As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.

A documentary of New York's LGBT scene in the 1980s, showing the real life of poor Black and Latin LGBT people, introduce the ballrooms, the categories, the houses, the voguing, and the dreams and ambitions of these people who are systematically excluded from society, they fight to conquer the right to be and to reinvent themselves in a world starring straight and white people. They use the balls to show their creativity, have fun with their community and family, shining, and having their names recognized in the ballroom scene.

The life story of the legendary musician Miles Davis

A comedy-drama about a Black American female philosophy professor and her insensitive, philandering, and flamboyant artist husband who are having a marital crisis. When the wife goes off on an almost unbelievable journey to find "ecstasy", her husband is forced to see her in a different light.

Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a natural talent for riding broncos with the inter-prison rodeo coming up.

1980 American comedy film directed by Sidney Poitier

Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family.

When two prominent black anthropologists, Dr. Green and Dr. Matara, uncover the remains of an ancient African tribe of bloodsuckers called the Myrthians they unleash an evil force buried for centuries beneath the earth. Matara, possessed by the spirit of the Myrthian queen, attacks his partner and then kills himself- leaving Hess to return to the U.S. with an unquenchable thirst for blood. After seducing Matara's widow, Green soon has her hooked on the red stuff as well. Together they lure innocent victims into their deadly trap, leaving a trail of drained bodies in their wake. The grisly murders go unsolved-that is, until the fateful day when Green stumbles into a Gospel meeting and all hell breaks loose.

The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (

Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips back to Africa to the poor on the installment plan. When his truck is hijacked and a bale of cotton stuffed with money is lost in the chase, Harlem is turned upside down by Gravedigger and Coffin Ed, the Reverend, and the hijackers. Much of the humor is urban black, which was unusual in 1970.

A tale of innocence abroad, with racial overtones. Turner is a Black American, stationed at an air base in France. His captain thinks Turner's a good Negro, obedient, cheerful, and frightened, so he gives him a promotion and a three-day pass. On the first night, at a club, he meets Miriam, a White Parisian shop clerk. They dance, talk, and fantasize about each other. He's amazed when she agrees to spend the weekend with him at a Normandy beach hotel; in fact, he guesses she's a prostitute. She's not, they go; it's off season, they have their pick of rooms, and romance ensues. Then, racial misunderstanding and real prejudice complicate the weekend and its aftermath.

Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy and as the years go on, their friendship deepens. Their relationships with their daughters, however, become strained. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man.

February 26 and 27, 2000, the Original Kings of Comedy play Charlotte, NC. The themes are Blacks and Whites, men and women, old-school and hip-hop. Steve Harvey emcees, celebrates '70s music and lyrics of love, and pokes at folks in the front row. D.L. Hughley mines racial differences and talks about his marriage. Cedric the Entertainer riffs on a Black president and on being grown up. Bernie Mac, who says he expresses what's in the back of our minds, closes with reflections on being 42 (new aspects to his sex life and his attitude toward children). Spike Lee's camera takes us backstage and off-stage with the Kings and into the crowd where everyone's laughing.

This film looks at life in the Bedford-Stuyvesant district of Brooklyn on a hot summer Sunday. As he does everyday, Sal Fragione opens the pizza parlor he's owned for 25 years. The neighborhood has changed considerably in the time he's been there and is now composed primarily of African-Americans and Hispanics. His son Pino hates it there and would like nothing better than to relocate the eatery to their own neighborhood. For Sal however, the restaurant represents something that is part of his life and sees it as a part of the community. What begins as a simple complaint by one of his customers, Buggin Out - who wonders why he has only pictures of famous Italian-Americans on the wall when most of his customers are black - eventually disintegrates into violence as frustration seemingly brings out the worst in everyone.

A redemptive tale of an aspiring rap artist surviving failed levees and her own troubled past and seizing a chance for a new beginning.

In order to improve his standing with Black voters, a White Senator starts a campaign for the CIA to recruit Black agents. However, all are graded on a curve and doomed to fail, save for a soft-spoken veteran named Dan Freeman. After grueling training in guerrilla warfare, clandestine operations and unarmed combat, he is assigned a meager job as the CIA's token Black employee. After five years of racist and stereotyped treatment by his superiors, he quietly resigns to return to his native Chicago to work for a social services agency...by day. By night, he trains a street gang to be the vanguard in an upcoming race war, using all that the CIA has taught him...

Benny's a hipster, moving in and out of Manhattan's beat scene, aimless, maybe close to trouble. His sister Lelia, who looks less African-American than White, is vulnerable and about to fall in love. Hugh, their older brother, is a struggling singer whose agent, Rupert, may be the only person with faith in his talent. The story moves back and forth, like jazz, among the three of them and what seems at first to be separate lives. Lelia meets Tony, and lets herself hope this is true love. Then he meets Hugh and prejudice gives Tony an excuse to cut and run. Can family and friendship bring solace for her hurt, purpose for Benny, and belief in Hugh? Is life more than shadows?

Jamie

Coby

Barbara

Salem Smith

A comprehensive list of the best movies that capture one or more facets of the complicated history of race relations in America. No one film can say it all, but these narratives help untangle the complicated web of emotions that have yet again bubbled to the surface with the police brutality towards George Floyd and countless others. 

Best Movies about Race in America

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