I liked

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

Marco Ruiz is a homicide investigator for the state of Chihuahua, Mexico living in Ciudad Juárez. A family man, Marco is one of the last good men in a corrupt and apathetic police force that is out-gunned by the powerful drug cartels. He's sharp, charming, and observant and painfully aware that his city is in a state of chaos. When a body is dumped on the bridge that spans the El Paso-Ciudad Juárez border, Ruiz is forced to work with his American counterpart, "Detective Sonya Cross."

A pair of deep-cover Soviet spies masquerades as a typical DC couple whose children, neighbors, coworkers, and friends are completely unaware of their activities. At home, they're the stereotypical parents of stereotypical kids; at work, they pose as travel agents; but at night, they weave a web of confidantes, lovers, dupes, and historical figures from the Reagan-era Cold War. The startlingly realistic plot twists force the viewer to consider the real cost of an undeclared war, what it takes to protect one's beliefs, if it's worth it, and if it actually worked for either side.

A well-meaning but struggling writer decides to lead a sort of double life by pretending to be a private detective using the methods he read about in old detective novels.

A news team attempts to create a news show that reports the news in an ethical and reasonable way. They take real, newsworthy events from our world as they're happening (such as bin Laden's justified killing, NSA spying, etc) and report on them as if they were an actual news station that followed rational and moral guidelines, in a biting criticism of our popular press and a clever blurring of art and reality.

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

The Byrdes and their teenage kids, Charlotte and Jonah, are, for all intents and purposes, an ordinary family with ordinary lives. Except for the job of Marty, a Chicago financial advisor who also serves as the top money launderer for the second largest drug cartel in Mexico. When things go awry, Marty must uproot his family from the skyscrapers of Chicago and relocate to the lazy lake region of the Missouri Ozarks.

A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand.

Theodore Hoffman is a prominent defense attorney in a prestigious Los Angeles law firm. After successfully defending the wealthy but suspicious Richard Cross in a lurid murder trial, he is now involved in the defense of Neil Avedon. Neil is a famous young actor who has had severe drug and alcohol problems and was subsequently charged with the murder, after Cross was acquitted. This single case will run an entire television season (interspersed with bits from other cases that the firm is involved in).

Two FBI agents, fighting the departmental stigma of backroom boys - those who try to complicate the status quo of simple Means, Motive, Opportunity (MMO) of crime-solving with academics - work to develop an innovative investigative field incorporating psychology, anthropology and sociology as a method to reveal the motive. They acknowledge classic crime-solving - MMO - as no longer sufficient because criminality is becoming more complicated as Motive graduates from need and greed to inexplicable and irrational reasons. They theorize applying deeper psychological evaluation will posit new questions. Simply, asking Why will lead to the Who. This series focuses on the development by two men, two agents, of a new criminal field and does so through story lines of visiting the sociopathic mind.

Intriguing story of a well off family in the Florida Keys that have many dark secrets. The siblings are heirs of a beautiful inn that has been in their family for 50 years. It is their childhood home with many great memories, but the deep dark past holds many untold tales. All combined makes the future very uncertain.

In this concept drama, each season takes place within one 24 hour period. Day 1: Jack Bauer is the head of field ops for an elite team of CTU agents who uncover an assassination plot targeting Presidential nominee David Palmer. Meanwhile, Jack's strained marriage to his wife, Teri, is pushed to the brink by the sudden disappearance of their troubled teenage daughter. What will the next 24 hours hold?

A law school graduate becomes the protégée of a successful high-stakes litigator.

In Seattle, Det. Sarah Linden is on what is supposed to be her last day on the job. She and her son Jack are supposed to leave that evening to join her fiancé in Sonoma. Her replacement, Det. Stephen Holder, is ready to take over but they answer a call from a patrol car who have found a bloodied sweater in a field. When the missing girl, Rosie Larsen, is found in the trunk of a car at the bottom of a lake it turns out the car is registered to the campaign committee for councilman Darren Richmond, who is running for mayor. Linden delays her departure for what she hopes will be only a few days.

OZ chronicles McManus' (Terry Kinney) efforts to control the inmates of Em(erald) City as well as the drug trade and the violence. There have been many groups of inmates during the run of the show and not everybody makes it out alive. There are the gangstas (Adebisi, Wangler, Redding, Poet, Keene, Supreme Allah), Muslims (Said, Arif, Hamid Khan), Italians (Pancamo, Nappa, Schiebetta), bikers (Hoyt), Aryans (Schillinger, Robson, Mark Mack), Christians (Cloutier, Cudney), Latinos (Alvarez, Morales, Guerra, Hernandez), gays (Hanlon, Cramer), and a pile of others (the O'Riley brothers, Keller, Stanislovsky, etc.). And a great "everyman" character called Beecher offers a good look at a normal man who made one tragic mistake. Besides the regular inmates, there are guest stars such as Method Man, Luke Perry, Master P, Treach, etc. and a bunch of prison staff doctors (Dr. Nathan), a nun/psychologist (Sister Peter Marie), a bunch of guards--some honest, some crooked--and, of course, the warden, Leo Glynn. The whole thing is narrated and held together by inmate Augustus Hill, who provides the show with context and some sense of theme, and ties everything together nicely.

Nathaniel Fisher, his wife Ruth, and their children David and Claire run a small funeral business that offers the best care to be found anywhere close by. Prodigal son Nate Jr. arrives home for Christmas just as his father is killed by a bus, and has to stick around when he and David are willed the funeral service together. How does a family who helps others deal with grief deal with its own?

The Sinner follows a young mother who, when overcome by an inexplicable fit of rage, commits a startling act of violence and to her horror has no idea why. The event launches an inverted and utterly surprising crime thriller whose driving force is not the "who" or the "what" -- but the "why" -- as an investigator finds himself obsessed with uncovering the woman's buried motive. Together they travel a harrowing journey into the depths of her psyche and the violent secrets hidden in her past.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13 year old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victms - a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story - and survive this homecoming.