Willowdean ('Dumplin'), the plus-size teenage daughter of a former beauty queen, signs up for her mom's Miss Teen Bluebonnet pageant as a protest that escalates when other contestants follow her footsteps, revolutionizing the pageant and their small Texas town.

On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, blissfully-affianced, prudish, boringly-innocent young pair Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) find themselves stranded on their way to visit an ex-tutor. Instead, the couple will inadvertently unearth the cross-dressing Dr. Frank-N-Furter's (Tim Curry's) spooky lair of inexhaustible oddities, just in time to partake in the out-of-this-world mad scientist's proud unveiling of his latest, delightfully extravagant, most daring creation: the ultimate male and the perfect sex symbol: the flaxen-haired Rocky Horror (Peter Hinwood). But, little by little, as the effervescent transgressive force gobbles up whole the unsuspecting visitors of the night, Brad and Janet slowly begin to embrace the potent fascinations of seduction, while an idolized Rocky roams free in the mansion. Who can interrupt man's union with the absolute pleasure?

Megan is an all-American girl. She's a cheerleader and has a boyfriend, but she doesn't like kissing him very much, and she's pretty tactile with her cheerleader friends, and she only has pictures of girls up in her locker. Her parents and friends conclude that she *must* be gay and send her off to "sexual redirection" school, full of admittedly homosexual misfits, where she can learn how to be straight. Will Megan be turned around to successful heterosexuality, or will she succumb to her love for the beautiful Graham?

The 1967 Miss All-America Camp Beauty Pageant, a nationwide contest for drag queens held in New York City, is presented, including the behind the scenes logistics by both the organizers, led by

The Golden Girls is based on the lives and interactions of four older women who have all been divorced/widowed, and are now roommates. Dorothy's main goal during the series is to find a companion she can relate to while her mother Sophia adds her comical outlook and frequent "Picture This" stories. Rose's St. Olaf-ness makes her a little corny but lovable. One thing that changes nearly every episode is whom Blanche is courting.

Armand Goldman owns a popular drag nightclub in South Miami Beach. His long-time lover, Albert, stars there as Starina. "Their" son Val (actually Armand's by his one heterosexual fling, twenty years before) comes home to announce his engagement to Barbara Keeley, daughter of Kevin Keeley, US Senator, and co-founder of the Committee for Moral Order. The Senator and family descend upon South Beach to meet Val, his father and "mother." What ensues is comic chaos.

Princess Tiabeanie, 'Bean', is about to be married to Prince Merkimer. It is an arranged marriage and Bean isn't too happy about it. She is fun loving and free spirited and marriage is the last thing she wants to preoccupy herself with. Then she meets Luci, a demon, and Elfo, an elf, and things get rather exciting, and dangerous.

satirical fantasy sitcom created by Matt Groening

The series follows a group of gay men who move to London in 1981. They form a friendship group but the fast developing HIV/AIDS crisis in the United Kingdom impacts their lives. Over five episodes the group are shown living through an entire decade until 1991, as they become determined to live fiercely despite the threat HIV poses to them.

Nina (Portman) is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica (Hershey) who exerts a suffocating control over her. When artistic director Thomas Leroy (Cassel) decides to replace prima ballerina Beth MacIntyre (Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side - a recklessness that threatens to destroy her.

Set in the 1980s, 'Pose' is a dance musical that explores the juxtaposition of several segments of life and society in New York: the ball culture world, the rise of the luxury Trump-era universe, and the downtown social and literary scene. Blanca forms a 'house', a self-selected family that provides support to LGBTQ youth who have been rejected by their birth families. Damon is a dancer who joins Blanca's house. Together, they compete in the balls -- where house members challenge each other in various categories and are judged on their outfits, attitude, or dance skills -- against Blanca's former house mother, Elektra. Pray Tell is Godfather to the children who compete in the balls. Angel is a streetwalker who develops feelings for a new client, Stan, who has a loving wife, Patty. James Van Der Beek co-stars as Stan's boss, Matt.

American drama television series about New York City's drag ball culture during the 1980s and 1990s

Called "The American Bowie," "The True Fairy of Rock & Roll" and "Hype of the Year," Jobriath's reign as the first openly gay rock star was brief and over by 1975. Now, 35 years later, "Jobriath A.D." spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him.

2012 American film directed by Kieran Turner

THE ICE KING is the searing documentary of a lost cultural icon, a story of art, sport, sexuality, and rebellion. Including incredible unseen footage of some of his mort remarkable performances and with access to Curry's letters, archive interviews, and interviews with his family, friends and collaborators, this is a portrait of the man who turned ice-skating from a dated sport into an exalted art form. Watch any figure skating and it falls into two possible camps: before and after John Curry. From what was a macho, technical sport whose judges punished deviation blossomed - through John Curry's stubborn beauty - ice-dancing. This was no Holiday on Ice, but a new artistic medium. After winning gold at the Winter Olympics for a rebelliously balletic routine, Curry saw the world's stages sheeted with ice. Audiences and reviewers alike were enthralled by his genius. But Curry's story is about more than skating. On the night of the final, Curry became the first openly gay Olympian at a time when homosexuality was barely legal. From bullying and prejudice, to relief in the gay underworld, to his untimely death from AIDS, Curry's story dovetails with the experiences of a generation. Tortured by demons, Curry was forever on the run. Never owning a home, he lived on the favours of those who loved him. The only place he found true freedom was the ice. This is the story of a man whose body was a battleground. From love affairs, to violence in sex clubs, to its 'unmanly' elegance on the ice, every act was rebellion. John Curry was no activist, but an artist expressing his authentic self - yet in a world where his existence was taboo, his life was unavoidably political.

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