Painfully shy Todd Anderson has been sent to the school where his popular older brother was valedictorian. His roommate, Neil Perry, although exceedingly bright and popular, is very much under the thumb of his overbearing father. The two, along with their other friends, meet Professor Keating, their new English teacher, who tells them of the Dead Poets Society, and encourages them to go against the status quo. Each does so in his own way, and is changed for life.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

In a future where the government records dreams and taxes them, a dream auditor gets caught up in the dreams of an aging eccentric.

2021 film directed by Albert Birney and Kentucker Audley

A reclusive English teacher suffering from severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption.

Lou Peckinpaugh (Peter Falk), the Cheap detective has entered a world that is half Casablanca (1942) and half The Maltese Falcon (1941). A parody of Humphrey Bogart's movies in which Lou goes through a series of scenes from the two movies trying to keep ahead of the Police who think he killed his partner and find the black bird.

London. An ordinary city, with one small difference: superheroes - commonly called 'capes' - exist. But apart from their powers, they're ordinary people, with the same problems the rest of us have. They spend much of their downtime in the basement bar The Fortress ('superheroes only: no masks, no powers, no heroics') but when not there or on duty they garden, go shopping, and do the laundry just like everyone else. No Heroics focuses on four friends and the trials and tribulations of their lives, but these superheroes are at best B-listers, and constantly insulted and bullied by the arrogant Devlin - Excelsor, the most successful cape of his generation.

With the help of Albert Einstein and other trusted advisors, President Harry S. Truman commissioned a top-secret residential development in a remote area of the Pacific Northwest, one that would serve to protect and nurture America's most valuable intellectual resources. There our nation's greatest thinkers, the über-geniuses working on the next era of scientific achievement, would be able to live and work in a supportive environment. The best architects and planners were commissioned to design a welcoming place for these superlative geniuses to reside, an area that would offer the best education for their children, the best healthcare, the best amenities and quality of life. A community was created to rival the most idyllic of America's small towns - with one major difference: this town would never appear on any maps. At least, none that haven't been classified "eyes only" by the Pentagon.

American science fiction television series that premiered on Syfy on July 18, 2006

Robin Williams returns to series television in The Crazy Ones, a single-camera workplace comedy about a larger-than-life advertising genius whose unorthodox methods and unpredictable behavior would get him fired if he weren't the boss. Simon Roberts is the head of a powerful agency, with the biggest clients and brands in the world, but even more important to him is that his daughter Sydney is by his side. As his partner, Sydney is Simon's exact opposite: focused, organized, and eager to make a name for herself, but also too busy parenting her father, which she'd resent if he weren't so brilliant at what he does. Joining them in the firm are the dashing and talented Zach; art director Andrew, who's as hard-working as he is neurotic; and the beautiful and deceptively smart assistant Lauren. With his team and his daughter behind him, Simon continues to set the advertising world on fire, and it looks like they are definitely buying what these crazy ones are selling.

Steven and Elyse Keaton, once 1960s radicals, now find themselves in Reagan-era America trying to raise a traditional suburban family. Their three first kids are Alex (a very ambitious Young Republican), Mallory (a ditzy and boy-crazy fashionista), and Jennifer (whom we first get to know as a precocious nine-year-old tomboy). Later on, a fourth child (Andrew) was added to the family. Most of the comedy arose from the conflict between the ex-hippie parents vs. the conservative Alex and the brainless beauty Mallory.

Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his "cage," they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.

Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized, and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rocks, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters.

1969 American Western film directed by George Roy Hill

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, viewers are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world.

1941 American drama film directed by Orson Welles

The defense and the prosecution have rested, and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. What begins as an open-and-shut case of murder soon becomes a detective story that presents a succession of clues creating doubt, and a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, AND each other. Based on the play, all of the action takes place on the stage of the jury room.

The Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action.

Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - the family about whom he is obsessed, than anyone else. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state.

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