Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Marriage can be a real killer.On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.Source: gillian-flynn.com

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

First published in 1952 and immediately hailed as a masterpiece, Invisible Man is one of those rare novels that have changed the shape of American literature. For not only does Ralph Ellison's nightmare journey across the racial divide tell unparalleled truths about the nature of bigotry and its effects on the minds of both victims and perpetrators, it gives us an entirely new model of what a novel can be.As he journeys from the Deep South to the streets and basements of Harlem, from a horrifying "battle royal" where black men are reduced to fighting animals, to a Communist rally where they are elevated to the status of trophies, Ralph Ellison's nameless protagonist ushers readers into a parallel universe that throws our own into harsh and even hilarious relief. Suspenseful and sardonic, narrated in a voice that takes in the symphonic range of the American language, black and white, Invisible Man is one of the most audacious and dazzling novels of our century.

Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. Her new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement by Nobel Prize laureate Toni Morrison.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

An American classic and great bestseller for over thirty years, A Separate Peace is timeless in its description of adolescence during a period when the entire country was losing its innocence to the second world war.Set at a boys boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual. Phineas is a handsome, taunting, daredevil athlete. What happens between the two friends one summer, like the war itself, banishes the innocence of these boys and their world.A bestseller for more than thirty years, A Separate Peace is John Knowles crowning achievement and an undisputed American classic.

Geek Love is the story of the Binewskis, a carny family whose mater- and paterfamilias set out—with the help of amphetamine, arsenic, and radioisotopes—to breed their own exhibit of human oddities. There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset.As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

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  Janie saw her life like a giant tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches.\
I've spent many years wanting to read this book, but also not wanting to read it because the title made me think it was going to be heavy on religion, which is something I generally avoid in books. It's not, though. It's a wonderful, lyrical tale of a woman's life and search for independence.Now I'm fascinated by interpretations of the title because religion and God don't feature much in the story at all. I’ve been reading about the idea that the title implies how Janie must look to God - not white people, not husbands, not well-meaning family members - to determine her future. While this theory doesn't give her much agency, it does fit with her search for a life outside of others' expectations (except God's).It's set in Florida in the early 20th Century, at the height of Jim Crow. The novel begins with Janie Crawford sharing her life story with her friend Pheoby. We are taken back to her youth and sexual awakening-- an event that triggers her grandmother's insistence that she marry for protection. Nanny, herself, is fascinating. You feel both Janie's frustration toward her controlling grandmother, and Nanny's desire that Janie will have a better life and be taken care of.\
  "She was borned in slavery time when folks, dat is black folks, didn’t sit down anytime dey felt lak it. So sittin’ on porches lak de white madam look lak uh might fine thing tuh her. Dat’s whut she wanted for me – don’t keer whut it cost. Git up on uh high chair and sit dere. She didn’t have time tuh think whut tuh do after you got up on de stool uh do nothin’."\
As you can see from above, the novel's dialogue makes strong use of dialect and colloquialisms. Through three marriages and many instances of physical abuse, Janie remains fierce and unapologetic. It was a terrible time in America for a black woman to find freedom and independence, but Janie pursues it nevertheless. It's now eighty years after the book's first publication and Janie's indistinguishable spirit is as captivating as it surely always was.In the end, the book is about defying expectations and living for oneself. Everyone in Janie's life wants and expects something from her. Her Nanny wants her to marry for protection, white men want to keep her down, darker-skinned African-Americans feel she should emphasize her lighter skin, each of her husbands wants her to behave and dress in a way that suits them. But Janie remains wholly herself throughout. I love her.Blog | Facebook | Twitter | Instagram | Youtube

At the age of eight Brian Lackey is found bleeding under the crawl space of his house, having endured something so traumatic that he cannot remember an entire five–hour period of time.During the following years he slowly recalls details from that night, but these fragments are not enough to explain what happened to him, and he begins to believe that he may have been the victim of an alien encounter. Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

It's the last day of school at a high school in a small town in Texas in 1976. The upperclassmen are hazing the incoming freshmen, and everyone is trying to get stoned, drunk, or laid, even the football players that signed a pledge not to.

Suburban soccer moms find themselves constantly competing against each other in their personal lives as their kids settle their differences on the field.

2019 film directed by Jocelyn DeBoer and Dawn Luebbe

Everybody knows that your life is a story. But what if a story was your life? Harold Crick (Will Ferrell) is your average I.R.S. Agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside of his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on television. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late.

Much to his surprise, timid Joel Barish is shocked to discover that the love of his life, sparky Clementine, has had him erased from her memory. To pay her back in the same coin, poor Joel summons up the courage to undergo a painless but intricate medical procedure to do the same, utterly unaware that darkness is an essential part of the light. Now, as hurt and angry Joel's ugly recollections of Clementine gradually fade away, giving way to a soulless black void, suddenly, he begins having second thoughts, toying with the idea of stopping the irreversible process. In the end, is ignorance really bliss?

On the night of her wedding, Justine (Kirsten Dunst) is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire (Charlotte Gainsbourg), Justine's sister, is struggling to maintain composure with fear of the impending disaster.

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (

Jon Martello objectifies everything in his life: his apartment, his car, his family, his church, and, of course, women. His buddies even call him Don Jon because of his ability to pull "10s" every weekend without fail. Yet even the finest flings don't compare to the transcendent bliss he achieves alone in front of the computer watching pornography. Dissatisfied, he embarks on a journey to find a more gratifying sex life, but ends up learning larger lessons of life and love through relationships with two very different women.

Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS?

'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.

Housewife Roberta Glass of Fort Lee, New Jersey, is feeling restless in her life, where she has not taken any chances, including in her marriage to home spa retailer Gary Glass, who knows what to expect in her every move, and who is more concerned about his public image with respect to his business than her. If being honest, Gary would consider her uptight. She does have a few diversions, one of her favorite being reading the personal classifieds, most specifically those written by someone named Jim whose ads are always titled "Desperately Seeking Susan". Roberta gleans that Jim and Susan are in a relationship of sorts with the ads the only way for him to get in touch with her as she travels around the country. Obsessed with the pair, Roberta decides to go to Battery Park when the latest ad requests Susan meet Jim there. In her sighting from afar, Roberta can see that Susan is a wild, new wavish attired woman, to some extent a polar opposite to Roberta herself. Out of circumstance, Roberta is able to purchase Susan's easily identifiable leather jacket from a third party, which in the process leads to Roberta getting amnesia, further resulting in her being able to obtain all of Susan's personal possessions, making her believe that she must be who these possessions point to her being. This causes some confusion for Dez, a friend of Jim's who has never met Susan, and who Jim, a rock musician, asked to look after Susan in his needed absence out of town for a gig. Dez, a movie projectionist, can't help but fall for Roberta who he believes is Susan, while Roberta, in her newfound freedom, falls for Dez in return. What Roberta is unaware of, even before her amnesia, is that a criminal, Wayne Nolan, who has already killed once, is after Susan with regard to some priceless Egyptian earrings Susan has out of circumstance, he only knowing her from that iconic leather jacket. Susan does eventually learn this information about Wayne and thus tries to track down this mysterious woman who has stolen her possessions both to get back her stuff but also warn her about Wayne. Matters will only get more complicated as Gary gets closer to tracking down his missing wife, when Jim comes back into town looking for Susan, and if and when Roberta regains her memory.

David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasantville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknownst to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hand them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home.

For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna winds up unexpectedly pregnant after a one-night stand, she is forced to face the uncomfortable realities of independent womanhood for the first time. Donna's drunken hookup - and epic lapse in prophylactic judgment - turns out to be the beginning of an unplanned journey of self-discovery and empowerment.

Benjamin Braddock returns home to California after successfully completing college. He gets a hero's welcome from his parents but Ben isn't quite sure what to do with the rest of his life. He is soon seduced by Mrs. Robinson, the wife of his father's partner, who methodically pursues the inexperienced young man. Soon, they are meeting regularly in hotel rooms. Warned by her to stay away from her daughter Elaine, his father goads him into taking her out on a date. He finds he quite likes Elaine but when she learns he's been having an affair with her own mother, she'll have nothing to do with him. He's smitten however and pursues her.

Charlyne Yi embarks on a quest across America to make a documentary about the one subject she doesn't fully understand: Love. Michael Cera becomes the object of her affection. Weaving together reality and fantasy, Paper Heart combines elements of documentary and traditional storytelling to get at modern romance.

In his feature film directorial debut, comedian Bo Burnham deftly encapsulates the awkwardness, angst, self-loathing and reinvention that a teenage girl goes through on the cusp of high school. Given that the 27-year-old stand-up comic achieved fame as a teenager himself through YouTube by riffing on his insecurities, he is uniquely capable as the film's writer and director to tell the story of Kayla, an anxious girl navigating the final days of her eighth grade year, despite creating a protagonist female instead of male. Like Burnham did more than a decade ago, 13-year-old Kayla turns to YouTube to express herself, where she makes advice blogs in which she pretends to have it all together. In reality, Kayla is sullen and silent around her single father and her peers at school, carrying out most of her interactions with her classmates on Instagram and Twitter. Her YouTube videos are a clever narrative tool that provide insight into her inner hopes and dreams, much like an inspirational online diary. One of Eighth Grade's biggest triumphs is in its realism.

Scott Pilgrim plays in a band which aspires to success. He dates Knives Chau, a high-school girl five years younger, and he hasn't recovered from being dumped by his former girlfriend, now a success with her own band. When Scott falls for Ramona Flowers, he has trouble breaking up with Knives and tries to romance Ramona. As if juggling two women wasn't enough, Ramona comes with baggage: seven ex-lovers, with each of whom Scott must do battle to the death in order to win Ramona.

Young adult Harold Chasen, solitary and friendless by choice, is obsessed with death, this fascination manifesting itself in he staging his own fake suicides, driving a hearse and attending funerals, even of people he doesn't know, all to the chagrin of his exasperated wealthy mother with whom he lives. Mrs. Chasen is determined for Harold to be "normal", including her sending him into therapy to deal with his issues and finding him a girlfriend through a computer dating service. It is at a series of funerals that Harold meets Maude, on the cusp of her eightieth birthday, she who too attends funerals of strangers. Unlike Harold, Maude is obsessed with life - her own life to be more precise - she does whatever she wants to please herself, damned what others may think or how they may be affected. Since she can't take material possessions with her, she is more interested in experiences, with whatever material possessions she has - often "borrowed" without asking - only to further those experiences. Their friendship is initially based on how the other can further their own priority. But as Maude shows Harold how to truly live, Harold falls in love with her. Their relationship, already limited in time by the sheer math, is curtailed even more as Maude shows him only not how to live well, but die well.

At 16, Nick Twisp is wry about his teen funk: he lives in Oakland with his sex-addled mother; his father's child support is her meal ticket. While camping in Ukiah, Nick meets Sheeni: for him, it's love at first sight. Nick has to figure out how to get his father a job in Ukiah, then how to get sent to live with his father, then how to get close to Sheeni, whose religious parents may want her sent away from temptation to a boarding school. There's also Sheeni's all-American boyfriend to contend with. Overwhelmed by the challenges, Nick's about to give up when he conjures an alter ego who whispers revolt into his ear. Nick is not altogether hapless, but can this end well?

Beyond being in the same class at Shermer High School in Shermer, Illinois, Claire Standish, Andrew Clark, John Bender,

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

After a Jewish, high-voiced, woman from Flushing, New York gets fired from her job and dumped by her boyfriend, Fran Fine (Fran Drescher) is mistaken as applying for a nanny for widowed Maxwell Sheffield (Charles Shaughnessy), who has three children, Maggie (Nicholle Tom), Brighton (Benjamin Salisbury), and Grace (Madeline Zima), when she is stuck selling cosmetics in Manhattan. As she spends years there, she becomes great friends with the butler, Niles (Daniel Davis), and the three kids. She is good friends with the widowed man, and some romance sparks through the years.

Sophia, a misfit, discovers a passion for fashion, becoming an unlikely businesswoman in the process. As her business grows, however, she has to learn to cope with life as her own boss. This show is loosely based on the true story of Nasty Gal Founder, Sophia Amoruso.

In this TV series we see the "adventures" and goofs of a young schoolboy named Cory Matthews and his best friend Shawn Hunter. At school, they aren't very popular with girls, and they have enemies like Harley, Joey, and Frankie. They also get often in trouble with Mr. Feeny, the school's funny principal.

A fan of music, pop culture and Top Five lists runs a local record store in her hometown. An adaptation of Nick Hornby's novel "High Fidelity".

Leonard Hofstadter and Sheldon Cooper are both brilliant physicists working at Cal Tech in Pasadena, California. They are colleagues, best friends, and roommates, although in all capacities their relationship is always tested primarily by Sheldon's regimented, deeply eccentric, and non-conventional ways. They are also friends with their Cal Tech colleagues mechanical engineer Howard Wolowitz and astrophysicist Rajesh Koothrappali. The foursome spend their time working on their individual work projects, playing video games, watching science-fiction movies, or reading comic books. As they are self-professed nerds, all have little or no luck with women. When Penny, a pretty woman and an aspiring actress from Omaha, moves into the apartment across the hall from Leonard and Sheldon's, Leonard has another aspiration in life, namely to get Penny to be his girlfriend.

Piper Chapman is a public relations executive with a career and a fiance when her past suddenly catches up to her. In her mid-30s she is sentenced to spend time in a minimum-security women's prison in New York for her association with a drug runner 10 years earlier. This Netflix original series is based on the book of the same title. Forced to trade power suits for prison orange, Chapman makes her way through the corrections system and adjusts to life behind bars, making friends with the many eccentric, unusual and unexpected people she meets.

A pseudo-mockumentary focusing on sardonic 18 year old Liz Lee and her attempts to deal with life in her Texas town.

Amy Schumer switches from sketches to doing stand-up to interviewing people on the street and people of interest, usually following a certain theme.

A mediocre paper company in the hands of Scranton, PA branch manager Michael Scott. This mockumentary follows the everyday lives of the manager and the employees he "manages." The crew follows the employees around 24/7 and captures their quite humorous and bizarre encounters as they will do what it takes to keep the company thriving.

A medical based drama centered around Meredith Grey, an aspiring surgeon and daughter of one of the best surgeons, Dr. Ellis Grey. Throughout the series, Meredith goes through professional and personal challenges along with fellow surgeons at Seattle Grace Hospital.

Series is based on what Maria has accepted to be "her life." The occasionally surreal episodes, refracted across multiple periods of the actor/comedian's life, tell the story of a woman who loses - and then finds - herself.

The assorted humiliations, disasters and rare triumphs of four very different twenty-something girls: Hannah, an aspiring writer; Marnie, an art gallery assistant and cousins Jessa and Shoshanna.

Comedy-drama about the unusual relationship formed between two housemates. New Yorker Leila is feeling lost in London. She had been one half of an uber-cool power couple with her business partner Sadie, but Leila has a secret - she has come to the realisation that she is bisexual and having split up with Sadie she has moved in with Gabe, a neurotic novelist who is having relationship problems of his own. Gabe doesn't know many lesbians and Leila has not got much experience of hanging out with heterosexuals and together the housemates enter into an awkward partnership. Gabe becomes Leila's unlikely "wingman" helping her to navigate her new life dating men and women - in return she introduces wide-eyed Gabe to the queer scene while also trying to help him decipher his unreadable, sort-of girlfriend Francisca. As Leila comes to rely on Gabe she finds herself struggling to come out to her gay friends, while her business relationship with Sadie hangs in the balance.

After discovering he has an STD, Dylan must get in touch with everyone he's had sex with. With the help of his best friend, Luke, he tries to track down all of his former lovers. However, as they navigate through Dylan's past, the two uncover heartbreak, both old and new.

At a predominantly white Ivy League college, a group of black students navigate various forms of racial and other types of discrimination.

American satirical comedy-drama television series

The story of two 30-year old bird women who live in the same apartment building.

The Twilight Zone is a place that exists at any moment of time, of space or of mind....but always when you least expect it. When you find yourself in this realm of unlimited possibility, be careful what you say or do. The right decisions may help you find your way back out....sometimes with greater happiness and wealth. The wrong decisions often lead to madness and death, or an eternity trapped in this dimension. Tread warily past the sign post ahead that says you've entered, The Twilight Zone

An American version of the popular British improvisational comedy show. Host Drew Carey, taking suggestions from the audience, assigns roles and scenarios to the comedian contestants, who must then improvise a skit on the spot.

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