A man has everything: dozens of servants, a palace, vast woods, gardens, a lake, mechanical toys, private entertainment troupes of musicians and dancers. He has it all - but love. When alone, he sits at a desk, sighing, and looking at a photograph of a pretty girl. One day, the circus descended onto his palace, and amidst all the fun it brought, he recognized the Amazon on the white horse - the girl in the photograph. The girl is now the mother of a small boy, Yo-Yo, whom she considers that looks like the millionaire, even under a clown's make-up. The boy will spend some time in the palace, in awe of so much riches, but he will leave (in a dream-like scene) on the tusks of the elephant. Time passes - and one day Yo-Yo will be the owner of his father's palace in decay. Starting from scratch, he will rebuilt it, and be praised as a great clown, an artist, a film-maker, a millionaire. Yet, something is amiss...

A mysteriously linked pair of young women find their daily lives preempted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.

On the eve of his release after five years imprisoned, the thief Corey is contacted by one guard of the prison that offers him a jewelry heist. However Corey seeks out his former boss Rico and steals money from him. Rico sends two gangsters to hunt Corey down and retrieve the stolen amount. Meanwhile the criminal Vogel is transported by train by the Police Officer Mattei and succeeds to escape. Corey drives from Marseille to Paris and Vogel hides in the trunk of his car. Corey finds him but does not object to ride Vogel to Paris hidden in the trunk. When the gangsters sent by Rico cut in Corey's car, Vogel saves him from the criminals, but Corey loses the money. Without money, Corey decides to heist the jewelry with Vogel and invites the former police detective Jansen to team-up with them. The trio executes a perfect heist but Rico is seeking revenge and Mattei is an unethical but efficient police officer capable to use any means to resolve the case.

A chic, good-looking and suitably 70's couple arrive at an extravagant and deserted seaside hotel after eloping. Stefan is wealthy and happily English, with a hidden streak of sadism, while Valarie is intelligent but of inferior (Swedish) blood. To keep her with him at the eerie hotel he lies consistantly about his relationship with his mother and his plans to tell her of their marriage. Meanwhile he has mysterious phone conversations with an older, dominant and pampered sissy. Two fresh guests arrive; the Hungarian countess, Elizabeth Bathory and her voluptuous protege, Ilona. Virgin corpses begin showing up about the city drained of their blood. A wary detective lurks around the hotel taunting his only suspect, the Countess.

Rosaleen (Sarah Patterson) is a teenager, living in a country house in England with her family in the present days, and having a nightmare with wolves and werewolves in the Middle Ages. In her dream, her boring sister is dead, she lives with her father and her mother, but she spends lots of time with her lovely grandmother. Granny (Dame Angela Lansbury) tells her many stories of werewolf and gives her the following advice: "- Never stray from the path in the woods, never eat a windfall apple, and never trust a man whose eyebrows meet." One day, Rosaleen, while going to visit her grandmother, meets a handsome man and bets who would arrive first at her granny's house. Soon she finds who he is.

A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.

An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.

Extremely rare work of Robert Wiene. From the director and year of excellent "The Cabinet of Dr. Caligari" this work was eventually overshadowed by the success of Caligari. It has a dreamy atmosphere, like another world or something.

When Roger Balfour is found shot dead in his London home, his death is declared a suicide by Inspector Burke of Scotland Yard, even though the executor of Balfour's estate, Sir James Hamlin, insists his friend never would have taken his own life. Five years later, the abandoned Balfour house comes to life again with the arrival of two sinister-looking tenants: a fiendish-looking man with pointed teeth, bulging eyes and a tall beaver hat, and a pale young woman in a long gown. The presence of the strangers prompts Sir James, who lives next door, to call in Inspector Burke again. Also living in the Hamlin household are the other people who were also present in Balfour's house the night he died: Sir James' nephew, Arthur Hibbs; the late Balfour's now-grown daughter, Lucille; and Williams, the butler. Burke expresses skepticism about Sir James' suspicions that the new neighbors might have been involved in Balfour's death, until strange things start happening: Balfour's body disappears from its tomb. The new maid, Smithson, tells a terrifying tale of being menaced in Lucille's bedroom by the stranger in the beaver hat. And a man spotted inside the Balfour house by Burke and Sir James looks distinctly like the late Roger Balfour. A skittish Arthur becomes convinced the neighbors are vampires. Burke takes Lucille aside, and tells her he doesn't believe her father committed suicide. He asks her to trust him. Burke also has a private talk with Arthur. Burke uses hypnosis to put Arthur into a trance, but learns nothing new about Balfour's death. That night, someone fires a shot into Arthur's room, but Arthur isn't there; instead, it's Burke who's slightly wounded. Lucille is abducted by the beaver-hatted man and the butler and brought to her former home. Sir James, acting at Burke's instruction, also shows up at the Balfour house; he's met out front by the beaver-hatted man, who puts him into a hypnotic trance. Arthur breaks into the Balfour house in an attempt to rescue Lucille; he's caught by Burke and a couple of detectives and locked away. It turns out the man with the beaver hat and pointed teeth was really a disguised Inspector Burke, who was aided at times by a double; Smithson, the maid, is an assistant detective; the mysterious young woman, a stage performer working for the police. Under Burke's hypnosis, Sir James re-creates his actions the night Roger Balfour died, with Lucille and the butler, Williams, playing themselves, and Burke's double playing the part of Balfour. It turns out Sir James shot and killed Balfour and made the death appear a suicide after Balfour rejected Sir James as a future husband for young Lucille. Sir James is brought out of his trance and arrested by Burke. The mystery of Balfour's death solved, Lucille and Arthur, who have come to realize how much they love each other, are now free to marry.

When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realise that the game is far from over... One by one, Max's family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humour. Meanwhile, Max's brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night.

While in Thailand to avenge his brother who was crippled in a fight with a corrupt Thai boxer, a man gets caught up in a web of fate, Buddhism and black magic.

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. Svankmajer's Faust is a nondescript man who, after being lured by a strange map into a sinister puppet theatre, finds himself immersed in an indescribably weird version of the play, blending live actors, clay model animation and giant puppets.

1994 Czech film directed by Jan Švankmajer

Malcolm Shanks is a sad and lonely man, deaf, mute and living with his cruel sister and her husband, who delight in making him miserable. His only pleasure, it seems, is in making and controlling puppets. Thanks to his skill, he is offered a job as a lab assistant to Dr. Walker, who is working on ways to re-animate dead bodies by instering electrodes at key nerve points and manipulating the bodies as if they were on strings. When the professor suddenly dies one night, Shanks gets the idea to apply their experimental results to a human body, and then to start exacting some revenge.

This near-silent black and white film from Argentina tells the story of a city that has lost its voice, stolen by Mr. TV, and the attempts of a small family to win the voice back. Similar in design to early German expressionist films.

In the Fourteenth Century, during a civil war in Japan, a middle-aged woman and her daughter-in-law survive in a hut in a field of reed killing warriors and soldiers to trade their possessions for food. When their neighbor Hachi defects from the war and returns home, they learn that their son and husband Kichi died while stealing supplies from farmers. Soon Hachi seduces the young widow and she sneaks out of her hut every night to have sex with him. When the older woman finds the affair of her daughter-in-law, she pleads with Hachi to leave the young woman with her since she would not be able to kill the warriors without her help. However, Hachi ignores her request and continues to meet the young woman. When a samurai wearing a demon mask stumbles upon the older woman at her hut asking her to guide him out of the field, she lures him and he falls in the pit where she drops the bodies of her victims. She climbs down the hole to take his possessions and his mask, and she finds he is a disfigured man. The she uses the demon mask to haunt her daughter-in-law to keep her away from Hachi. However, when she decides to remove the mask, she has a surprise.

Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself... But the story is much less important than the scenery : this movie intended to be a manifesto of the modern decorative arts.

maybe one day i’ll actually watch these

movie

draculae

making a separate list for these now

film criticism cannot tell you whether or not you will enjoy a movie and i think all kinds of movies are enjoyable. this makes them objectively good in this essay i will

objectively good movies

a dash of spooky-ooky, a pinch of hardy-harr, and a heaping spoon of ‘fuck even.’ mention these to your film guy tinder match.

1973 animated film directed by René Laloux

weird shit extraordinaire 

American science fiction television series from 1993-1999

American science fiction television series from 2001–2005

maybe i’ll actually watch this part two: tv show edition

due for a rewatch

if i ever read a book again

American science fiction television series from 1995–2001

will kip ever finish these tv shows???

i like a lot of things but these are things i like the most. top tier kip content.

American fantasy comedy-drama television series