Elena Rainn

KRKY Y

Kyrsten Iris

Fede Bonino

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Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

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After a bleak childhood, Jane Eyre (Mia Wasikowska) goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Edward Rochester (Michael Fassbender). Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?

The story of unfortunate lovers Cathy (Merle Oberon) and Heathcliff (Sir Laurence Olivier) who, despite a deep affection for one another, are forced by circumstance and prejudice to live their lives apart. Heathcliff and Cathy first meet as children when her father, Mr. Earnshaw (Cecil Kellaway) brings the abandoned boy to live with them. When the old man dies several years later, Cathy's brother, Hindley (Hugh Williams), now the master of the estate, turns Heathcliff out, forcing him to live with the servants and working as a stable boy. The barrier of class comes between them, and she eventually marries a rich neighbor, Edgar Linton (David Niven), at which point, Heathcliff disappears. He returns several years later, now a rich man, but little can be done.

Amanda Price is dissatisfied with her life in modern London. Her favorite escape is getting lost in the pages of Jane Austen's Pride and Prejudice. One night, Amanda is startled to come face to face with the novel's protagonist, Elizabeth Bennet. A small door in her apartment mysteriously links their worlds. Eventually, Amanda becomes trapped on the other side, while Elizabeth remains in the modern world. Now as the events of her favorite book unfold in all the wrong ways, Amanda tries desperately to set things straight, but inevitably makes things worse. Will this fractured version of a classic tale lead Amanda to her own happily-ever-after?

Emma Woodhouse seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit: matchmaking. She cannot resist finding suitors for her friends, most of all Harriet Smith. Emma is desperate for Harriet to find happiness, but every suitor she finds for her friend ends up attracted to Emma. But is Emma so focused on Harriet's happiness that she is not considering her own happiness in love?

19th Century British Authors 

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