Amazon

In 1974, Eddie Dunford, comes home from South England and gets a job as a cub reporter for the Yorkshire Post. A schoolgirl has gone missing, and Eddie suspects it's one of several crimes dating back six years; the police think not and blame gypsies. Eddie digs; the police stonewall him then two of them beat him after he visits the widowed mother of one of the girls missing for a few years. When a child's body turns up at a construction site of local building magnate John Dawson, Eddie has another thread to pull. By now, he's begun an affair with Paula, the widowed mother, and he suspects collusion among Dawson, the police, and his newspaper - but what are they covering up?

Still Life is a poignant, quixotic tale of life, love and the afterlife. Meticulous and organized to the point of obsession, John May (Eddie Marsan) is a council worker charged with finding the next of kin of those who have died alone. When his department is downsized, John must up his efforts on his final case, taking him on a liberating journey that allows him to start living life at last.

In A BIGGER SPLASH, the lives of a high profile couple, a famous rock star (

Jade is a young mother in the prime of her life when an acid attack leaves her severely burned. While her face has been reconstructed, her beauty is lost beneath the scars. Descending a self-destructive path with relationships crumbling, Jade must take drastic action to reclaim her life.

During the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit.

A faithful Jehovah's Witness is forced to shun her own sister because of a religious transgression. As the separation draws out, she starts to question the meaning of God's love.

A thoroughly mind-provoking film about 3 young women who, under tragic circumstances, see themselves cast away to a Magdalene Asylum for young women in 1964. One of many like institutions, the asylums are run like prisons and young girls are forced to do workhouse laundry and hard labor. The asylum, one of many that existed in theocratic Catholic Ireland, is for supposedly 'fallen' women. Here, young girls are imprisoned indefinitely and endure agonizing punishments and a long, harsh working system which leaves them physically drained and mentally damaged. As the girls bond together, it soon becomes clear that the only way out of the Magdalene convent is to escape, but with twisted Sister Bridget running the wing, any chances seem limited...

Blackfella Charlie is out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws now. So Charlie takes off, to live the old way, but in so doing sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.

A family weekend is fraught with emotional landmines for mercurial and sensitive Lynn (Barkin) as she arrives at her parents' Annapolis estate for the marriage of her estranged eldest son Dylan (Michael Nardelli), accompanied by her three younger children (Ezra Miller, Kate Bosworth, Daniel Yelsky). Lynn's hopes for a joyful reunion are crushed as her wry but troubled middle son Elliot (Ezra Miller) lobs verbal grenades at his mother and her relatives while daughter Alice (Kate Bosworth), a fights valiantly to keep her longtime demons under control. The weekend quickly unravels as Lynn demands to be heard by her aloof, disdainful mother (Ellen Burstyn), ailing, distant father (George Kennedy) and ever-judgmental sisters (Siobhan Fallon, Diana Scarwid), but most especially by her ex-husband Paul (Thomas Hayden Church) and his hot-tempered second wife Patty (Demi Moore). Confronted with the deeply painful, half-buried truths that have given rise to the family's primal web ofresentments and recriminations, Lynn struggles to maintain her equilibrium as her best attempts at reconciliation veer quickly off-course.

Set in Dublin, 'Glassland' tells the story of a young taxi driver who gets tangled up in the world of human trafficking while trying to save his mother from drug addiction.

Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist. Known to others only by her alias "The Woman of the Mountain," Halla secretly wages a one-woman-war on the local aluminum industry. As Halla's actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter in the mountains. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deal the aluminum industry a crippling blow.

In 1970s Belfast, Terri Hooley is an idealistic rocker who finds himself caught in the middle of Northern Ireland's bitter Troubles. Seeing a parallel in the chaos with Jamaica, Hooley opens a record shop, Good Vibrations, to help bring reggae music to his city to help encourage some harmony. However, Hooley soon discovers a new music genre, punk rock, and is inspired by its youthful vitality to become an important record producer and promoter of the local scene. In doing so, Hooley would struggle both with the industry's realities and his chaotic personal life that threaten to consume him. However, he would also be instrumental in creating an alternative Irish community that would bridge his land's religious and social rivalries with an art no one expected.

It's January, 1966 at St. Christina's Psychiatric Hospital in Northwestern Ontario. Dr. Toby Greene and Nurse Susan Peterson are individually being interviewed by Dr. Craig Jones, one of the hospital's administrators, about the incident that occurred just before Christmas, the day that their colleague, Dr. James Lawrence, inexplicably did not show up for work. As Dr. Lawrence disappeared the day before during a session with one of his regular patients, a young man named Michael Aleen, the belief among some is that Michael may have had something to do with Dr. Lawrence's disappearance. That day, Dr. Greene took over Dr. Lawrence's patient-load, which included a session with Michael to try and discover if he indeed had some nefarious role in Dr. Lawrence's disappearance. Dr. Greene did not know Michael at all, and was unable to read his case file before meeting with Michael. Regardless, Dr. Greene believed he could read Michael and glean as much from his lies as from his truths. Conversely, Miss Peterson was well-acquainted with Michael and his overall mental state. On the surface, Michael seemed to be able to take control of the situation with information he was able to obtain about Dr. Greene and Miss Peterson to play one off the other, as well as information about secrets about the hospital the administrators believed were well hidden. Michael's emotions also came into play in what happened that day, the question being whether either Dr. Greene or Miss Peterson were able to break through those emotions to the core of what was happening with Michael and Dr. Lawrence.

Whilst working as a CCTV operator in Glasgow's working-class Red Road estate, Jackie sees a face from the past, a face that she thought would no longer haunt her dreams. Keeping her distance, and with the use of her CCTV cameras, she follows the face and the man and she finally decides to confront him. It is here that past lives are once again entwined and reconciliations are aired.

A terrific cast including Cillian Murphy and Tim Roth lead this British kitchen sink drama inspired by To Kill a Mocking Bird and adapted from Daniel Clay's novel. Theater director Rufus Norris smartly opts for an impressionist rather than classical approach to the material and modern setting.

Tina, who has grotesque, almost animal-like physical features, has always felt self-conscious about her looks. Regardless, she has: a live-in boyfriend, Roland, a dog trainer, at her isolated house in the woods, although they have never had sex, and Tina's father, who is in the early stages of Alzheimer's, believing he is solely using her; the unconditional love and support of her father; a small group of friends; and the admiration of her bosses and coworkers in her job as a customs agent at the Ferry terminal, as she is literally able to "smell" human emotions, especially guilt and fear. It is using that innate ability that she stops a seemingly straight-laced person entering the country, he who was found to be carrying a memory card containing child pornography. As such, her immediate supervisor, Agneta, places her on a small investigative unit to discover the producers of this material. Tina is surprised when she is found to be incorrect about another person going through customs, Vore, an entomologist who, like her, possesses those similar grotesque, almost animal-like physical features, he who is found not to be carrying anything incriminating. In Vore and Tina's multiple encounters at customs, the two begin a friendship, Tina, for the first time, believing she having found a kindred spirit. As Tina learns more and more about Vore, the more she learns about herself. As more and more information comes to light, Tina has to decide whether to abandon the life she has known in its entirety for the future that Vore offers her, that future which may go against what she has always believed to be the good about being human.

The journey taken by two different women as they attempt to escape from their mundane lives in order to find peace within themselves in a new setting. Argentinean Cerys (Marta Lubos) is an elderly woman who, accompanied by her anxious teenage nephew Alejandro (Nahuel Pérez Biscayart), ventures to the Welsh farmlands where her mother was raised. American pop singer Duffy serves as Alejandro's love interest in the role of Sissy, a caravan park employee. Wales native Gwen (Nia Roberts) is an aspiring actress stuck in a rocky relationship with her photographer boyfriend Rhys (Matthew Gravelle) after being unable to conceive a child. The couple travels to Patagonia when Rhys is sent on a business project, only to have tensions rise when Gwen becomes romantically involved with their tour guide, Mateo (Matthew Rhys).

In 1984, 11-year-old Boy lives on a farm with his younger brother Rocky (who thinks he has magic powers), their gran, and a goat. Shortly after Gran leaves for a week, Boy's father Alamein appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face-to-face with the real version: an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.