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Picture of a movie: Pretty Woman
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6 Movies

ROM-COM: Unexpected Love

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Picture of a movie: Two Weeks Notice
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Two Weeks Notice

2002
Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development project near her childhood Coney Island home where her parents still live. Although Lucy is able to effect the type of change she wanted from this position, she finds she cannot deal with George's expectations of her, namely being his primary confidante and advisor at all hours of the day and night, mostly about issues she considers frivolous. As such, she gives him two weeks notice, although she promises to help George find her replacement. As Lucy begins to review resumes, George himself unilaterally decides to hire June Carver, a fellow Harvardite, but who seems to have her sights set on George as both a boss and personal partner. As June begins to replace Lucy in seemingly all aspects of George's life, Lucy begins to realize that she herself has fallen for George. However, Lucy's feelings for George and her attempts to re-ingratiate herself into George's life are placed into jeopardy when she learns of a Wade Corporation decision against her basic sensibilities.
Picture of a movie: Because I Said So
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Because I Said So

2007
Approaching age sixty, Daphne Wilder divorced when she was young, has not dated since, and has raised on her own and has fostered a close, loving relationship with her three daughters, Maggie, Mae and Milly, she now assisting Milly in her successful catering business. Daphne was mother of the bride for a first time at Maggie's wedding, and a second time at Mae's wedding, but she fears there won't be a third and final time for a Milly wedding in insecure Milly attracting only who seem to be the wrong men. Not wanting Milly to turn into another "alone" version of herself at age sixty, Daphne, without telling any of her daughters let alone Milly, decides to take matters into her own hands by placing a personal ad for a potential mate for Milly. Scheduling all seventeen interviews in succession at a restaurant, Daphne finds the ad has attracted one "loser" after another, until she reaches number seventeen, Jason, an architect who is handsome and seems smart, well-bred, successful and forward thinking about his life. The two arrange for Jason to meet Milly by "accident". What Daphne does not anticipate is that there ends up being a number eighteen, Johnny, who witnessed the interviews from the sidelines as the guitarist performing at the restaurant, and while Johnny did approach Daphne in his interest in meeting Milly from what he heard of the interviews, she immediately dismissed him solely because he is a musician and thus irresponsible by nature, much like her ex-husband. In their accidental meetings, Milly embarks on a relationship with both Jason and Johnny concurrently, and upon learning about Johnny in the picture, Daphne starts pushing Jason as the favored one to Milly. Beyond Milly, Jason and Johnny's own thoughts about their two relationships, the two men who know nothing about the other being in Milly's life, a question becomes how Milly eventually learning about the ad, an inevitability, will factor into what happens, not only about Milly's love life but her relationship with her mother. In helping Milly with her love life and only fostered by watching old