Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Ralph Roberts has a problem: he isn't sleeping so well these days. In fact, he's hardly sleeping at all. Each morning, the news conveyed by the bedside clock is a little worse: 3:15...3:02...2:45...2:15. The books call it "premature waking"; Ralph, who is still learning to be a widower, calls it a season in hell. He's begun to notice a strangeness in his familiar surroundings, to experience visual phenomena that he can't quite believe are hallucinations. Soon, Ralph thinks, he won't be sleeping at all, and what then?A problem, yes - though perhaps not so uncommon, you might say. But Ralph has lived his entire life in Derry, Maine, and Derry isn't like other places, as millions of Stephen King readers will gladly testify. They remember It, also set in Derry, and know there's a mean streak running through this small New England city; underneath its ordinary surface awesome and terrifying forces are at work. The dying, natural and otherwise, has been going on in Derry for a long, long time. Now Ralph is part of it. So are his friends. And so are the strangers they encounter.You, Gentle Reader, may never sleep again.Welcome to Insomnia.Also see: Alternate Cover Editions for this ISBN [ACE] \
  ACE #1\


**4.5-stars rounded up**To the residents of Poplar Street, in suburban Wentworth, Ohio, July 15, 1996 seems like any other summer day. The paperboy is dutifully tending to his route, the Reed twins are entertaining young ladies and the corner store is functioning like a well-oiled machine.Not one of them suspects that the proverbial shitis about to hit the fan.The Regulators are coming to Poplar Street and they're coming for blood!It's hard to imagine a 475-page novel, taking place in one afternoon, on one suburban street, making you sweat in anticipation, but this one certainly does. We follow this cast of characters from the minute the Regulators arrive until the bitter end. Some we love, some we hate but in the end, no one escapes their fate.You may wonder, yeah, but what's it all about?Trust me when I say, it's best to go into this knowing as little as possible, but for those of you who are just going to insist on knowing more, I will give you this one small clue: (view spoiler)[ A supernatural hitchhiker named Tak from a mine just outside of Desperation, Nevada, has invaded the mind of one of the young residents of Poplar Street. You may know Tak from a little story aptly named Desperation by Stephen King. (hide spoiler)]

This daring literary thriller, rich with eroticism and suspense, is one of John Fowles's best-loved and bestselling novels and has contributed significantly to his international reputation as a writer of the first degree. At the center of The Magus is Nicholas Urfe, a young Englishman who accepts a teaching position on a remote Greek island, where he befriends a local millionaire. The friendship soon evolves into a deadly game, in which reality and fantasy are deliberately manipulated, and Nicholas finds that he must fight not only for his sanity but for his very survival.

Irish reporter, writer, film director (1957-2012)

'Misery' is a gruesome story of torture with blood, guts, and a psychopath. It's a well told tale, the characters are well developed and the fact that there are only two of them never gets boring. It's a real page turner, in fact I finished it tonight after getting off the subway on the platform before I walked home. But, this book is more than just a thriller, just like King is more than just a pulp writer.I read an article by the ever optimistic and cheerful Harold Bloom in college about how dismayed he was that young people like Stephen King so much. All the literature crtics I've read hate King and it seems like it's just because people actually enjoy reading his work. Yeah, Bloom, I said 'work' just like I would about Tolstoy's 'work' because Stephen King as damned hard worker. Think of all the books he's churned out over the last few decades. I'd like to see Harold Bloom show enough imagination to write fiction instead of just criticizing it all the time.I'm actually new to Stephen King's fiction. I've read a few of the essays and articles he's written and a really great graduation speech he gave at UMaine awhile ago in which he extolled the virtues of our mutual home state, but this is only my 3rd novel by him. I like this guy, and I know why too. It's not just because he makes me scream and I have a hard time putting his books down, it's because King loves writing. He has a real and self-aware relationship with what it means to be a writer. He knows he's not Tolstoy or Faulkner, he doesn't try to write that way. He knows how to tell a good god damned story and he has a passion for it. I appreciate his self awareness as a writer and the fact that he ackowledges how difficult the whole process is while not making us feel like he's somehow superior because he's figured out how to do it.In 'Misery' it's almost like we get to watch King write this story. He doesn't just set us up for a crazy story and watch us discover things about his characters, it feels like he actually comes with us and makes the discoveries at the same time we do. That's what makes a good storyteller. And I don't give a damn if Bloom likes him or not.

The War is over, won by Ender Wiggin and his team of brilliant child-warriors. The enemy is destroyed, the human race is saved. Ender himself refuses to return to the planet, but his crew has gone home to their families, scattered across the globe. The battle school is no more.But with the external threat gone, the Earth has become a battlefield once more. The children of the Battle School are more than heroes; they are potential weapons that can bring power to the countries that control them. One by one, all of Ender's Dragon Army are kidnapped. Only Bean escapes; and he turns for help to Ender's brother Peter.Peter Wiggin, Ender's older brother, has already been manipulating the politics of Earth from behind the scenes. With Bean's help, he will eventually rule the world.

The secret passage to the house next door leads to a fascinating adventureNARNIA...where the woods are thick and cold, where Talking Beasts are called to life...a new world where the adventure begins.Digory and Polly meet and become friends one cold, wet summer in London. Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.

Cujo slept.He lay on the verge of grass by the porch, his mangled snout on his fore-paws. His dreams were confused, lunatic things. It was dusk, and the sky was dark with wheeling, red-eyed bats. He leaped at them again and again, and each time he leaped he brought one down, teeth clamped on a leathery, twitching wing. But the bats kept biting his tender face with their sharp little rat-teeth. That was where the pain came from. That was where all the hurt came from. But he would kill them all. He would--Cujo is a two-hundred-pound Saint Bernard, the beloved family pet of the Joe Cambers of Castle Rock, Maine, and the best friend ten-year-old Brett Camber has ever had. One day Cujo pursues a rabbit into a bolt-hole--a cave inhabited by some very sick bats. What happens to Cujo, and to those unlucky enough to be near him, makes for the most heart-squeezing novel Stephen King has yet written.Vic Trenton, New York adman obsessed by the struggle to hand on to his one big account, his restive and not entirely faithful wife, Donna, and their four-year-old son, Tad, moved to Castle Rock seeking the peace of rural Maine. But life in this small town--evoked as vividly as a Winesburg or a Spoon River--is not what it seems. As Tad tries bravely to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage suddenly on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight, and that the fateful currents of their lives will eddy closer and faster to the horrifying vortex that is Cujo.Stephen King has never written a book in which readers will turn the pages with such a combination of anticipation and dire apprehension. Doing so, they will experience an absolute master at work.

Twenty-Five Hundred years ago, Sun Tzu wrote this classic book of military strategy based on Chinese warfare and military thought. Since that time, all levels of military have used the teaching on Sun Tzu to warfare and civilization have adapted these teachings for use in politics, business and everyday life. The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, who are motivated by all too human temptations but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition, Paradise Lost is a work epic both in scale and, notoriously, in ambition. For nearly 350 years, it has held generation upon generation of audiences in rapt attention, and its profound influence can be seen in almost every corner of Western culture.

Roland and his tet have just returned to the path of the Beam when they discover that they are being followed by a group of inexperienced trackers. The trackers are from the town of Calla Bryn Sturgis, and they desperately need the help of gunslingers. Once every generation, a band of masked riders known as the Wolves gallop out of the dark land of Thunderclap to steal one half of all the twins born in the Callas. When the children are returned, they are roont, or mentally and physically ruined. In less than a month, the Wolves will raid again. In exchange for Roland’s aid, Father Callahan—a priest originally from our world—offers to give Roland a powerful but evil seeing sphere, a sinister globe called Black Thirteen which he has hidden below the floorboards of his church. Not only must Roland and his tet discover a way to defeat the invincible Wolves, but they must also return to New York so that they can save our world’s incarnation of the Dark Tower from the machinations of the evil Sombra Corporation.

The Shack, the cherished novel that sold over 23 million copies worldwide, spent 147 weeks on the bestseller list, and went on to become a major motion picture, is now available in a beautiful keepsake edition to celebrate its tenth anniversary of touching lives all over the world. Mackenzie Allen Phillips's youngest daughter, Missy, has been abducted during a family vacation, and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later, in the midst of his Great Sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack for a weekend. Against his better judgment he arrives at the shack on a wintry afternoon and walks back into his darkest nightmare. What he find there will change his life forever. In an age where religion seems to grow increasingly irrelevant, The Shack wrestles with the timeless question: Where is God in a world so filled with unspeakable pain? Discover the answers that astounded and transformed Mack in this special leather edition, and find out why The Shack has stolen the hearts of millions for ten years.

Literary critics can moan all they want about Stephen King's "penny dreadful" oeuvre, but his mastery at the craft of storytelling is indisputable. King writes his novels like a seduction, the story unfolding delicately and deliberately. As any Stephen King fan knows, his coy expository chapters often take up the first hundred pages or more. In Cell, however, the reader is brutally dragged into the main action--unspeakable, senseless violence--within the first seven pages. Cell is by far King's most brutal, transgressive work to date.Many have compared Cell to his earlier epic, The Stand. On the surface, the novels are quite similar: an apocolyptic event threatens the very existence of the human race as a band of survivors struggle to come to terms with the carnage and avert further catastrophe. Cell, however, is the far more mature novel of the pair. The Stand was, in many ways, a novel by an idealistic youth, whereas Cell is filled with the trenchant and world-weary observations of an adult. The subtext is laden with so much chillingly apt futurist rhetoric that it is as though the author had Marshall McLuhan whispering plot devices and metaphors into his ear as he labored over his typewriter. King manages to explore several of the major sociocultural conflicts of our time, most persuasively the end of the era of individualism and the rise of collectivism, here symptomatic of heavy reliance on technology. Whereas many dystopian novels are almost comically blunt when expounding upon the dangers of collectivism, King's horrific plot and action give his metaphors a sort of subtlety that renders his subtext much more graceful and easier to stomach than the work of Ayn Rand.As the epigraphs indicate, it is also a meditation on the intrinsic violence of the human race. King clearly feels as though the world is out of control and wants to find out why. His preferred genre, horror, is an excellent one with which to consider the depravaties of modern life. The Stand was a novel that, if not upbeat, was at least optimistic--a reflection of the times in which it was written. There was also violence, but it had its own biblical logic, if violence can ever be called logical. In Cell, the violence is senseless, oppressive, and omnipresent. There seems to be little promise for a better world... at least not one inhabited by human beings.Many reviewers took issue with the unresolved ending. Considering the subtext of the novel, however, the reader will find that the ending's abruptness actually informs the sense that Cell, besides being an excellent horror yarn, is a meticulously painted portrait of the horrors of global culture. The many crises of our time are still developing and mutating. The end is not yet, it seems, in sight.

While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into the life of a different person living in contemporary New York. Here he links forces with the defiant young Eddie Dean and the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.

Several months have passed, and Roland’s two new tet-mates have become proficient gunslingers. Eddie Dean has given up heroin, and Odetta’s two selves have joined, becoming the stronger and more balanced personality of Susannah Dean. But while battling The Pusher in 1977 New York, Roland altered ka by saving the life of Jake Chambers, a boy who—in Roland’s where and when—has already died. Now Roland and Jake exist in different worlds, but they are joined by the same madness: the paradox of double memories. Roland, Susannah, and Eddie must draw Jake into Mid-World then follow the Path of the Beam all the way to the Dark Tower. But nothing is easy in Mid-World. Along the way our tet stumbles into the ruined city of Lud, and are caught between the warring gangs of the Pubes and the Grays. The only way out of Lud is to wake Blaine the Mono, an insane train that has a passion for riddling, and for suicidal journeys.

Clicca qui per l'edizione "Storie senza tempo".Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

An alternate cover edition can be found here.An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price. Until something goes wrong. . . .--back cover

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Harry Potter is leaving Privet Drive for the last time. But as he climbs into the sidecar of Hagrid’s motorbike and they take to the skies, he knows Lord Voldemort and the Death Eaters will not be far behind.The protective charm that has kept him safe until now is broken. But the Dark Lord is breathing fear into everything he loves. And he knows he can’t keep hiding.To stop Voldemort, Harry knows he must find the remaining Horcruxes and destroy them.He will have to face his enemy in one final battle.--jkrowling.com

Which is more dangerous, a gun or a swimming pool? What do schoolteachers and sumo wrestlers have in common? Why do drug dealers still live with their moms? How much do parents really matter? What kind of impact did Roe v. Wade have on violent crime? Freakonomics will literally redefine the way we view the modern world.These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He is a much heralded scholar who studies the stuff and riddles of everyday life -- from cheating and crime to sports and child rearing -- and whose conclusions regularly turn the conventional wisdom on its head. He usually begins with a mountain of data and a simple, unasked question. Some of these questions concern life-and-death issues; others have an admittedly freakish quality. Thus the new field of study contained in this book: freakonomics.Through forceful storytelling and wry insight, Levitt and co-author Stephen J. Dubner show that economics is, at root, the study of incentives -- how people get what they want, or need, especially when other people want or need the same thing. In Freakonomics, they set out to explore the hidden side of ... well, everything. The inner workings of a crack gang. The truth about real-estate agents. The myths of campaign finance. The telltale marks of a cheating schoolteacher. The secrets of the Ku Klux Klan.What unites all these stories is a belief that the modern world, despite a surfeit of obfuscation, complication, and downright deceit, is not impenetrable, is not unknowable, and -- if the right questions are asked -- is even more intriguing than we think. All it takes is a new way of looking. Steven Levitt, through devilishly clever and clear-eyed thinking, shows how to see through all the clutter.Freakonomics establishes this unconventional premise: If morality represents how we would like the world to work, then economics represents how it actually does work. It is true that readers of this book will be armed with enough riddles and stories to last a thousand cocktail parties. But Freakonomics can provide more than that. It will literally redefine the way we view the modern world.(front flap)

Atlanta is one of the top cities for young rappers looking to make a name for themselves in the business. Among those up-and-comers is Alfred Miles, a hot new artist who is trying to understand the line between real life and street life. He is managed by his cousin, Earn, who gets caught up in the local rap scene and his cousin's career after returning home to the ATL. Earn does whatever he can to try to get Alfred's career to the next level. Darius, the rapper's right-hand man and visionary, is also in Alfred's entourage. When Earn isn't busy managing his cousin's career, he spends much of his time with best friend Vanessa, who is also the mother of his daughter.

American college football coach Ted Lasso heads to London to manage AFC Richmond, a struggling English Premier League football team.

A young chef who returns to Chicago to run the family restaurant.

Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.

Billions is a complex drama about power politics in the world of New York high finance. Shrewd, savvy U.S. Attorney Chuck Rhoades and the brilliant, ambitious hedge fund king Bobby "Axe" Axelrod are on an explosive collision course, with each using all of his considerable smarts, power and influence to outmaneuver the other. The stakes are in the billions in this timely, provocative series.

Set in the future when technology has subtly altered society, a woman discovers a secret connection to an alternate reality as well as a dark future of her own.

A former CIA officer, who's living off the grid, finds himself on the run from people who want to kill him.

Walt Longmire is the charismatic, dedicated and unflappable sheriff of Absaroka County. Widowed only a year, Longmire is a man in psychic repair that buries his pain behind a brave face and dry wit. Struggling since his wife's death and at the urging of his daughter, Cady, Longmire knows that the time has come to turn his life around. With the help of Vic, a female deputy new to the department, he becomes reinvigorated about his job and committed to running for re-election. When Branch, an ambitious, young deputy decides to run against him for sheriff, Longmire feels betrayed but remains steadfast in his dedication to the community. Longmire often turns to close friend and confidant Henry Standing Bear for support as he sets out to rebuild both his personal and professional life, one step at a time.

Disillusioned at the thought of taking down another "mark," depressed, low-level hit man Barry Berkman seeks a way out. When the Midwesterner reluctantly travels to Los Angeles to execute a hit on an actor who is bedding a mobster's wife, little does Barry know that the City of Angels may be his sanctuary. He follows his target into acting class and ends up instantly drawn to the community of eager hopefuls, especially dedicated student Sally, who becomes the object of his affection. While Barry wants to start a new life as an actor, his handler, Fuches, has other ideas, and the hit man's criminal past won't let him walk away so easily.

Harry Bosch is an irreverent homicide detective in Los Angeles. Like any good protagonist he has problems with authority, follows his gut and bends a few rules while achieving the best solved case rate in all of California. Whatever situations the writers put him into he will undoubtedly be entertaining as he pursues justice.

Revolves around a local cop struggling to keep his family together while simultaneously policing two clashing communities: the small town where he grew up and the neighboring mountains, home of a Native American tribe. After a terrible tragedy and coverup occurs involving the cop's wife, an unholy alliance is forged between the cop and Phillip Kopus, a dangerous member of the tribe that will come back to haunt all involved.

Lucas Hood, an ex-con and master thief, assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed years earlier. This ex-con imposes his own brand of justice where violence erupts at every turn in the not so quiet Amish town of Banshee, Pennsylvania.

American action drama television series created by Jonathan Tropper and David Schickler

The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876.

Old New York the 1880's. Old Money and New Money are the opposites that attract to create a Post Civil War Era New York society. The Who's Who of society is carefully orchestrated by the Old Money folks that can't help but be fascinated and seduced by the "nouveau riche" folk. The lives of the characters are also merged with people from all walks of life.

Set in the sprawling mecca of the rich and famous, Ray Donovan does the dirty work for LA's top power players as the go-to guy who makes the problems of the city's celebrities, superstar athletes, and business moguls disappear. This powerful drama unfolds when his father is unexpectedly released from prison, setting off a chain of events that shakes the Donovan family to its core.

The Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company.

Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world.

American political drama series created by Aaron Sorkin for NBC (1999-2006)

Intriguing story of a well off family in the Florida Keys that have many dark secrets. The siblings are heirs of a beautiful inn that has been in their family for 50 years. It is their childhood home with many great memories, but the deep dark past holds many untold tales. All combined makes the future very uncertain.

American thriller–drama television series

A law school graduate becomes the protégée of a successful high-stakes litigator.

American legal thriller television series

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