The story of unfortunate lovers Cathy (Merle Oberon) and Heathcliff (Sir Laurence Olivier) who, despite a deep affection for one another, are forced by circumstance and prejudice to live their lives apart. Heathcliff and Cathy first meet as children when her father, Mr. Earnshaw (Cecil Kellaway) brings the abandoned boy to live with them. When the old man dies several years later, Cathy's brother, Hindley (Hugh Williams), now the master of the estate, turns Heathcliff out, forcing him to live with the servants and working as a stable boy. The barrier of class comes between them, and she eventually marries a rich neighbor, Edgar Linton (David Niven), at which point, Heathcliff disappears. He returns several years later, now a rich man, but little can be done.

[PART I] Braving her father Edgar Linton's warning not to cross the estate border, young Catherine discovers her charming, but sickly cousin and the manly Hareton are the heartlessly scorned and abused sons of wealthy Heatcliff on the Earnshaw estate. This launches a flashback how Heathcliff was raised as Cathy's best friend by her kind father, Mr. Earnshaw. After his death, the son and heir returns from boarding school, married, and reduces Heathcliff to the rank of stable boy, enduring constant abuse in order to remain with Cathy. After an accidental meeting with elegant gentleman Edgar Linton, she falls in love. To Hindley's delight, this drives Heathcliff away. [PART II] Three years later, Heathcliff returns wealthy enough to buy the estate, a day after Cathy married Edgar. He takes revenge, which instead of satisfaction brings misery to all. After Cathy and later Edgar's death, his scorn includes the next generation, which nevertheless finds each-other striving for nobler values.

Amanda Price is dissatisfied with her life in modern London. Her favorite escape is getting lost in the pages of Jane Austen's Pride and Prejudice. One night, Amanda is startled to come face to face with the novel's protagonist, Elizabeth Bennet. A small door in her apartment mysteriously links their worlds. Eventually, Amanda becomes trapped on the other side, while Elizabeth remains in the modern world. Now as the events of her favorite book unfold in all the wrong ways, Amanda tries desperately to set things straight, but inevitably makes things worse. Will this fractured version of a classic tale lead Amanda to her own happily-ever-after?

The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters.

Jane Austen's classic novel about the prejudice that occurred between the 19th century classes and the pride which would keep lovers apart.

Emma Woodhouse seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit: matchmaking. She cannot resist finding suitors for her friends, most of all Harriet Smith. Emma is desperate for Harriet to find happiness, but every suitor she finds for her friend ends up attracted to Emma. But is Emma so focused on Harriet's happiness that she is not considering her own happiness in love?

North and South is a four part adaptation of Elizabeth Gaskell's love story of Margaret Hale, a middle class southerner who is forced to move to the northern town of Milton.

After a bleak childhood, Jane Eyre (Mia Wasikowska) goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Edward Rochester (Michael Fassbender). Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?

Eight years ago, Anne Elliot rejected Frederick Wentworth, the man she loved, out of a sense of duty and obedience. Now an ignored and faded spinster, she follows her financially stricken family from their home, only to be reintroduced to the now successful and wealthy Captain Frederick Wentworth. With their roles reversed and Captain Wentworth the eligible and wealthy bachelor, Anne navigates the scheming society that still tries to keep them apart.

19th Century British Authors