Easy, Tiger: What to Watch for Lunar New Year

Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she refuses to divulge the name of his real birth mother. The revelation shakes Yuddy to his very core, unleashing a cascade of conflicting emotions. Two women have the bad luck to fall for Yuddy. One is a quiet lass named Su Lizhen who works at a sports arena, while the other is a glitzy showgirl named Mimi. Perhaps due to his unresolved Oedipal issues, he passively lets the two compete for him, unable or unwilling to make a choice. As Lizhen slowly confides her frustration to a cop named Tide, he falls for her. The same is true for Yuddy's friend Zeb, who falls for Mimi. Later, Yuddy learns of his birth mother's whereabouts and heads out to the Philippines.

Master Chu, a retired Chinese Tai-Chi master, moves to Westchester, New York to live with his son Alex, his American daughter-in-law Martha, and their son Jeremy. However, Martha's second novel is suffering from severe writers' block brought on by Chu's presence in the house. Alex must struggle to keep his family together as he battles an inner conflict between cultural tradition and his modern American lifestlye.

In Manhattan, the brilliant Chinese-American lesbian surgeon Wil is surprised by the arrival of her forty-eight year old widow mother to her apartment. Ma was banished from Flushing, Queens, when her father discovered that she was pregnant. The presence of Ma affects the personal life of Wil, who is in love with the daughter of her boss at the hospital, the dancer Vivian Shing. Once her grandfather has promised that her mother would only return to Flushing remarried or proving that it was an immaculate conception, Wil tries to find a Chinese bachelor to marry Ma.

Jun arrives in Hong Kong from mainland China, hoping to be able to earn enough money to marry his girlfriend back home. He meets the streetwise Qiao and they become friends. As friendship turns into love, problems develop, and although they seem meant for each other they somehow keep missing out.

Zhao is an aging bachelor who hasn't been lucky in love. Thinking he has finally met the woman of his dreams, Zhao leads her to believe he is wealthy and agrees to a wedding far beyond his means. Zhao's best friend Li hatches the idea to raise the money by refurbishing an abandoned bus, which they will rent out by the hour--the Happy Times Hotel--to young couples starved for privacy. Unfortunately, this plan goes awry because Zhao is too old fashioned to allow the couples to leave the bus door closed. Meanwhile, Zhao's fiancee introduces him to her spoiled son and beautiful blind stepdaughter Wu Ying, whom she sees as a burden. To be rid of the girl, she insists that Zhao take her to the Happy Times Hotel and give her a job. Zhao reluctantly agrees, then creates a series of deceptions to keep the girl occupied, including setting her up as a masseuse and enlisting his friends to pretend to be her customers. Everything that is happening between Zhao and Wu is superficially about trickery, but gradually a very real empathy grows between the young woman and the old man.

Autumn Moon (Sam Lee), a low-rent triad living in Hong Kong, struggles to find meaning in his hopelessly violent existence.

An is-she-or-isn't-she gay comedy focused on a Taiwanese teen, the boy she might like, and the girl she may love.

A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin from Kowloon and falls in love with her, he even thinks about leaving "the life".

Buttressed between two milestone events within their personal sphere, the lives of the Jians - husband and wife N.J. and Min-Min, teenage daughter Ting-Ting, and eight year old son Yang-Yang - and to a lesser extent that of their broader grouping of extended family and friends, are presented. The Jians live in an upscale apartment complex in Taipei along with Min-Min's mother, who has fallen into a coma, each family member who takes turns by her bedside to relay life's goings-on to her regardless of if she can hear them. While Min-Min has troubles with this on-going task, the other three use her as an unofficial sounding board for their issues, primarily in the realm of finding their place in current life and their role in her predicament. Yang-Yang still has a child's simple perspective of the world, such as the reason he has a penchant for taking photographs of the back of people's heads, that naiveté exactly the reason he is the target of bullying especially among a group of older girls, and by one of his teachers. Ting-Ting is acting as the unofficial intermediary in the complicated relationship between her best friend and next door neighbor Lili, and her boyfriend Fatty. It is made all the more difficult as Ting-Ting has feelings for Fatty herself. And N.J., a computer electronics engineer, is seen as the honest one among him and his partners, which is why he is chosen to deal with Japanese Mr. Ota in assessing if it worth the expensive but potentially lucrative risk of going into business with him. Concurrently, N.J., who uses Mr. Ota as a confidante of sorts in their emerging friendship, reunites and becomes reacquainted with childhood friend Sherry, married and now living in Chicago, she who could have been the one in his life if he ended up keeping their appointment thirty years ago. Min-Min's younger brother A-Di may face that same conundrum thirty years down the road as he just married Xiao-Yan partly for a very specific reason, while his old girlfriend Yunyun fumes on the sidelines.

Ye Rutang, a single-living woman in her late fifties, struggles to maintain a dignified life amid the dangers of Shanghai.

Wong Chi-ming, a cold-blooded Hong-Kong-based assassin, has decided that he wants out. One last job stands in the way of a new life; however, Wong is unaware that his female partner-in-crime is utterly infatuated with him. Then, Wong has a late-night encounter with seductive Blondie in a fast-food restaurant, only to spark his obsessed partner's jealousy. Elsewhere in the city, mute Ho Chi-mo, who has recently escaped from prison, uses unorthodox ways to eke out an existence. During one of his nightly escapades, Ho crosses paths with Charlie, who enlists his help to find her ex-boyfriend's new lover. But, can there be redemption for the fallen angels?

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. After all, Po-Wing is not ready to settle down. Yiu-Fai now works in a Chinese restaurant and meets the youthful Chang from Taiwan. Yiu-Fai's life takes on a new spin, while Po-Wing's life shatters continually in contrast.

Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman's stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood's few female directors. As she's discovering these things, Cheryl becomes involved with Diana, who's also White. The affair strains Cheryl's friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.

Yoon-Hee lives with her teenage daughter Sae-Bom. On a winter day, Yoon-Hee receives a letter from Otaru, Japan. Sae-Bom accidentally reads the letter and learns about her mother's first love, which she never spoke about before.

The film focuses on three city folks who unknowingly share the same apartment: Mei, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-ang, who's stolen the key and uses the apartment as a retreat.

Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has broken up with his girlfriend of five years. He purchases a tin of pineapples with an expiration date of May 1 each day for a month. By the end of that time, he feels that he will either be rejoined with his love or that it too will have expired forever. The second half shows Cop 663 dealing with his breakup with his flight attendant girlfriend. He talks to his apartment furnishings until he meets a new girl at a local lunch counter.

Since 2007, the Hong Kong health authorities have implemented an anti-smoking law that bans people from smoking in all indoor areas, including offices, restaurants, bars, and karaoke lounges. Office smokers now have to take their cigarette breaks on the streets outside, which has led to groups of smokers from the same building bonding together in cliques known as "hot pot packs." In an alley packed with loudmouth co-workers spreading the daily gossip, Jimmy, a mild-mannered advertising executive, meets cosmetics salesgirl Cherie. An awkward flirtation ensues amidst their afternoon nicotine rush. As their mutual infatuation intensifies, the couple moves farther and farther away from the rest of the "hot pot pack" into their own private alley, where they have conversations of unexpected emotional depth. As smoke gets in their eyes, one thing leads to another

Jong-du, a young man just out of prison for manslaughter, is a social misfit: fidgety, snuffling, laughing inappropriately, without a super ego. When released, he calls on the family of the victim; they send him away, but not before he has seen Gong-ju, a young woman disabled severely by cerebral palsy. Both are abused by their families, and both are used by them as well. Although their relationship begins with Jong-du's criminal behavior, a friendship develops. They talk of favorite things; he washes her hair; they go out; in late night phone calls, he helps her past her fears of the dark. Is there a place in the world for these two inarticulate people?