread Softly (i.e. Dark Mountain) -- as well as Flesh and The Stake (from 1990, which is about the time when his tendency to pad started to rear its ugly head). But those were all earlier reads in my Laymon past, and I sometimes wonder if I'd have liked them as much if I'd read them later on, once I had gotten used to his schtick.
Picture of a book: Joyride
books

Joyride

Jack Ketchum
Ketchum is quite satisfying when I reach for his stories; the horror and gore are based on things that with some stretch of really bad luck could really happen to someone which he balances on that too close to comfort crossing line perfectly. Joyride has a few murderers in it and some you hate and despise and the others you root for, crazy yes, you do want some of the characters to be okay, the story is twisted and even though it’s a good read it’s not his most visceral. This goes easy on the usual Ketchum gore and focuses on speedy shock and a thriller to keep the reader alert thought the tale, as usual there is more than one story line going on and sooner or later they join for an interesting ending. This was originally published under the title of “Road Kill” in the nineteen nineties in the UK and the flavor of the story reflects the place and time of its publishing, you get the darkness and the battle between good and evil or in this case evil and lesser evil based on the characters and who’s on top versus on who’s more of a mad man chopping and killing like in his previous works, here the mental games take over the pain of the flesh that he can make real very easily. Howard is a sick young man on the killing spree of his life, traveling with him is Carol and Lee, you know why he takes them when you start the story and absorb their sticky and stressful backgrounds. He takes them on a ride but in this case the journey is more important than the destination, it’s either them or random innocents who will get their share of bad luck for the day, Ketchum makes this an addictive read that’s hard to put down and one that stays in the memory for a while. You pick who you root for, both sides have their black acts and it doesn’t take too long for some very bad things to start happening to some random good people and a few damaged souls in need of a new start. This was a fast and easy read, not the most potent from Ketchum but then again this is the same man who wrote Off Spring which was the most insanely gross and intense book ever in a good way if you love horror, so perhaps it’s not such a bad thing. - Kasia S.