Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images.

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

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Zeynep Küpeli

Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

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After 400 BC, a new philosophy was born in South east Asia, generated from the ideas of Buddha, a mysterious Prince from Nepal who gained enlightenment while he sat under a large, shapely fig tree. Buddha never claimed to be God or his emissary on earth, only that he was a human being who had found a kind of serenity that others could find too. This documentary tells the story of his life.

The Spirit Molecule investigates dimethyltryptamine (DMT), an endogenous psychoactive compound, which exists in humans and numerous species of plants and animals. The documentary traces Dr. Rick Strassman's government-sanctioned, human DMT research and its many trials, tribulations, and inconceivable realizations. A closer examination of DMT's effects through the lens of two traditionally opposed concepts, science and spirituality, The Spirit Molecule explores the connections between cutting-edge neuroscience, quantum physics, and human spirituality. Strassman's research, and the experiences of the human test subjects before, during, and after the intense clinical trials, raises many intriguing questions. A variety of experts voice their unique thoughts and experiences with DMT within their respective fields. As Strassman's story unfolds, the contributors weigh in on his remarkable theories, including the synthesis of DMT in our brain's pineal gland, its link to near-death & alien-abduction experiences, the history/future of psychedelics, and the uncanny likeness to ancient religious texts describing prophets with DMT-like experiences. Additionally, the intriguing similarities to the "many-worlds" interpretation of quantum mechanics lead to other fascinating discoveries. The experts offer a comprehensive collection of information, opinions, and speculation to help understand the nature of the DMT experience, and its role in human culture and the life force of our planet. Due to the profound nature, and visual phantasmagoria, of the DMT experience, the visual landscape of the film features stunning visualizations from Scott Draves (Electric Sheep), as well as a cutting-edge motion graphics, which demonstrate DMT's conceptual link to human evolution, construction of the universe, advanced neuroscience, and other alluring theories. Finally, stylized scenes reminiscent of Rod Sterling's famous Twilight Zone bookends, Joe Rogan (actor/comedian) serves as tour guide, helping navigate the expansive realms of Strassman's DMT universe. Dimethyltryptamine: a simple molecule with enormous implications. The Spirit Molecule's subtle combination of science, spirituality, and philosophy results in an abundance of incredible ideas and theories that could alter the way we understand the universe and our relationship to it.

In modern dance since the 1970s, few choreographers have had more influence in the medium than the late Pina Bausch. This film explores the life and work of this artist of movement while we see her company perform her most notable creations where basic things like water, dirt and even gravity take on otherworldly qualities in their dancing.

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