Lists

Picture of a movie: Punch-Drunk Love
Picture of a movie: Groundhog Day
Picture of a movie: Almost Famous
Picture of a movie: Meet the Parents
Picture of a movie: Meet the Fockers
Picture of a movie: The Blues Brothers
Picture of a movie: Monty Python and the Holy Grail
Picture of a movie: Life of Brian
Picture of a movie: Airplane!
Picture of a movie: Kingpin
Picture of a movie: Throw Momma from the Train
Picture of a movie: See No Evil, Hear No Evil
Picture of a movie: C.R.A.Z.Y.
Picture of a movie: Sweet and Lowdown
Picture of a movie: Annie Hall
Picture of a movie: Hannah and Her Sisters

23 Movies

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Hannah and Her Sisters

1986
Hannah, Holly, and Lee are adult sisters from a show business family, their boozy actress mother who still believes she's an ingénue that can attract any man she wants, despite still being married to the girls' father, Evan. Hannah, on her second marriage to a man named Elliot, a financial advisor, is the success of the family, taking a break from her acting career to raise her children. Everyone turns to her for advice, while she never talks to others about what she needs or feels. Her first husband, Mickey, is a comedy show writer and hypochondriac, who is going through a crisis as he mistakenly believes he will die soon without a clear belief, as a non-practicing Jew, of what will happen to him in the afterlife. Single Holly is the insecure flaky sister, a struggling and thus continually unemployed actress, who has just started a catering business with her actress friend April, in order to do something constructive with her life. In her own security, Hannah even set up Holly and Mickey together following her own break-up with Mickey, Holly and Mickey's sole date which arguably was the worst night in both their lives. Holly turns to Hannah for everything in her life, including money, despite feeling Hannah overly judgmental about her failures. It's during a catering job that Holly and April meet David, an architect, who seems interested in both of them. Holly's insecurities may threaten her potential relationship with David and friendship with April. Lee, who collects unemployment, is metaphorically the family's piece of clay waiting for the right artist to mold her. She has long lived with artist Frederick, who has contempt for everyone except her, and as such relies on her for whatever his connection to the outside world. This already complex collective becomes even more complex when Elliot contemplates telling Lee that he has fallen in love with her. His attraction to her is as much feeling unneeded by Hannah, who he does not want to hurt regardless of what he decides to do with respect to Lee.

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Picture of a movie: Manhattan
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Manhattan

1979
Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary Wilkie, the mistress of his best friend, college professor Yale Pollack. Although Isaac's first impression of Mary is that she is a pretentious intellectual, he falls for her. They do become friends with the potential of becoming more than just friends as she knows that being the "other woman" in Yale's life is not a long term role that she wants. An Isaac/Mary coupling may complicate matters even more with Yale being mutually in their lives. Regardless, Isaac may be able to rationalize events after they happen, no matter what those events are.
Picture of a movie: Bowfinger
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Bowfinger

1999
Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus in getting the picture made and distributed all on this $2,184 as a starting point. It is using several of those lies that he is able to get a verbal confirmation from big studio executive Jerry Renfro to distribute the movie *if* it stars Kit Ramsey, arguably the biggest action star in the world. Using similar lies, Bobby, however, is unable to convince Kit to star in the movie. Kit, who has a weakness for the Laker Girls, is a self-absorbed and paranoid movie star whose life and thus career is largely directed behind the scenes by Terry Stricter, the head of a new age religion called MindHead. Bobby comes up with a scheme that he believes will get around Kit not agreeing to star: film Kit without him knowing that he is being filmed. The only person who knows of the scheme is Dave, Bobby's lowest of low level inside man turned cinematographer who has unofficial (i.e. technically stolen and thus free) access to studio camera equipment and general knowledge of Kit's general day-to-day movements through the studio system. Bobby is able to convince all the other actors that Kit's acting process involves him not interacting with them outside of filming the specific scenes he has with them. Part of Bobby's scheme involves using Kit's general paranoia that aliens truly are invading the planet to get his gut reactions to what is happening within the context of the script. But Bobby knows he has to get Kit to scream the closing lines of the movie "gotcha suckas" for the movie to be a success. Complications ensue when another of the the actors, Carol, tries to go against Bobby's policy of not making contact with Kit outside of filming, and when Bobby is required to hire a production assistant cum stunt double cum acting double, whose job in part is to stand-in for the requisite Kit Ramsey naked ass shot. Through it all, Bobby will know if he has made it in Hollywood if he gets a specific sign specifically from the heavens in the form of FedEx.