Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Two young gentlemen living in 1890's England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities...

Jenna is unhappily married, squirreling away money, and hoping to win a pie-baking contest so, with the prize money, she'll have enough cash to leave her husband Earl. She finds herself pregnant, which throws her plans awry. She bakes phenomenal pies at Joe's diner, listens to old Joe's wisdom, tolerates her sour boss Cal, is friends with Dawn and Becky (her fellow waitresses), and finds a mutual attraction with the new doctor in town. As the pregnancy advances, life with Earl seems less tolerable, a way out less clear, and the affair with the doctor complicated by his marriage. What options does a waitress have?

In London, the public relation Helen is fired from her position in a PR company. While returning home, she does not catch the train in the subway. But in another possibility of her life, she catches the train in the subway. The story shows two parallel lives of Helen: in one life, she stays with her boyfriend Gerry, and in the other life, she finds that Gerry cheats her with Lydia and falls in love with James Hammerton.

Emma Woodhouse is a congenial young lady who delights in meddling in other people's affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly.

A young woman wishes to fulfill her mother's dream of opening her own bakery in Notting Hill, London. To do this, she enlists the help of an old friend and her grandma.

Ladies in Black is set in Sydney in the summer of 1959, against the backdrop of Australia's cultural awakening, breakdown of class structures, and liberation of women. It tells the coming-of-age story of suburban schoolgirl Lisa, who while waiting for her final high school exam results with dreams of going to the University of Sydney, takes a summer job at a large department store. Here she works side-by-side with a group of saleswomen who open her eyes to a world beyond her sheltered existence, and foster her metamorphosis.

Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad's house; worse behavior gets her tossed from Rose's apartment. Then, while searching in her father's desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

Encounter of three social classes of England at the beginning of the twentieth century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.

In 18th century France, the Marquise de Merteuil and the Vicomte de Valmont play a dangerous game of seduction. Valmont is someone who measures success by the number of his conquests and Merteuil challenges him to seduce the soon to be married Cecile de Volanges and provide proof in writing of his success. His reward for doing so will be to spend the night with Merteuil. He has little difficulty seducing Cecile but what he really wants is to seduce Madame de Tourvel. When Merteuil learns that he has actually fallen in love with her, she refuses to let him claim his reward for seducing Cecile. Death soon follows.

Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love. Based on the same novel as "Dangerous Liaisons."

Explores Austen's adage that general incivility is at love's essence. Sylvia's husband dumps her for another woman, so Bernadette and Jocelyn organize a book club to distract her. They recruit Sylvia's daughter Allegra; Prudie, a young teacher whose marriage may be on the rocks; and Grigg, a sci-fi fan who joins out of attraction to Jocelyn. The six read and discuss one Austen novel per month. Jocelyn tries to interest Grigg in Sylvia; Allegra falls in love with a woman she meets skydiving; Prudie contemplates an affair with a student; Sylvia's ex keeps popping up. In the discussions, characters reveal themselves in their comments. By the end, are truths universally acknowledged?

In Spokane, Washington, Juniper Pearl - Joon to those that know her - is an artist. She is also a mentally challenged young woman who requires around the clock care, as she could cause harm to herself or others. Her brother Benny Pearl, who owns and operates a garage and who is her only living relative since their parents died twelve years ago in a car accident, has made the decision that she would live at home with him, in the process sacrificing being able to have a personal life of his own. He has hired full-time housekeepers to provide that care when he isn't around. However, he has exhausted the list of housekeepers, who keep quitting because Joon is too much to handle. As such, Benny makes the decision that perhaps it would be best for all concerned if Joon were to live in a group home, something he is hesitating telling her for fear of her reaction. Into their lives comes Sam, the eccentric cousin of Benny's friend Mike, who they obtained from Mike in a losing hand of poker. Among his eccentricities, Sam has a penchant for bursting into

1993 film directed by Jeremiah S. Chechik

The story is based on Jane Austen's novel about five sisters - Jane (Rosamund Pike), Elizabeth (Keira Knightley), Mary (Talulah Riley), Kitty (Carey Mulligan), and Lydia Bennet (Jena Malone) - in Georgian England. Their lives are turned upside down when wealthy young Mr. Bingley (Simon Woods) and his best friend, Mr. Darcy (Matthew Macfadyen), arrive in their neighborhood.

When Mr. Dashwood (Tom Wilkinson) dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters Elinor (Dame Emma Thompson), Marianne (Kate Winslet), and Margaret (Emilie François), in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars (Hugh Grant), his family disapproves and separates them. And though Mrs. Jennings (Elizabeth Spriggs) tries to match the worthy (and rich) Colonel Brandon (Alan Rickman) to her, Marianne finds the dashing and fiery John Willoughby (Greg Wise) more to her taste. Both relationships are sorely tried.

Adapted from William Shakespeare's play "The Taming of the Shrew," 10 Things I Hate About You starts off with Cameron, new student at Padua High, sitting in the office of the quirky guidance counselor Ms. Perky. He is then shown around the school by Michael, who will become his best friend. During his tour is when Cameron first sees Bianca Stratford, a beautiful sophomore with one problem: she isn't allowed to date. And neither is her "shrew" sister, Katarina, a senior who loves indie rock and feminist prose and hates conformity. But Kat and Bianca's father alters his house rule: now, Bianca can date... as long as Kat has a date, too. Now, in order for Cameron to date Bianca, he has to find someone to date Kat. So Michael helps him enlist the help of pretty-boy/jerk/model Joey Donner, tricking him into thinking that *he* will get to take Bianca out if he pays someone to take out Kat. His choice: Patrick Verona, a bad-boy with a mysterious reputation--some say he ate a live duck once, others that he lit a state trooper on fire, and even more claim that he had a brief porn career. Will Patrick win Kat's heart? Will Cameron win Bianca's? Or will everything hit the fan...?

After nearly four decades together, Ben (John Lithgow) and George (Alfred Molina) finally tie the knot in an idyllic wedding ceremony in lower Manhattan. But when George loses his job soon after, the couple must sell their apartment and - victims of the relentless New York City real estate market - temporarily live apart until they can find an affordable new home. While George moves in with two cops (Cheyenne Jackson and Manny Perez) who live down stairs, Ben lands in Brooklyn with his nephew (Darren Burrows), his wife (Marisa Tomei), and their temperamental teenage son (Charlie Tahan), with whom Ben shares a bunk bed. While struggling with the pain of separation, Ben and George are further challenged by the intergenerational tensions and capricious family dynamics of their new living arrangements.

For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna winds up unexpectedly pregnant after a one-night stand, she is forced to face the uncomfortable realities of independent womanhood for the first time. Donna's drunken hookup - and epic lapse in prophylactic judgment - turns out to be the beginning of an unplanned journey of self-discovery and empowerment.

Two people struggling to find their way in and out of unhappy relationships and unhappy lives, whilst a foreigner to the love equation struggles to comprehend their love-fueled decisions.

Four women friends: three are wealthy and married plus there's Olivia, a former teacher who's now a maid. The marriages are in various states of health: Franny and Matt are happy and very rich. Christine and David write screenplays together, are remodeling their house, and argue. Jane is angry all the time and Aaron, who's an attentive husband, strikes everyone as gay. Franny sets up Olivia with a friend of hers, Mike, a personal trainer, and Olivia takes him with her to a couple of housecleaning jobs. A benefit dinner for ALS, an awkward guy named Marty whose place Olivia cleans, and a French maid's outfit figure in the story. Is there more to life than its problems?

When four generations of the Cooper clan come together for their annual Christmas Eve celebration, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

Mini-series adapted from a series of novels that's set at the estate of a large privileged Sussex family and follows their life in London between the years 1937 and 1947.

The Defoes, a family of female divorce lawyers, are forced to face their past following the return of their estranged father after a 30 year absence.

It follows the stories and fall out for Maggie Cole, played by French, who doesn't pay attention to the cautionary adage that 'those in glass houses shouldn't throw stones'.

Follows the novels of Anthony Trollope. Beginning with the forced marriage of Glencora (Susan Hampshire), the lives of the friends and children of this couple are the subject of study. The backdrop is the House of Commons in England as we watch the comings and goings and loves and tragedies of the powerful and not-so-powerful.

Series of daytime plays set in contemporary Britain, all sharing the theme of someone going through some kind of change in their life.

In 1895, women were not expected to work - or even know about - medicine. Women were expected to work as house-wives, mothers, teachers and nurses. One woman was determined to change that. Eleanor Bramwell works under Sir Herbert Hamilton's supervision. She isn't happy. After he stupidly loses a perfectly healthy young mother, Eleanor decides it is time to make her mark in medical history. Mocked by fellow medical students and questioned by her father, Doctor Robert Bramwell, Eleanor is soon given a renovated building - by donation of the kind Lady Cora Peters - and begins her own infirmary - The Thrift. But with all odds against her, will she survive? Will she make her dream come true? Will her colleagues trust her?

In the late 19th century, Tess Durbeyfield is sent off to visit a rich cousin, Alec D'Urberville, when her parents learn that they are distantly related. Tess takes a disliking to the man and his attempts at seduction are rebuffed. Returning from a village party he forces himself on the innocent girl who eventually makes her way back to her parents' home. Ashamed and pregnant she seems destined to forever being marked a certain kind of woman. After the death of her child, she makes her way to a prosperous farm where, working as a milkmaid, she meets and eventually marries the handsome Angel Clare. On learning of her past however, he abandons her and with little choice and facing a life of extreme hardship, again falls into Alec's clutches and becomes a kept woman.

For many years, young Molly Gibson (Justine Waddell) had lived a blissful sheltered life with her widower father (Bill Paterson). However, her world is shaken with the introduction of new acquaintances and situations. Molly becomes friends with a landed gentry family, which includes two brothers with very different temperaments. Meanwhile, her father marries a widow with a daughter close in age to her. Eventually, Molly becomes a trusted confidante for her new friends and family; but the secrets become burdensome, as the gossip begins to circulate about Molly.

Period drama set in London about the rise of the Pre-Raphaelite Brotherhood.

Two sisters Beatrice (Bee) and Evangeline (Evie) hit rock bottom when their father passes away leaving them in debt. Uneducated they strive hard to find jobs deemed worthy of their new guardian. What they can do ,is make amazing clothes and both dream of being able to be dress makers under the Elliott name. There is of course love problems on top of those money ones, oh to be young in a changing world.

The social rivalry between two women in the 1930s when Lucia rents Mapp's house for the summer.

Tough, sexy, funny and heartbreaking, Lillies details the lives of Iris, May and Ruby Moss - Catholic sisters coming of age in a dockland terraced house. Familial love sustains them, and their fortunes are bound to those of their brother and their father. Set in the years immediately following the First World War, Lilies pulls no punches in its storytelling. It depicts a sensual, vivid and sometimes savage universe - where life is lived on a knife-edge of poverty, fuelled by various kinds of love. Dadda, the family's charismatic and mercurial father married very young, is now widowed, and his struggle to nurture his unruly children proves both moving and comic.

Three young women from very different backgrounds meet, become friends and share experiences when they all gain positions as nannies in the wealthy households of London's exclusive Berkeley Square.

When the body of a young man is discovered in a derelict building, Detective Chief Inspector (DCI) Cassie Stuart is called in to investigate with her partner, Detective Sergeant (DS) Sunil "Sunny" Khan (Sanjeev Bhaskar). Jimmy Sullivan was a homeless runaway away boy, murdered in 1976 when the building was a hostel. His diary implicates four suspects; a clergyman, an eminent entrepreneur, a community worker, and a disabled house-bound husband caring for his wife. Each has a secret to hide. As their lies unravel, the people they love most begin to wonder what else they might be capable of. Nothing in this case is black and white. Can you ever really know the people closest to you? What secrets have they buried?.

The story of events surrounding the notorious divorce of the Duke and Duchess of Argyll during the 1960s.

Comedy about the staff of a northern English factory. Bren (Victoria Wood), a kindly woman, tries to help everyone with their problems, while attempting to ignore her drunken mother who lives in a fantasy world where she hobnobs with the rich and famous. Her boss Tony (Andrew Dunn) likes to make out that he's an ultra-laddish sexist pervert, although it's all just a cover for being too shy to ask Bren out. The older members of the team, Dolly (Thelma Barlow) and Jean (Anne Reid), live only for the not-so-subtle bitching war they have with each other. Dolly is preoccupied with her weight, and Jean's fed up with her husband. Meanwhile, Twinkle (Maxine Peake), described sarcastically by Tony as "The Pixie With The Laughing Face" is always in a foul mood, and Anita (Shobna Gulati) simply hasn't a clue. Add in Stan (Duncan Preston) the handyman, who busies himself with "toaster emergencies" and "canine faces alerts" and Philippa (Celia Imrie), the neurotic human resources officer, and it's an unusual day when "any blooming work" gets done.

A young woman moves to 17th century Amsterdam and hires a mysterious local miniaturist to furnish the dollhouse she received from her merchant husband as a present, but the lifelike miniatures somehow start eerily foreshadowing her fate.

television miniseries adaptation of a novel

The tongues of London high society gossips begin to wag when John Harmon --a young man whose inheritance depends on his marrying a woman he has never met-- is found dead in the River Thames. The fortune passes into the hands of the working-class Boffins, who take into their new home both Bella Wilfer (Harmon's would-be bride) and a mysterious secretary known as Rokesmith. Meanwhile, Lizzie Hexam, the daughter of the boatman suspected of Harmon's murder, is pursued by two suitors: obsessive and self-righteous Bradley Headstone and roguish and lethargic Eugene Wrayburn. An expansive and varied cast of characters create an epic intertwining tale.

The adventures of a gang of British workmen abroad combine black and white humour with moments of drama, poignancy, and drunkenness. In series 1, the lads head to Germany seeking work and are thrown together by virtue of shared nationality and a run-down wooden hut. The story follows the lads' relationships with women, Germans, and one another, and their attempts at passing the time away from home, saving money, and ordering food in a German curry house. The series ends with new employment legislation forcing some of the Brits having to choose between the UK and their new-found pleasures abroad. Two years later the gang are reunited for a second series, in which they travel to Wolverhampton to rebuild both the "magnificent seven" and Barry's home for his impending marriage. A further offer of work sees the lads head to a Derbyshire stately home in need of refurbishment. Here they fall foul of an irritable pub landlord, suspicious locals, a less than enlightened employer and the Inland Revenue. Finally, they are packed off to Spain as illegal workers for Tyneside villain Ally Fraser, and they fall under the unwelcome spotlight of tabloid publicity. Despite this, they still manage to indulge in some serious drinking practice AND complete the building work.

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