Based on a very clever comedy by Claire Booth, wife of Time Publisher Henry Luce and later Ambassador to Italy. One of the surprises was an all-woman cast, novel in the 1930's. And although there were no men in the cast, most of the dialog was about them. The story is rather thin and depended on the fact that divorce, in the 1930's, was not only difficult but almost impossible in New York. Mrs. Stephen Haynes learns that her husband is seeing a salesgirl at Saks, and reluctantly divorces him, abetted by her friends, all of whom have romantic problems of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. This one, with an even better looking cast, is definitely not, largely because someone tried to move a 1930's situation comedy into the present.

Anna and Ben, the two children of Jackie and Luke, must cope with the fact that their parents divorced and their father is now with successful photographer Isabel. She does her best to treat the kids in a way that makes them still feel at home when they're with their dad, but she also loves her work and doesn't plan to give it up. But full-time mother Jackie finds Isabel's efforts offensively insufficient and can't understand that work can be important to her as well as the kids. The conflict between them is deepened by the sudden diagnosis of cancer, which might be deadly for Jackie. They all have to learn a little in order to grow together.

Samantha Mackenzie loves and supports her parents, US President John Mackenzie and First Lady Melanie Mackenzie, and enjoys the privileges that she has received being the only daughter of the President, but sometimes she wants to be what she considers "normal" which means not having her life scrutinized by the world 24/7. She made the decision to go away to college in California at Redmond University in large part to get away from life at the White House and hopefully assert some independence, this first stint at college coinciding with President Mackenzie's reelection bid for a second term in the White House. As such, he knows that his opponents will exploit whatever they can, including placing even more scrutiny on the family, and having even more threats than usual against them meaning his want for more security. So Sam's college experience is less than normal, being followed by a very visible team of Secret Service agents, who are trained to notice the smallest things that may be of threat to her. This highly visible team makes it difficult for Sam to make friends, with her eventual dorm roommate, Mia Thompson, an initially reluctant one. As Sam negotiates with her parents for more freedom than she is allowed, she gets a mostly cooperative accomplice in Mia in exerting that freedom regardless of her parents. Sam ends up finding another simpatico classmate in the form of James Lansome, who she eventually learns is also her resident advisor. In James helping her find those moments of independence, she falls for him and he with her. James, however, is keeping his own secrets which may further negatively affect Sam's view of her life, of her college experience and of James himself if she were to discover those secrets, which is more and more likely the closer the election date.

Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film puts the four leading characters in a box and strips them apart.

Leonard Kraditor is a burned-out case, living with his immigrant parents after his fiancée left him, helping out at their Brooklyn dry cleaners, taking photographs, at loose ends, suicidal. In quick succession, he meets two women: Sandra, the daughter of his parents' business associates, frank, direct, sensual, Jewish like Leonard; and, his neighbor Michelle, mercurial, rootless, fun, blond, unattainable. Michelle is in love with a married man and cries on Leonard's shoulder; Sandra wants to save him. Is Leonard willing to risk losing Sandra's fidelity for the moments Michelle's moods swing toward him? Can this end well?

Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad's house; worse behavior gets her tossed from Rose's apartment. Then, while searching in her father's desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

Zoe has always had difficulty letting anyone into her life; she has a habit of pushing people away whenever they get close. Now she wants to have a baby but has no man in her life, so she decides to be artificially inseminated. Shortly after having the procedure, she meets a guy called Stan and feels a spark. When she tells him about her pregnancy she thinks he will bail, but he stays.

A master chef, Kate, lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates everyone around her. With breathtaking precision, she powers through each hectic shift, coordinating hundreds of meals, preparing delicate sauces, seasoning and simmering each dish to absolute perfection.

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