Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

On the Wall Street of the 1980s, Bud Fox is a stockbroker full of ambition, doing whatever he can to make his way to the top. Admiring the power of the unsparing corporate raider Gordon Gekko, Fox entices Gekko into mentoring him by providing insider trading. As Fox becomes embroiled in greed and underhanded schemes, his decisions eventually threaten the livelihood of his scrupulous father. Faced with this dilemma, Fox questions his loyalties.

Mick Haller is a defense lawyer who works out of his Lincoln. When a wealthy Realtor is accused of assaulting a prostitute, Haller is asked to defend him. The man claims that the woman is trying to get some money out of him. But when Haller looks at the evidence against him, he learns that this case might be linked to an old case of his.

Set against the backdrop of 1977 Los Angeles, The Nice Guys opens when single father and licensed PI Holland March (Gosling) is hired to investigate the apparent suicide of famous porn star Misty Mountains. As the trail leads him to track down a girl named Amelia (Qualley), he encounters less licensed and less hands-off private eye Jackson Healey (Russell Crowe) and his brass knuckles, both hired by the young hippie. However, the situation takes a turn for the worse when Amelia vanishes and it becomes apparent that March wasn't the only party interested. As both men are forced to team up, they'll have to take on a world filled with eccentric goons, strippers dressed as mermaids and even a possible government conspiracy.

You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”And here’s what I’m thinking: I don’t want to be here.In this deeply suspenseful and irresistibly unnerving debut novel, a man and his girlfriend are on their way to a secluded farm. When the two take an unexpected detour, she is left stranded in a deserted high school, wondering if there is any escape at all. What follows is a twisted unraveling that will haunt you long after the last page is turned. In this smart, suspenseful, and intense literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, I’m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel pulls you in from the very first page…and never lets you go.

Darius is a young intern at a Seattle-based magazine and jumps at the chance to investigate the author of a classified ad seeking someone to travel back in time with. Along with Jeff, the staff writer, and Arnau, a fellow intern, the three go on a road trip to a coastal town. While Jeff just wants to chase after his high school crush and Arnau wants some kind of life experience, Darius spends her time with Kenneth, a man who believes that he has built a time machine. The closer they become and the more they understand about each other, the less clear it becomes if Kenneth is just crazy or if he actually is going to successfully travel back in time.

Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority". Even scarier is that he is able to see that some usually normal-looking people are in fact ugly aliens in charge of the massive campaign to keep humans subdued.

Movies I want to watch with my lovely boyfriend Ken

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Vera

The only thing I know about the world is that I know next to nothing about it, outside of my own lived experiences and the lies the people in charge tell us to keep our curiosities in check (if we have any at all, that is. asking the tough questions isn't exactly rewarded behavior and as a collective whole we seem to have issues with long term memory). While mine might get me killed, here's to hoping satisfaction will bring this kitty back.

2006 US documentary film directed by Heidi Ewing and Rachel Grady

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