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April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

Discovered in the attic in which she spent the last years of her life, Anne Frank’s remarkable diary has become a world classic—a powerful reminder of the horrors of war and an eloquent testament to the human spirit. In 1942, with the Nazis occupying Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, the Franks and another family lived cloistered in the “Secret Annexe” of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death. In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and surprisingly humorous, her account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short.--back cover

King Henry V - the great Lion of England - is long dead.In 1437, after years of regency, the pious and gentle Henry VI, the Lamb, comes of age and accedes to the English throne. His poor health and frailty of mind render him a weakling king -Henry depends on his closest men, Spymaster Derry Brewer and William de la Pole, Duke of Suffolk, to run his kingdom.Yet there are those, such as the Plantagenet Richard, Duke of York, who believe England must be led by a strong king if she is to survive. With England's territories in France under threat, and rumours of revolt at home, fears grow that Henry and his advisers will see the country slide into ruin. With a secret deal struck for Henry to marry a young French noblewoman, Margaret of Anjou, those fears become all too real.As storm clouds gather over England, King Henry and his supporters find themselves besieged abroad and at home. Who, or what can save the kingdom before it is too late?

Go with God and Fight Like the Devil. A fascinating hero and the pursuit of a sword with mythical power - this is the remarkable new novel by Britain’s master storyteller, which culminates at the Battle of Poitiers in 1356.Thomas of Hookton, a veteran of Crecy and many other battles, is the leader of a mercenary company of bowmen and men-at-arms who ravage the countryside east of Gascony.Edward, Prince of Wales, later to be known as the Black Prince, is assembling an army to fight the French once more but before Thomas can join, he must fulfil an urgent task.La Malice, a sword of mythical power guaranteeing victory to its owner, is thought to be concealed somewhere near Poitiers. With signs that a battle between the English and the French is looming others are seeking the treasure too, and some – French, Scots and even English – are pursuing their private agendas against Thomas.But all – Thomas of Hookton, his enemies and friends and the fate of La Malice – become swept up in the extraordinary confrontation that follows, as the large French army faces the heavily outnumbered English in battle.

The year is 885, and England is at peace, divided between the Danish kingdom to the north and the Saxon kingdom of Wessex in the south. Warrior by instinct and Viking by nature, Uhtred, the dispossessed son of a Northumbrian lord, has land, a wife and children—and a duty to King Alfred to hold the frontier on the Thames. But a dead man has risen, and new Vikings have invaded the decayed Roman city of London with dreams of conquering Wessex... with Uhtred’s help. Suddenly forced to weigh his oath to the king against the dangerous turning tide of shifting allegiances and deadly power struggles, Uhtred—Alfred’s sharpest sword—must now make the choice that will determine England’s future.

The new novel in Bernard Cornwell’s number one bestselling series The Saxon Tales, on the making of England and the fate of his great hero, Uhtred of Bebbanburg.A fragile peace governs the kingdoms of Wessex, East Anglia, under the rule of the late King Alfred’s son, King Edward, and Mercia, under his daughter Aethelflaed.Uhtred, her formidable champion and greatest warrior, controls the northern parts from the strongly fortified city of Chester. But no one can prepare them for the storm that is about to descend…The Northmen, allied to the Irish, come in force under the cover of night, up the Mersey, perhaps to attack Chester, perhaps to rage and pillage through Mercia, perhaps to take the troubled kingdom of Northumbria. They are led by the terrifying Viking warrior, Ragnall Iverson, a fierce fighter and ruthless leader.He and his army are formidable enough but worse still, his brother is married to Uhtred’s daughter. With his passionate determination, Uhtred will stop at nothing to take back his corner of Northumbria and secure the future of Bebbanburg. But for Aethelflaed and the Mercians, doubt must arise to where his loyalty lies.In the struggle between family and loyalty, between oaths given and political demands, there is no easy solution. And the clash between the Vikings and the Saxons will resound across the land.

The master of historical fiction presents the iconic story of King Alfred and the making of a nation. As the ninth century wanes, England appears about to be plunged into chaos once more. For the Viking-raised but Saxon-born warrior, Uhtred, whose life seems to shadow the making of England, this presents him with difficult choices. King Alfred is dying and his passing threatens the island of Britain to renewed warfare. Alfred wants his son, Edward, to succeed him but there are other Saxon claimants to the throne as well as ambitious pagan Vikings to the north. Uhtred's loyalty - and his vows - were to Alfred, not to his son, and despite his long years of service to Alfred, he is still not committed to the Saxon cause. His own desire is to reclaim his long lost lands and castle to the north. But the challenge to him, as the king's warrior, is that he knows that he will either be the means of making Alfred's dream of a united and Christian England come to pass or be responsible for condemning it to oblivion. This novel is a dramatic story of the power of tribal commitment and the terrible difficulties of divided loyalties. This is the making of England magnificently brought to life.

Agincourt is one of the epic battles of history. It was fought by two badly matched armies that met in atrocious conditions on St Crispin's Day 1415, and resulted in an extraordinary victory that was celebrated in England long before Shakespeare immortalised it in Henry V. It has always been held to be the triumph of the longbow against the armoured knight, and of the common man against the feudal aristocrat, but those are history's myths. Bernard Cornwell, who has long wanted to write this story, depicts the reality behind the myths.Nicholas Hook is an English archer. He seems born to trouble and, when his lord orders him to London as part of a force sent to quell an expected Lollard uprising, Nick's headstrong behaviour leads to him being proscribed an outlaw. He finds refuge across the Channel, part of an English mercenary force protecting the town of Soissons against the French. What happened at the Siege of Soissons shocked all Europe, and propels Nick back to England where he is enrolled in the archer companyof the doughty Sir John Cornwaille, a leader of Henry V's army. The army was superb, but sickness and the unexpected French defiance at Harfleur, reduce it to near-shambolic condition. Henry stubbornly refuses to accept defeat and, in appalling weather, leads his shrunken force to what appears to be inevitable disaster.Azincourt culminates in the battle. Seen from several points of view on the English side, but also from the French ranks, the scene is vivid, convincing and compelling. Bernard Cornwell has a great understanding of men at war and battlefields and this is his masterpiece. This is what it must have been like to fight at Agincourt.

The second installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series.This is the exciting—yet little known—story of the making of England in the 9th and 10th centuries, the years in which King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms.At the end of The Last Kingdom, The Danes had been defeated at Cynuit, but the triumph of the English is not fated to last long. The Danish Vikings quickly invade and occupy three of England’s four kingdoms—and all that remains of the once proud country is a small piece of marshland, where Alfred and his family live with a few soldiers and retainers, including Uhtred, the dispossessed English nobleman who was raised by the Danes. Uhtred has always been a Dane at heart, and has always believed that given the chance, he would fight for the men who raised him and taught him the Viking ways. But when Iseult, a powerful sorceress, enters Uhtred’s life, he is forced to consider feelings he’s never confronted before—and Uhtred discovers, in his moment of greatest peril, a new-found loyalty and love for his native country and ruler.

The enemy is massing on the borders, a united force for once.The king, a man of many victories, is in failing health, and his heir is an untested youth.Uthred, the king's champion, leads his country's forces to war, but his victory is soured by personal tragedy and by the envy of the king's court. So he breaks with the king and takes off for the land of his birth, determined to resist all calls for his return. That is, until one unexpected request...This is the making of England brought magnificently to life by the master of historical fiction.

This is the story of the making of England in the 9th and 10th centuries, the years in which King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms.The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex (Alfred’s kingdom and the last territory in English hands) Uhtred almost thinks of himself as a Dane. He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea.This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.

Fire up Star-Lord’s jet boots for a wild ride across the cosmos in this third-person action-adventure game, a fresh take on Marvel’s Guardians of the Galaxy...

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Horizon Forbidden West is a 2022 action role-playing game developed by Guerrilla Games and published by Sony Interactive Entertainment. The sequel to 2017's Horizon Zero Dawn, the game is set in a post-apocalyptic version of the Western United States recovering from the aftermath of an extinction event caused by a rogue robot swarm. The player can explore the open world and complete quests using ranged and melee weapons against hostile machine creatures.Horizon Forbidden West was released on February 18, 2022, for PlayStation 4 and PlayStation 5, and received generally favorable reviews.Horizon Forbidden West is an action role-playing game played from a third-person perspective. The player controls Aloy, a hunter in a world populated by dangerous, animalistic machines. In an open world, she explores the mysterious frontier known as the Forbidden West, a post-apocalyptic version of the Western United States, specifically the states of California, Nevada, and Utah. The map is larger than in the previous game. Exploration is improved with new underwater discoveries, and improvements to combat using the Valor Surge system, freeform climbing, and tools such as the Shieldwing, Focus Scanner, Diving Mask, and Pullcaster. The mission structure for quests better supports variety in objectives with compelling reward systems.

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Horizon Zero Dawn is a PS4-exclusive action role playing game developed by Guerrilla Games, creators of the Killzone franchise. As Horizon Zero Dawn’s main pr...

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In a near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.

A frustrated son tries to determine the fact from fiction in his dying father's life.

An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.

A criminal pleads insanity and is admitted to a mental institution, where he rebels against the oppressive nurse and rallies up the scared patients.

1975 drama film based on the novel by Ken Kesey

Will Hunting, a janitor at M.I.T., has a gift for mathematics, but needs help from a psychologist to find direction in his life.

Kazakh TV talking head Borat is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.

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Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding the unborn child.

2007 American comedy-drama film directed by Jason Reitman

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

1996 film directed by Ethan and Joel Coen

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The drug-induced utopias of four Coney Island people are shattered when their addictions run deep.

The presidencies of Kennedy and Johnson, the Vietnam War, the Watergate scandal and other historical events unfold from the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweeth

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A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.

After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

1994 American crime film directed by Quentin Tarantino

In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.

A shy student trying to reach his family in Ohio, a gun-toting bruiser in search of the last Twinkie and a pair of sisters striving to get to an amusement park join forces in a trek across a zombie-filled America.

A day in the lives of two convenience clerks named Dante and Randal as they annoy customers, discuss movies, and play hockey on the store roof.

1994 American comedy film directed by Kevin Smith

A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.

A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.

2002 American semi-autobiographical film by Spike Jonze

A drug dealer introduces one of his customers, a 'speed freak', to the man who runs the meth lab. A crazy three-day adventure ensues.

English singer-songwriter, bassist of The Beatles

An idealistic, young barrister is shown the ropes by a worldly mentor.

As Alfred the Great defends his kingdom from Norse invaders, Uhtred - born a Saxon but raised by Vikings - seeks to claim his ancestral birthright.

Comedy set in the social services department of a local authority. Social workers Rose and Al swim against the tide of bureaucracy, deal with the absurdities of life and try to navigate their equally trying professional and personal 

The life of Louie C.K., a divorced comedian living in New York with two kids.

The life and times of Larry David and the predicaments he gets himself into with his friends and complete strangers.

Detective Inspector Rabbit, a dedicated, tough, thick and oft inebriated Victorian copper, sleuths his way across London with his two young partners, a doofy rookie, and a brilliant black policewoman no one ever believes.

Moz is a drug dealer and has very strange clientele who come and go from his flat.

A British comedy set in the smoking room of a workplace.

Assistant manager John Redmond and promotions rep Kayleigh Kitson are forced to commute together every day. But will they get along?

An original comedy series about the life of Warren Thompson, a pedantic driving instructor who believes the world is against him.

Paul 'Wicky' Wickstead, a state-certified cleaning technician, is responsible for the removal of any signs of death from the crime scenes.

Darkly comic drama series about life on an NHS geriatric ward.

Comedy following incompetent Greek-Cypriot lettings agent Stath who works for the family business Michael and Eagle.

A deadbeat drama teacher gets a wake-up call when his girlfriend leaves him.

The antics of the dysfunctional staff of Sutton branch of a mobile phone retailer.

The lives of two eccentric metal detectorists, who spend their days plodding along ploughed tracks and open fields, hoping to disturb the tedium by unearthing the fortune of a lifetime.

After Tony's wife dies unexpectedly, his nice-guy persona is altered into an impulsive, devil-may-care attitude; taking his old world by storm.

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Dark comedy about the eccentric members of the Flowers family. Maurice and Deborah are barely together but yet to divorce. They live with Maurice's batty mother and their maladjusted twin children.

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Two siblings share their Friday-night dinners at their parents' home and, somehow, something always goes wrong.

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