Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Karl Halmos-Westram

lonely loser

Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

Ayn Rand's first published novel, a timeless story that explores the struggles of the individual against the state in Soviet Russia.First published in 1936, We the Living portrays the impact of the Russian Revolution on three human beings who demand the right to live their own lives and pursue their own happiness. It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state.We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice.

I read The Fall of the House of Usher, William Wilson, and Hop Frog. All very interesting stories. I believe Edgar Allan Poe's purpose in writing these stories was to portray a strange array of madness brought through strange similarities. In The Fall of the House of Usher the narrator realizes when they are burying Madeline that she and Roderick are twins. They have that strange connection that makes Roderick realize his sister is not dead and that she is coming for him before everything crumbles. In William Wilson another person just like the narrator follows him around everywhere he goes until he finally snaps and kills them, only to find out he has killed himself. That one was the most intriguing due to it's sudden plot twist at the end. In Hop Frog although Hop Frog isn't exactly like Trippetta they are both dwarf size and it is because of what is done to her that Hop Frog snaps on the King and his royal court. The theme they all share is the madness the main character goes through due a traumatic event or because of someone close and very similar to them. Madness cannot only make a person mentally ill, but physically ill too. Roderick was affected greatly by his twin sister's death. Only to be traumatized even further by her later to the point of his death. The narrator William Wilson is so tired of competing with this other individual who is exactly like him and just wants to be unique and be the only William Wilson. The other William Wilson follows him wherever he goes and is his constant shadow, which drives the narrator mad and he ends up killing himself. Hop Frog is the only one out of these three that actually made it out of the story alive. He had a very heroic ending, but there was still death involved and madness of course.The stories were were written in a narrative style because of how everything happened in the stories. They had a chronological series of events that had a great climax and of course a resolution. They all had a very interesting way of unfolding that led to not only plot twists, but exciting yet terrifying events. This style is effective because reading the story and having it unfold before your eyes makes it a lot more interesting to read. Knowing what happens from beginning to end gives a great understanding to the underlying meaning of the stories also. In my opinion the stories were fantastic. They kept me intrigued and in suspense. I was just waiting to see what happened next. I have always been a huge Poe fan so they were right up my alley. I would definitely recommend these stories to any Poe fans or if people who like the Gothic Era of literature. I wouldn't really change anything about the stories because the way they are written and the elements that fall into place with them really give them that special something. Like always Poe does not disappoint.

The Neverending Story is Michael Ende’s best-known book, but Momo—published six years earlier—is the all-ages fantasy novel that first won him wide acclaim. After the sweet-talking gray men come to town, life becomes terminally efficient. Can Momo, a young orphan girl blessed with the gift of listening, vanquish the ashen-faced time thieves before joy vanishes forever? With gorgeous new drawings by Marcel Dzama and a new translation from the German by Lucas Zwirner, this all-new 40th anniversary edition celebrates the book’s first U.S. publication in over 25 years.

La mort est mon métier sont les pseudo-mémoires de Rudolf Höß (renommé Rudolf Lang dans l'ouvrage). Rudolf Höß était le commandant du camp de concentration et d'extermination d'Auschwitz pendant la Seconde Guerre mondiale.L'histoire commence en 1913 alors que Rudolf Lang a 13 ans.Il reçoit une éducation catholique mal comprise et très normative. Son père, un commerçant, ayant reçu une éducation militaire (famille militaire), totalement psychorigide, qui a commis un péché dans sa jeunesse à Paris et avec qui il entretient des rapports tendus, veut qu'il devienne prêtre pour expier les fautes que lui-même a commises. Rudolf croit en Dieu, jusqu'au jour où, en se battant avec un de ses camarades d'école (Werner), il lui casse la jambe. Immédiatement, il va se confesser à un prêtre. Le soir même, son père devient fou de rage après avoir appris que son fils a commis un « péché » sans lui en parler. Rudolf se sent trahi par le prêtre, seule personne au courant de l'épisode, les autres croyant à un accident. Or, on apprendra que c'est en fait le père de l'enfant blessé qui s'est plaint devant une assemblée de parents d'élèves. Le mal est fait : Rudolf ne croit plus en Dieu. Son père meurt peu avant la déclaration de guerre en 1914.À seize ans, Lang débute sa carrière militaire, d'abord en partant directement pour le front Ouest où il sera intercepté puis renvoyé à l'arrière car il est trop jeune, puis comme aide à l'hôpital militaire où il rencontrera un dragon de cavalerie qui le persuadera de rentrer dans son unité et de partir sur le front en Turquie.À la fin de la guerre, il se retrouve au chômage, rejeté par sa famille. Il s'apprête à se suicider lorsqu'un de ses collègues arrive et lui brandit un tract en lui disant de ne pas trahir l'Allemagne en se donnant la mort.Il adhère au parti nazi et se voit confier la direction d'une ferme avec sa femme Elsie, où il vit des journées de dur labeur, mais paisibles. Puis, après la prise du pouvoir par Hitler, il entre dans les SS, n'ayant pourtant pas les critères requis pour y adhérer. Il accède à des fonctions de plus en plus importantes dans la hiérarchie SS, jusqu'à devenir commandant du camp d'Auschwitz. Ce camp, d'abord de concentration, puis d'extermination, devient le lieu de la lente et tâtonnante mise au point de l'Usine de Mort du village d'Auschwitz. Il y reçoit l'ordre du Reichsführer Himmler de supprimer 500 000 unités par an au lieu des ridicules 80 000 unités de Treblinka. Lang va s'attacher à accomplir la mission qui lui a été assignée : tuer le plus grand nombre de Juifs et éliminer le plus efficacement possible les cadavres. Après la guerre et la chute d'Hitler, il est emprisonné, puis condamné à la pendaison après son procès où il affirmera avoir seulement suivi les ordres, indiquant d'un air naturel qu'il a supervisé et participé activement au meurtre de « seulement » 2,5 millions de personnes au lieu des 3,5 millions prévus3.Tout au long du livre, il se montre incapable de sentiments et même d'action personnelle, car sa conduite lui a toujours été dictée par un chef en qui il portait une confiance totale. À la fin, on le sent cependant en colère se disant trahi par Himmler, qui, tel un lâche, s'est suicidé, et n'a ainsi pas voulu assumer son rôle dans l'extermination des Juifs, laissant Rudolf seul responsable de ses actes. Jusqu'au bout, il assume cependant son idée du chef, en répétant froidement et méthodiquement qu'il est le seul responsable de ce qui s'est passé à Auschwitz, et en énonçant sans difficulté les atrocités commises. Son seul moment de doute survient lorsque sa femme apprend ses activités, mais, ayant été choisi pour ses rares qualités de conscience il n'accorde pas d'importance à la morale.

„(…) nekünk lesz köszönhető, kérdezte halkan Sevilla, kétkedő hangsúllyal, vagy talán inkább a delfinek emberségének?"Sevilla utolsó kérdése magában foglalja az 500 oldalon át feszegetett, csendesen kibontakoztatott morális problémát, melyre valószínűleg nem találunk majd megfelelő választ, mert ahány ember – vagy delfin –, annyi féle nézőpont létezik vélhetően, pro és kontra érvek hadával mindkét oldalon. Azonban, hogy túllépjünk pusztán a regény kontextusán, és a valós életben is megvizsgáljuk a kérdést, ahhoz először is le kell higgadnunk, el kell könyvelni magunkban, hogy jelenleg a delfinek korántsem vannak olyan értelmi szinten, mint azt Merle a regényben felvázolja, így óvakodni kell attól, hogy túlromantizáljuk a témát, vagy akár bizonyos jeleneteket. Mert voltak bőven, kár is tagadni, azt azonban csak sejthetjük, nem tudhatjuk, hogy viselkednének a delfinek valójában ilyen helyzetekben. Talán ugyanígy, talán nem. Valamelyest már ismerjük őket, egészen jól, valóságalapja tehát van a műnek, és minden attól függ, mennyire hagyjuk, hogy a képzeletünk szárnyaljon a delfinekkel. Melyik lehet a dicsőbb? A delfin embersége, vagy az ember delfinsége? Melyikre lehet büszkébb egy élőlény? A probléma ott húzódik, hogy – amint a műben a delfinek is – konkrét embereket azonosítanak be az egész emberiséggel, és az alapján mondanak véleményt rólunk. Sokszor megesik ez velünk is – velem is –, meg mindenkivel, mikor ezt a gyarló, pusztító emberiséget szidja, csak mert egy kamasz eldobott előtte menve a járdán egy szemetet, vagy ha késik a busz, vagy, ha néhány okos diplomata megszavaz valami nyomorult törvényt, esetleg Dzsémsz, az 50 éves mélyalkoholista kinyírja a felesését a dugipisztollyal, csak mert az büntetésből nem elégítette ki újabb alkalommal, hátha benő Dzsémsz feje lágya, és elmegy inkább munkát keresni. Szóval megesik, hogy ilyen szemelvények hatására elkönyveljük az egész emberiséget a Föld kártékony férgének, aki kipusztítja szépen lassan saját magát, elkönyveljük egy mocskos, számító, gyarló istentudjaminek, pedig én úgy hiszem, hogy csak egy aprócska változásra lenne szükségünk, hogy sikerüljön behúznunk a vészféket, és elinduljunk egy olyan úton, amely alól nem húzzák ki alólunk a talajt pár száz éven belül, ahol nem élősködői leszünk a Földnek, hanem szimbiózisban tudunk élni vele, ahogy tette azt évmilliók során millió állatfaj, anélkül, hogy tudott volna erről. Mi tudunk róla, használjuk erre a tudásunk, mert azt hiszem, az emberekben ott van alapvetően a jó, a tiszta lélek, csak a környezet, melyben él, az igyekszik letéríteni a helyes útról, ezt azonban hatalmas akaraterővel ki lehet állni, és akkor majd már többen, egyre többen lesznek olyanok, olyan gondolkodásúak, akiknek fontosabb a lelki tisztaság, a tiszta lélek és a Földdel való szimbiózis, mint halandó életükben a mesés vagyon, az értéktelen luxus, akkor majd tényleg büszkeség lesz azt mondani, hogy a delfinek embersége milyen nagyszerű.

AprA]s le terrible siA]ge de La Rochelle, Louis XIII et Richelieu peuvent espA(c)rer en avoir fini avec la rA(c)bellion protestante, et avoir rA(c)tabli la paix dans le royaume, A(c)liminant le dernier bastion anglais. Quant au duc d'Orbieu, ami d'enfance et homme de confiance du roi, il aspire d'autant plus au repos qu'il vient de se marier.Pourtant, les trois annA(c)es qui suivent vont Aatre celles de tous les dangers: menA(c)es des Habsbourg dans la pA(c)ninsule italienne, agitation endA(c)mique des villes du Midi, complots des grands du royaume, encouragA(c)s par le frA]re du roi Gaston d'OrlA(c)ans, contre le tout-puissant cardinal qu'ils dA(c)testent... Pire: la reine-mA]re elle-mAame intrigue dA(c)libA(c)rA(c)ment contre son fils, prAatant la main A toutes les cabales.Tels sont les A(c)vA(c)nements qui revivent A travers les souvenirs du duc d'Orbieu. Des souvenirs oA abondent pA(c)ripA(c)ties et coups de thA(c)A[tre, menA(c)s avec la prA(c)cision historique et la saveur de langage qui ont valu A Fortune de France un succA]s jamais dA(c)menti.

If you are a fan of the post apocolypse genre, then you will appreciate this gem of a book. It is difficult to find, but it is well worth perservering with a search. The title of the book refers to an old castle in rural France, and which is owned by our hero, the narrator of the story. By a happy coincidence of ancient stone and being sheltered by a cliff, a small community survives the aftermath of a "clean" bomb by sheltering within its walls. At first the community is obsessed with the everyday challenges of life - what to eat, drink, will there be fallout? But as the novel progresses, and we learn of other survivors, it begins to look at the very nature of human behaviour when stripped of the facade of civilization.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

Among Shakespeare's plays, "Hamlet" is considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning film "Henry V", gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with "Bbc" Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production of "Hamlet" is an invaluable aid for students, teachers and all true lovers of Shakespeare - a recording to be treasured for decades to come.

It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth -- and ultimately her life.\
  Read her diary. Enter her world. You will never forget her.\


Herman Hesse's classic novel has delighted, inspired, and influenced generations of readers, writers, and thinkers. In this story of a wealthy Indian Brahmin who casts off a life of privilege to seek spiritual fulfillment. Hesse synthesizes disparate philosophies--Eastern religions, Jungian archetypes, Western individualism--into a unique vision of life as expressed through one man's search for true meaning.

”Mercifully, I was at the age when reading was still a passion and thus, save for a happy marriage, the best state possible in which to keep absolute loneliness at bay. I could not have made it through those evenings otherwise. But I was an abandoned reader and, besides, outlandishly eclectic, with an affinity for the written word--almost any written word--that was so excitable that it verged on the erotic. I mean this literally, and were it not for the fact that I have compared notes with a few others who have confessed to sharing with me in their youth this particular sensibility, I know I would now be risking scorn or incredulity by stating that I can recall the time when the prospect of half an hour’s dalliance with a Classified Telephone Directory caused me a slight but nonetheless noticeable tumescence.”\
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The young William Styron.The prospect for me of parting the pages of a new book produces a similar feeling to parting the warm thighs of a new lover. The anticipation and thrill of the beginning of a new adventure, whether it is swimming through the pages of a book or wrestling between the silk sheets of a bed, should produce the same tingles and let loose the same sparks of grand passion. Reading is a love affair. If you don’t feel this way, I’m sorry. I’ll offer you the same advice that I offered a married woman who once confessed to me that she didn’t enjoy sex. My reply was...are you sure you are doing it right? Maybe too many of you are picking the wrong lovers, or maybe you don’t have the proper reading resume to make the connections that produce grand passion, or maybe your mind is too closed off and you need to let it roam free. Do keep trying.This is a novel of lust and tragedy. At several points in the narrative, there is a merging together of the tragedy of unfulfilled wishes tinged by memories that can’t stay forgotten. This is really two novels, twinned together as the past intersects with the present. One part is of the trials and tribulations of Sophie Zawistowska, a Polish citizen who becomes the guest of the Nazis at Auschwitz-Birkenau during World War Two, and the other part is of the struggles of a young Southern writer in Brooklyn, New York, who is attempting to write the great American novel. Stingo first meets Sophie and her lover Nathan Landau while boarding at The Pink Palace. He doesn’t so much meet them as hear them. They are in the room above him fornicating like amphetamine drugged rabbits. There is nothing more excruciating to a person suffering from inflamed, unmitigated passion than to be forced to eavesdrop on the lustful consummations of the successful sexual conquests of others. When one is in this state, it is easy to give in to brooding self-pity and start believing that everyone in the world is getting laid except for him. Stingo is twenty-two and not only suffering from excessive horniess but also suffering from a malady that most men, especially, wish to rid themselves of as soon as possible...virginity. His yearning to breach the defenses of a woman’s virtue and finally end his involuntary celibacy is an all consuming desire that is even starting to adversely affect his ability to produce his masterpiece. ”I still yearned passionately to produce the novel which had been for so long captive in my brain. It was only that, having written down the first few fine paragraphs, I could not produce any others, or--to approximate Gertrude Stein’s remark about a lesser writer of the Lost Generation--I had the syrup but it wouldn’t pour.” Yes, Stingo has sap issues, if you know what I mean.William Styron infuses autobiography into this book under the guise of fiction. It is almost impossible for me to separate the young Styron from the sexually frustrated Stingo. Styron was a master at describing lust, verging on purple prose at times, but yet managing to capture in lush detail the true nature of hormonal driven desire. Here he describes Stingo noticing the rather innocent ramblings of his neighbor that inspired such wonderful flights of salacious yearning. ”Alone for an instant, blond Mavis Hunnicutt would appear in the garden, dressed in a blouse and tight flowered slacks; after pausing for a peek up at the opalescent evening sky, she would give an odd and bewitching toss of her lovely hair and then bend down to pluck tulips from the flowerbed. In this adorable stance, she could not know what she did to the loneliest junior editor in New York. My lust was incredible--something prehensile, a groping snout of desire, slithering down the begrimed walls of the wretched old building, uncoiling itself across a fence, moving with haste serpentine and indecent to a point just short of her upturned rump, where in silent metamorphosis it blazingly flowered into the embodiment of myself, priapic, ravenous, yet under hair-trigger control.”  Stingo might be a bit optimistic about the prospect of possessing any control if his fantasy, by some miracle, had ever manifested itself into reality. Chances are he would have been slinking back to his room with his tail between his legs, elated at finally successfully having sex, but burning with shame that he had failed to put in a good showing. In fact, he may have been left at the starting gate, having shot his wad before the starter’s pistol could even fire. Elation and shame, after all, are frequent companions during the early days of male sexual experience. He becomes best friends with Nathan and Sophie and soon finds himself caught up in their passionate affair. Their arguments prove as epic as their bouts of sexual passions. Stingo soon finds himself riding their emotional rollercoaster of cloud dwelling amorousness followed by dark, abhorrent, abusive quarrels that leave him shaken to the core of his belief in their enduring relationship.Stingo, like most of us, really does want the beautiful love story. Of course, riding side saddle during his Nick Carraway observations of Sophie and Nathan is his enduring love/lust for Sophie. She is lovely, not only in appearance, but in character. She is the type of woman for whom, if we are lucky enough to know her, most of us, male and female, would harbor our own infatuation. And then there is this constant, visible testament to her past: \
  ”And once again I was conscious of that pitiless blue toothbite of a tattoo on her forearm.”\
During the many times that Nathan and Sophie are split up, Stingo gets exclusive time with Sophie, listening to her pour out her frustrations and fears that her love for Nathan will end in tragedy, but she also shares with Stingo the horrid story of her time incarcerated by the Nazis. The things she is asked to do. The decisions she is forced to make are beyond what any human should ever have to do. Hearing the story of her past adds poignancy in his desire for her. It evokes in Stingo the longing to give her a safe, happy life that will make up for the life that war took from her. William Styron/Stingo has written a masterpiece. The honesty and humor about Stingo’s galloping sexual desire coupled with the tragedies of Sophie’s life take the reader up and down the emotional scale with laughter one moment followed by the brimming of tears. We experience Stingo’s inept, humorous conquests as he searches for a woman liberated enough to allow him ”to taste in a calm, exploratory way those varieties of bodily experience which until now had existed in my head like a vast and orgiastic, incessantly thumbed encyclopedia of lust.” Stingo also constantly suffers from his disloyal desire for Sophie while also hoping that somehow she and Nathan will figure out a way to be together. Mental health is explored in detail as well, a subject close and dear to Styron as he struggled his whole life from dark depressions. \
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The older William Styron.This book is unforgettable. I have a feeling I will be able to recall scenes in vivid technicolor from this novel for the rest of my life. How can I ever forget Stingo, Sophie, and Nathan? Their lives have become so much a part of my life I can almost swear that I have moved into The Pink Palace for a time and listened to their Olympian bouts of lovemaking, punctuated with the thumping of the headboard and the susurrus of the bedsprings, by the groans of Stingo’s growing frustrations. If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, Welles relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town private eye.

The Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action.

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.

Lethally beautiful and incredibly efficient in her dangerous line of work, Ava, a taciturn lone wolf and cold-blooded assassin, is starting to develop a conscience. Having beaten her alcohol and substance dependence with the help of Duke, her grizzled mentor of death and father figure, more and more, unstable Ava lets guilt get in the way of closing her "deals", attracting unwanted attention by breaking protocol. As a result, after a botched attempt to liquidate a high-profile target, Ava reunites with her estranged family after eight long years of absence, unaware that she has just signed her death warrant. Now, as Ava tries to settle old scores and reconnect with her loved ones, every killer in the business is after her. Can Ava rely on Duke to have her back?

A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

The charismatic criminal Dobermann, who got his first gun when he was christened, leads a gang of brutal robbers. After a complex and brutal bank robbery, they are being hunted by the Paris police. The hunt is led by the sadistic cop Christini, who only has one goal: to catch Dobermann at any cost.

In 1974, a hot-headed 19 year old named Michael Peterson decided he wanted to make a name for himself and so, with a homemade sawn-off shotgun and a head full of dreams he attempted to rob a post office. Swiftly apprehended and originally sentenced to seven years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. During that time, Michael Petersen, the boy, faded away and 'Charles Bronson,' his superstar alter ego, took center stage. Inside the mind of Bronson - a scathing indictment of celebrity culture.

Hollywood actor Johnny Marco, nested in his luxury hotel of choice, is a stimulated man. Drinking, parties and women keep a creeping boredom under wraps in between jobs. He is the occasional father of a bright girl, Cleo, who may be spoiled but doesn't act it. When Cleo's mother drops her off and leaves town, Johnny brings her along for the ride, but can he fit an 11-year-old girl into his privileged lifestyle?

In the summer of 1991, a sheltered teenage boy comes of age during a wild summer he spends on Cape Cod getting rich from selling pot to gangsters, falling in love for the first time, partying and eventually realizing that he is in over his head.

The chief spokesperson and lobbyist Nick Naylor is the Vice President of the Academy of Tobacco Studies. He is talented in speaking and spins arguments to defend the cigarette industry in the most difficult situations. His best friends are Polly Bailey that works in the Moderation Council in alcohol business, and Bobby Jay Bliss of the gun business own advisory group SAFETY. They frequently meet each other in a bar and they self-title the M.O.D. Squad, a.k.a. Merchants of Death, disputing which industry has killed more people. Nick's greatest enemy is Vermont's Senator Ortolan Finistirre, who defends in the Senate the use of a skull and crossbones on cigarette packs. Nick's son Joey Naylor lives with his mother, and has the chance to know his father in a business trip. When the ambitious reporter Heather Holloway betrays Nick disclosing confidences he had in bed with her, his life turns upside-down. But Nick is good in what he does for the mortgage.

Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary Wilkie, the mistress of his best friend, college professor Yale Pollack. Although Isaac's first impression of Mary is that she is a pretentious intellectual, he falls for her. They do become friends with the potential of becoming more than just friends as she knows that being the "other woman" in Yale's life is not a long term role that she wants. An Isaac/Mary coupling may complicate matters even more with Yale being mutually in their lives. Regardless, Isaac may be able to rationalize events after they happen, no matter what those events are.

When a father turns 60, his large family gathers at a castle to celebrate him. Everybody likes and respects him deeply--or do they? The youngest son is trying to live up to his father's expectations; he runs a grill-bar in a dirty part of Copenhagen. The oldest son runs a restaurant in France; the sister is an anthropologist. The older sister has recently committed suicide and the father asks the oldest son to say a few words about her, because he is afraid he will break into tears if he does it himself. The oldest son agrees without argument. Actually he has already written two speeches. A yellow and a green one. At the table, he asks the father to pick a speech. The father chooses green. The oldest son announces that this is the Speech of Truth. Everybody laughs, except for the father, who looks nervous: he knows that his oldest son is about to reveal the secret of why his sister killed herself.

The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.

1977 American epic space opera film directed by George Lucas

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

Nearly three years have passed since the beginning of the Clone Wars. The Republic, with the help of the Jedi, take on Count Dooku and the Separatists. With a new threat rising, the Jedi Council sends Obi-Wan Kenobi and Anakin Skywalker to aid the captured Chancellor. Anakin feels he is ready to be promoted to Jedi Master. Obi-Wan is hunting down the Separatist General, Grievous. When Anakin has future visions of pain and suffering coming Padmé's way, he sees Master Yoda for counsel. When Darth Sidious executes Order 66, it destroys most of all the Jedi have built. Experience the birth of Darth Vader. Feel the betrayal that leads to hatred between two brothers. And witness the power of hope.

2005 American epic space opera film directed by George Lucas

Stranded in 1955, Marty McFly receives written word from his friend, Doctor Emmett Brown, as to where can be found the DeLorean time machine. However, an unfortunate discovery prompts Marty to go to his friend's aid. Using the time machine, Marty travels to the old west where his friend has run afoul of a gang of thugs and has fallen in love with a local schoolteacher. Using the technology from the time, Marty and Emmett devise one last chance to send the two of them back to the future.

A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed by a helicopter from the nearby Norwegian research station. They are trying to kill a dog that has escaped from their base. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it is an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate.

American DJ, record producer, and composer

English-Canadian electronic musician and record producer

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

In Inventing Anna, a journalist with a lot to prove investigates the case of Anna Delvey, the Instagram-legendary German heiress who stole the hearts of New York's social scene and stole their money as well. But is Anna New York's biggest con woman or is she simply the new portrait of the American dream? Anna and the reporter form a dark funny love-hate bond as Anna awaits trial and our reporter fights the clock to answer the biggest question in NYC: who is Anna Delvey? The series is inspired by the New York Magazine article "How Anna Delvey Tricked New York's Party People" by Jessica Pressler, who also serves as a producer.

"Fauda" (Arabic for 'Chaos') depicts the two-sided story of the Israeli-Palestinian conflict. Doron, a commander of undercover Israeli unit, the Israeli Special Forces, operating inside Palestinian territories, and his team, are hunting down Hamas terrorist Abu-Ahmed. On the other side of the fence, the life of Abu-Ahmed and his family, who has thus far murdered 143 Israelis, will never accept the State of Israel, and will continue Jihad for as long as it takes.

Israeli political thriller television series

Following the parallel lives of identical twin brothers Dominick and Thomas Birdsey in a story of betrayal, sacrifice and forgiveness.

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

Mateo Vidal is jailed for negligent homicide for 4 years and when is released he makes a living with his beloved Olivia. Once their life has stabilized a phone call will change everything in the couple, the past leaves no one behind and many secrets will force them to try to prove their innocence.

Explores a dark mentorship that forms between Deborah Vance, a legendary Las Vegas comedian, and an entitled, outcast 25-year-old.

Broad City follows two women throughout their daily lives in New York City, making the smallest and mundane events hysterical and disturbing to watch all at the same time.

Ross Geller, Rachel Green, Monica Geller, Joey Tribbiani, Chandler Bing, and Phoebe Buffay are six twenty-somethings living in New York City. Over the course of 10 years and seasons, these friends go through life lessons, family, love, drama, friendship, and comedy.

Ted Mosby sits down with his kids, to tell them the story of how he met their mother. The story is told through memories of his friends Marshall, Lily, Robin, and Barney Stinson. All legendary 9 seasons lead up to the moment of Ted's final encounter with "the one."

The series follows recovering addict and comedian Mae, who is trying to control the addictive behaviors and intense romanticism that permeate every facet of her life.

"Bates Motel" is a contemporary prequel to the genre-defining film "Psycho," and gives a portrayal of how Norman Bates' (Freddie Highmore) psyche unravels through his teenage years. Fans discover the dark, twisted backstory of Norman Bates and how deeply intricate his relationship with his mother, Norma (Vera Farmiga), truly is.

While running from a drug deal gone bad, brilliant young college-dropout Mike Ross slips into a job interview with one of New York City's best legal closers, Harvey Specter. Tired of cookie-cutter law school grads, Harvey takes a gamble by hiring Mike on the spot after recognizing his raw talent and photographic memory. Mike and Harvey are a winning team. Although Mike is a genius, he still has a lot to learn about the law; and while Harvey might seem like an emotionless, cold-blooded shark, Mike's sympathy and concern for their cases and clients will help remind Harvey why he went into law in the first place. Mike's other allies in the office include the firm's best paralegal Rachel and Harvey's no-nonsense assistant Donna. Proving to be an irrepressible duo and invaluable to the practice, Mike and Harvey must keep their secret from everyone including managing partner Jessica and Harvey's arch nemesis Louis, who seems intent on making Mike's life as difficult as possible.

Line of Duty follows Detective Seargent Steven "Steve" Arnott (

Narcos: Mexico exploring the origins of the modern drug war by going back to its roots, beginning at a time when the Mexican trafficking world was a loose and disorganized confederation of independent growers and dealers. Witness the rise of the Guadalajara Cartel in the 1980s as Félix Gallardo takes the helm, unifying traffickers in order to build an empire. When DEA agent Kiki Camarena moves his wife and young son from California to Guadalajara to take on a new post, he quickly learns that his assignment will be more challenging than he ever could have imagined. As Kiki garners intelligence on Félix and becomes more entangled in his mission, a tragic chain of events unfold, affecting the drug trade and the war against it for years to come.

A medical based drama centered around Meredith Grey, an aspiring surgeon and daughter of one of the best surgeons, Dr. Ellis Grey. Throughout the series, Meredith goes through professional and personal challenges along with fellow surgeons at Seattle Grace Hospital.

Marco Ruiz is a homicide investigator for the state of Chihuahua, Mexico living in Ciudad Juárez. A family man, Marco is one of the last good men in a corrupt and apathetic police force that is out-gunned by the powerful drug cartels. He's sharp, charming, and observant and painfully aware that his city is in a state of chaos. When a body is dumped on the bridge that spans the El Paso-Ciudad Juárez border, Ruiz is forced to work with his American counterpart, "Detective Sonya Cross."

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