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Stormbringer

With Stormbringer, Michael Moorcock brings a superior fantasy series to a to formally effective and emotionally satisfying conclusion.I love the Elric series, and sometimes wonder if I rate the books too highly. After all, the prose, ranging from workmanlike to vigorous, is often evocative but rarely poetic, and the tales themselves run to cliche, with too many love-besotted sorcerers, too many queens with hidden agendas, and too many marvelous towers—chock full of monsters and demons—appearing at the conflux of the time streams.Here, however, Moorcock is at the top of his game. His prose is unusually concentrated and disciplined, and many of the plot elements he introduces are both surprising and pleasing. (My favorites? The quest for Roland’s horn, and—even better--the Sad Giant and his shield.)But the best thing about this book is the seriousness with which Moorcock treats his hero, his hero’s destiny, and the startlingly original universe—a world torn between Chaos and Law—in which his hero lives. For it is the brooding Byronic character of Elric himself, fated to kill those whom he loves, and the unique philosophical realm which determines the nature of that character, that together are the twin source of the Elric fans’ delight, making it easy to excuse the patches of mundane prose, the occasional narrative cliche. In fashioning Stormbringer, Moorcock has shown great courage, not flinching from the demands of fate or the requirements of his chosen universe. He brings the Elric series to its inevitable conclusion, and, in doing so, has crafted a thing of harsh beauty, as heartbreaking and bleak as Arthur’s battle at the plain of Camlann.

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