Foreign

Antoine Besson, Miriam's divorced husband, is a nice man. In charge of security in a hospital, he is esteemed both by his superiors and his fellow colleagues. Moreover he is a good father who, willing to be closer to his eleven-year-old son Julien, has chosen to be transferred to the town where the boy lives with his mother and his older sister Joséphine, soon to be of age. That is the very reason why Antoine, the caring father, is asking for joint custody of Julien. Well, all that would be fine provided Antoine actually was the man he claims to be. The trouble is that his wife and his two children see him in a very different light. For in the past, Antoine was far from an angel. On the contrary, he had a knack for creating an atmosphere of permanent fear at home, going as far as to occasionally beat his wife under his children's eyes. And he got away with it all the more easily as Miriam, wishing to avoid even more problems, never lodged a complaint against him - a fact that eventually turns against her. Which is why, despite the fact that Julien does not want to see his father any more, the family court judge complies with Antoine's request.

Assigned to work alongside unethical police veterans Chris (Alexis Manenti) and Gwada (Djebril Zonga) in Paris' Anti-Crime Brigade, Brigadier Stéphane Ruiz (Damien Bonnard) - a recent transplant to the working-class suburb of Montfermeil, where Victor Hugo wrote his famous novel Les Misérables - struggles to establish a working relationship with influential community leaders while attempting to maintain some semblance of peace between his disreputable team and the citizens of the local housing projects. When what should be a simple arrest goes tragically awry, the three officers must individually reconcile with the aftermath of their actions while angling to keep the neighborhood from retaliating with mob violence. Beginning as a Cesar-winning short film, the film was inspired by the 2005 riots in Paris. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival, where it won the Jury Prize (in a tie with BACURAU) and was selected as France's entry for Best International Feature Film at the 92nd Academy Awards.

On the outskirts of Budapest, the ageing recluse and saturnine manager of a small abattoir, Endre, is used to hiding his disabled left arm along with his emotions behind a busy schedule. Then, unexpectedly, a shy and graceful newcomer in the office catches Endre's eye: Mária, the plant's cryptic and glacially beautiful quality-control inspector. Now, against the backdrop of the cold slaughterhouse and a small theft within the company's walls, an eerie and almost spiritual bond will start to develop between the tender outcasts, as, more and more, their lives become inextricably intertwined. However, are the two dreamers, Endre and Mária, ready to embrace the catharsis of love on both body and soul?

A race against time between a man whose son requires urgent treatment and a stockbroker who suddenly lost his investors' money and ruined his own family.

Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is "The Square", an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian's foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum's PR agency has created an unexpected campaign for "The Square". The response is overblown and sends Christian, as well as the museum, into an existential crisis.

There is a theory that man is born with half a per mille too little. That alcohol in the blood opens the mind to the outside world, problems seem smaller and creativity increases. We know it well; after the first glass of wine, the conversation lifts, the possibilities open up. Martin is a high school teacher. He feels old and tired. His students and their parents want him terminated to increase their average. Encouraged by the per mille theory, Martin and his three colleagues throw themselves into an experiment to maintain a constant alcohol impact in everyday life. If Churchill won World War II in a dense fog of spirits, what could the strong drops do for them and their students? The result is positive in the beginning. Martin's class is in a different way now, and the project is being promoted to a real academic study with the collection of results. Slowly, but surely, the alcohol makes the four friends and their surroundings loosen up. The results are rising, and they really begin to feel life. As the objects go inboard, the experiment progresses for some, and goes off track for others. It becomes clearer and clearer that alcohol can generate great results in world history, but that all daring can also have consequences. The film is described as a fun, touching and thought-provoking drama about friendship, freedom - and alcohol.

Following the economic collapse of a company town in rural Nevada, Fern (Frances McDormand) packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad. The third feature film from director Chloé Zhao, NOMADLAND features real nomads Linda May, Swankie and Bob Wells as Fern's mentors and comrades in her exploration through the vast landscape of the American West.

A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.

Two women's lives will intersect while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track.

Still living under the same roof, the Moscow couple of Boris and Zhenya is in the terrible final stages of a bitter divorce. Under those circumstances, as both have already found new partners, the insults pour down like rain in this toxic familial battle zone, always pivoting around the irresolvable and urgent matter of Alyosha's custody, their 12-year-old only son. Unheard, unloved, and above all, unwanted, the introverted and unhappy boy feels that he is an intolerable burden, however, what his parents don't know is that he can hear every single word. As a result, when Boris and Zhenya finally realize that Alyosha has been missing for nearly two days, it is already too late. But is this a simple case of a runaway teenager?

Young artist Kurt Barnert (Tom Schilling) has fled to West Germany but continues to be tormented by the experiences of his childhood and youth in the Nazi years and during the GDR-regime. When he meets student Ellie (Paula Beer), he is convinced that he has met the love of his life and starts to create paintings that mirror not only his own fate, but also the traumas of an entire generation.

Set in 1950s Rio de Janeiro, the film revolves around two sisters, living restricted lives with their conservative parents. However, each nourishes a passionate dream: Eurídice of becoming a renowned pianist; Guida of finding love. In a dramatic turn of events, they are separated and forced to live apart. They take control of their destinies, while never giving up hope of finding one another.

A Japanese couple stuck with part-time jobs and hence inadequate incomes avail themselves of the fruits of shoplifting to make ends meet. They are not alone in this behaviour. The younger and the older of the household are in on the act. The unusual routine is about to change from care-free and matter-of-fact to something more dramatic, however, as the couple open their doors to a beleaguered young girl. The reasons for the family's habit and their motivations come under the microscope.

In today's Beirut, an insult blown out of proportions finds Toni, a Lebanese Christian, and Yasser, a Palestinian refugee, in court. From secret wounds to traumatic revelations, the media circus surrounding the case puts Lebanon through a social explosion, forcing Toni and Yasser to reconsider their lives and prejudices.

Somewhere in Santiago at a dimly-lit nightclub, Orlando, the kindly and well-off owner of a textile company, locks eyes with Marina, a hopeful singer and the roughly half-his-age love of his life. But, unfortunately, after Marina's birthday celebration and a night of passion, Orlando falls gravely ill--and by the following morning--he dies in hospital. In the wake of her companion's untimely death, Marina will soon realise that, from now on, everything is brought into question: her involvement in Orlando's death, their unconventional relationship; and above all, her right to mourn her beloved deceased. In the end, what was Marina's crime; a deed so hideous that would rob a fantastic woman of her respect, her dignity, and ultimately, her identity?

16-year-old Nisha lives a double life. At home with her family she is the perfect Pakistani daughter, but when out with her friends, she is a normal Norwegian teenager. When her father catches her in bed with her boyfriend, Nisha's two worlds brutally collide. To set an example, Nisha's parents decide to kidnap her and place her with relatives in Pakistan. There, in a country she has never been to before, Nisha is forced to adapt to her parents' culture.

This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world.

Capernaüm ("Chaos") tells the story of Zain (Zain al-Rafeea), a Lebanese boy who sues his parents for the "crime" of giving him life. The film follows Zain as he journeys from gutsy, streetwise child to hardened 12-year-old "adult" fleeing his negligent parents, surviving through his wits on the streets, where he meets Ethiopian migrant worker Rahil, who provides him with shelter and food, as Zain takes care of her baby son Yonas in return. Zain later gets jailed for committing a violent crime, and finally seeks justice in a courtroom.