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The year is 1905. Thomas Richardson travels to a remote island to rescue his sister after she's kidnapped by a mysterious religious cult demanding a ransom for her safe return. It soon becomes clear that the cult will regret the day it baited this man, as he digs deeper and deeper into the secrets and lies upon which the commune is built.

In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence, but as they get closer to discovering the truth, things get dangerous.

Louis Creed, his wife Rachel, and their two children, Gage and Ellie, move to a rural home where they are welcomed and enlightened about the eerie 'Pet Sematary' located nearby. After the tragedy of their cat being killed by a truck, Louis resorts to burying it in the mysterious pet cemetery, which is definitely not as it seems, as it proves to the Creeds that sometimes, dead is better.

Susie Bannion is a young American ballerina who travels to Berlin to study dancing at Madame Blanc's Markos Tanz Company, one of the world's most renowned schools. On her first day, one of the students who had been recently expelled from the school is murdered. As this appalling happening does not seem to be an isolated occurrence, the brilliant new student soon begins to suspect that the school might be involved in the homicide. Her mistrust heightens when Sarah, one of the girls at the school, tells her that before she was killed, Pat confided to her that she knew and guarded a terrifying secret.

On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless-mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and tween Abra Stone learns, The True Knot are quasi-immortal, living off the "steam" that children with the "shining" produce when they are slowly tortured to death. Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father's legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant "shining" power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes "Doctor Sleep." Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan's own demons and summons him to a battle for Abra's soul and survival.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

The film follows Cecilia, who receives the news of her abusive ex-boyfriend's suicide. She begins to re-build her life for the better. However, her sense of reality is put into question when she begins to suspect her deceased lover is not actually dead.

All of us have made certain efforts so our in-laws will like us, but Grace is going to have to give it her all if she wants to fit in with her brand new husband's wealthy dynasty, who require her to follow a brutal tradition: for the bride to try to survive her wedding night while the rest of them hunt her down. The class struggle stuff hits the proverbial fan in this extremely black satire starring a brilliant

In order to get away from their busy lives, the Wilson family takes a vacation to Santa Cruz, California with the plan of spending time with their friends, the Tyler family. On a day at the beach, their young son Jason almost wanders off, causing his mother Adelaide to become protective of her family. That night, four mysterious people break into Adelaide's childhood home where they're staying. The family is shocked to find out that the intruders look like them, only with grotesque appearances.

Outwardly, Reed leads a typical yuppie life living in a stylish apartment with his wife Mona and their newborn daughter, it afforded by a white collar professional career. But Reed has a need not only to kill, but kill in a specific way, with an ice pick. Rather than his initial target, he instead chooses as his victim an English speaking prostitute. On the pretense of an out of town conference, he leaves home, and instead checks into an upscale hotel, goes through the motions of the murder to ensure that that part of it goes off without a hitch, and hires his target prostitute through a service, the intended victim named Jackie. What Reed does not anticipate is that Jackie has her own agenda for their time together, which he at times believes is on her knowledge and acceptance of her fate at his hands. Regardless, what ensues is a psychological cat and mouse game between the two, it never clear who is the mouse and who is the cat.

In Daniel Goldhaber and Isa Mazzei's paranoid horror thriller "Cam," an erotic webcam performer finds her followers stolen by a doppelganger who hijacks her channel, pushes the sexual envelope further, and otherwise seems determined to destroy her life. Call it identity theft of a possibly supernatural kind.

When elderly mother Edna inexplicably vanishes, her daughter Kay and granddaughter Sam rush to their family's decaying country home, finding clues of her increasing dementia scattered around the house in her absence. After Edna returns just as mysteriously as she disappeared, Kay's concern that her mother seems unwilling or unable to say where she's been clashes with Sam's unabashed enthusiasm to have her grandma back. As Edna's behavior turns increasingly volatile, both begin to sense that an insidious presence in the house might be taking control of her. With RELIC, first-time writer/director Natalie Erika James crafts an unforgettable new spin on the haunted-house movie.

A soon-to-be-stepmom is snowed in with her fiance's two children at a remote holiday village. Just as relations finally begin to thaw between the trio, strange and frightening events threaten to summon psychological demons from her strict religious childhood.

Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.

Trying to escape her broken past, Sarah O'Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.

As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?