Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

"Mark Lanegan-primitive, brutal, and apocalyptic. What's not to love?" -Nick Cave, author of The Sick Bag Song and The Death of Bunny Munro When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll." Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music. In Sing Backwards and Weep, Lanegan takes readers back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and dripping with drugs. He tracks the tumultuous rise and fall of the Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favorites that scored a hit #5 single on Billboard's Alternative charts and landed a notorious performance on David Letterman, where Lanegan appeared sporting a fresh black eye from a brawl the night before. This book also dives into Lanegan's personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive underlining beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale. Gritty, gripping, and unflinchingly raw, Sing Backwards and Weep is a book about more than just an extraordinary singer who watched his dreams catch fire and incinerate the ground beneath his feet. Instead, it's about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating.

Man, this was good! I had only read a few articles by Laster Bangs when I picked this up at my local. That’s library, not tavern. I am so completely blown away by how Bangs spoke about music. This man was a huge music fan. His writing stinks to high heaven of his love and respect for music, of how much music moved him. Maybe that’s why he’s able to write so well about music, to say so much in the space of a sentence or by his choice of words. Most critics’ writing, music or otherwise, is just the most banal, lifeless, arrogant, ignorant refuse but Bangs turns a review of a Van Morrison LP into an examination of the human condition. I wish he’d written a novel, y’know, because it would have been such a pleasure to read.What strikes me most about this collection is that you can see Bangs sort of growing up as his writing goes on. He put so much of himself into his work that his articles act as testaments to where he was at when he wrote them. Some of this is the straightforward honesty he can’t seem to help but use in his writing. He pulls no punches but he takes punches like a pro.I wish I could have met Lester Bangs. He’s joined the short list of no longer with us people I’d like to have met. Seems like he’d be a real kick in the pants to know. Thinking about the conversations you could have with this guy about music makes me giddy.Calling Bangs a music critic is like calling Stradivarius a violin maker. Bangs is to music critics what Gary Oldman is to actors or Jimi Hendrix to guitarists. You find out more about yourself from his writing than you do about the subjects he writes about. He came from a long line of no talent hacks and inspired a long line of no talent hacks but his writing is right there, bold and beautiful, a shining example of how to do it right!

Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.

The short story, Franny, takes place in an unnamed college town and tells the tale of an undergraduate who is becoming disenchanted with the selfishness and inauthenticity she perceives all around her.The novella, Zooey, is named for Zooey Glass, the second-youngest member of the Glass family. As his younger sister, Franny, suffers a spiritual and existential breakdown in her parents' Manhattan living room -- leaving Bessie, her mother, deeply concerned -- Zooey comes to her aid, offering what he thinks is brotherly love, understanding, and words of sage advice.Salinger writes of these works: "FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill."

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

The quintessential novel of the Lost Generation, The Sun Also Rises is one of Ernest Hemingway's masterpieces, and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.

Robert M. Pirsig's Zen &amp; the Art of Motorcycle Maintenance is an examination of how we live, a meditation on how to live better set around the narration of a summer motorcycle trip across America's Northwest, undertaken by a father &amp; his young son.

When Jack Kerouac’s On the Road first appeared in 1957, readers instantly felt the beat of a new literary rhythm. A fictionalised account of his own journeys across America with his friend Neal Cassady, Kerouac’s beatnik odyssey captured the soul of a generation and changed the landscape of American fiction for ever.Influenced by Jack London and Thomas Wolfe, Kerouac always wanted to be a writer, but his true voice only emerged when he wrote about his own experiences in On the Road. Leaving a broken marriage behind him, Sal Paradise (Kerouac) joins Dean Moriarty (Cassady), a tearaway and former reform school boy, on a series of journeys that takes them from New York to San Francisco, then south to Mexico. Hitching rides and boarding buses, they enter a world of hobos and drifters, fruit-pickers and migrant families, small towns and wide horizons. Adrift from conventional society, they experience America in the raw: a place where living is hard, but ‘life is holy and every moment is precious’.With its smoky, jazz-filled atmosphere and its restless, yearning spirit of adventure, On the Road left its mark on the culture of the late 20th century, influencing countless books, films and songs. Kerouac’s prose is remarkable both for its colloquial swing and for the pure lyricism inspired by the American landscape – ‘the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy’. This Folio Society edition is illustrated with evocative photographs of Kerouac and the landscapes of 1950s America. Now acknowledged as a modern classic, On the Road remains a thrilling and poignant story of the road less travelled.

" Tu as vingt-cinq ans et vingt-neuf dents, trois chemises et huit chaussettes, quelques livres que tu ne lis plus, quelques disques que tu n'écoutes plus. n'as pas envie de te souvenir d'autre chose, ni de ta famille, ni de tes études, ni de tes amours, ni de tes amis, ni de tes vacances, ni de tes projets. Tu as voyagé et tu n'as rien rapporté de tes voyages. Tu es assis et tu ne veux qu'attendre, attendre seulement jusqu'à ce qu'il n'y ait plus rien à attendre : que vienne la nuit, que sonnent les heures, que les jours s'en aillent, que les souvenirs s'estompent. " C'est en ces termes que le narrateur s'adresse à lui-même, " un homme qui dort ", qui va se laisser envahir par la torpeur et faire l'expérience de l'indifférence absolue.

Set in Los Angeles in the early 1980's, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a world shaped by casual nihilism, passivity, and too much money a place devoid of feeling or hope.Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.

Documentary covering Neil Young's October 22, 1978 concert performance at the Cow Palace.

A film about the career of the notorious punk rock band, the Sex Pistols.

Documentary covering the growth and subsequent overexposure of the Seattle "grunge" music scene in the early 90s

A look at the wild scene outside a Judas Priest concert

A documentary on the band Pearl Jam that marks their 20th anniversary in the year 2011.

Filmed coverage of Australian band AC/DC's '79 appearance in Paris intercut with quasi-fictional interludes.

A film about the greatest pre-Woodstock rock music festival.

1968 rockumentary directed by D. A. Pennebaker

An entertaining "rockumentary" about Radiohead that shows some of the tedium of being a rock star, as well as some of the fun stuff.

On Halloween 1991, Nirvana played live at the Paramount Theater in Seattle. Songs from both albums, "Bleach" and "Nevermind", were performed.

Oscar-winning musical chronicle that brilliantly captures the three-day rock concert and celebration of peace and love that became a capstone for the Sixties.

A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.

The Rolling Stones Rock and Roll Circus was filmed before a live audience at a North London TV studio.

A cyborg, identical to the one who failed to kill Sarah Connor, must now protect her ten year old son, John Connor, from a more advanced and powerful cyborg.

1991 American science fiction action film directed by James Cameron

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a man in a large rabbit suit who manipulates him to commit a series of crimes.

On vacation in Thailand, Richard sets out for an island rumored to be a solitary beach paradise.

2000 adventure drama film directed by Danny Boyle

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

The drug-induced utopias of four Coney Island people are shattered when their addictions run deep.

A criminal pleads insanity and is admitted to a mental institution, where he rebels against the oppressive nurse and rallies up the scared patients.

1975 drama film based on the novel by Ken Kesey

Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.

English musician, composer and improvisor

American jazz saxophonist, violinist, trumpeter, and composer

Two F.B.I. Agents, Fox Mulder the believer and Dana Scully the skeptic, investigate the strange and unexplained, while hidden forces work to impede their efforts.

American science fiction drama television series

The continuing misadventures of neurotic New York City stand-up comedian Jerry Seinfeld and his equally neurotic New York City friends.

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