Tribeca Film Festival 2019 - Narrative Lineup

Gully follows the lives of three teens living in LA, all victims of extreme childhoods. We follow them over the course of 48 hours, as they wreak a hedonistic riot across the city, unbound by societal norms, they take us on a rip-roaring ride of drugs and murder across Los Angeles.

Against the backdrop of insufferable domestic ennui, the soft-spoken former saleswoman and newlywed housewife, Hunter, is struggling to stretch the bars of her gilded cage, a lavish and immaculate modernist villa in New York, even though she seems to have it all. But, more and more, as sad Hunter tries, unsuccessfully, to meet her controlling family's expectations, compliance turns into submission, obedience transforms into obsession, and pica, a compulsive eating disorder, starts to take over. Now, swallowing non-nutritive objects and engaging in increasingly impossible tasks becomes Hunter's dangerous newfound addiction, and there's no telling how far she'll go to maintain a false and fleeting sense of power. Who can save Hunter from herself?

Riz, a recent immigrant and ex-gang member, works at a motel in hopes of starting her life over in America. At the motel, Riz meets Una (Cynthia Nixon), the formidable owner, and her drug-selling son Jimmy. Rooming with another motel maid Dallas, who is a bold, assertive runaway, blackmails Riz triggering a series of violent events that entwine Riz, Dallas, and Jimmy. In a last-ditch effort, a desperate Riz and Dallas create a plan to rob Una to escape from the motel and the web of crime they've created.

For teenage Nola (Sabrina Carpenter), home is the open road. Her self-reliant father (Steven Ogg) is her anchor in a life of transience. The pair crisscross the United States in a lovingly refurbished RV, relishing their independence and making ends meet by doing odd jobs. A shocking rupture, though, casts Nola out on her own. She makes her way to Albuquerque, New Mexico, in search of a mother she never knew. When her motorhome unexpectedly breaks down, she forges a bond with an auto body shop owner (Danny Trejo), and senses the possibility of mooring her ship in this storm.

"Where do we go when we die?" A question by three-year-old Bodhi Palmer sets a real family on an imaginative adventure that explores how we cope with dying and the love, laughter, and pain we can find within it.

Alan, Red, and Smitty spend high summer on the Jersey Shore roving the boardwalk and getting into trouble. But the discovery of good old fashioned treasure sets the friends on an escalating course of suspicion and violence in this atmospheric thriller.

An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want and a crime he didn't mean to commit.

Reeling from a one-sided breakup, heartbroken Karen breaks into her ex's lake house. There, she strikes up a complicated relationship with provocative younger woman Lana.

Amongst the cane fields of rural Louisiana, an aging mother struggles between her religious convictions and the love of her son.

Welcome to Easter Cove, a remote and insular fishing village on Maine's rocky coast. In this small town, bonds run as deep as the ocean and secrets are as thick as the morning fog. Each day, droves of men take to sea for the daily catch while a handful of women serve as the community's powerful, albeit discrete, operators. Though the self-interested code of the town's old guard has governed for years, our tale takes place as the tides are turning in Easter Cove. Mary Margaret Connolly, a beloved and integral town matriarch, has just passed away. In the wake of her death, her daughters, Mary Beth and Priscilla, face an uncertain future, haunted by bills and unpaid loans left behind. Priscilla tries to fill her mother's shoes by taking over the family fish shop while her younger sister Mary Beth refuses to accept the new responsibilities. The sisters find themselves at odds and Mary Beth stubbornly defends her dream of leaving town - even if it means abandoning Priscilla altogether. Meanwhile, across town, at a bed and breakfast-turned-brothel, established town elder and madame Enid Nora Devlin is up to business as usual, except for two huge problems: someone stole $50K in cash and one of her girls, Dee, has gone missing. With little else to do, she sends her muscle, an outsider named Gorski, in pursuit of the cash and Dee. After a series of chance wrong turns sets Gorski on a collision course with Mary Beth, she accidentally kills him and must turn to the only person she has left: her sister. Together, the Connolly sisters must cover up Mary Beth's mistake and figure out what to do with the mysterious bag of cash they found in his shack. When Dee's body washes up on shore, the town's remaining matriarchs - Doreen, Gail and Susie - snap into action. These three, along with Enid and Mary Margaret, have quietly maintained the code of conduct for decades, navigating the murky water of the town's dubious past. The matriarchs intervene and make it their business to decide Enid's fate - as well as the fate of the Connolly sisters.