Juice

15 year-old Alejandro Duran, who comes from a religious Latino family, aspires to one day be a Catholic priest. But when Alex discovers a mysterious box he unwittingly unleashes a demonic spirit bent on possessing him. Alex must find a way to defeat this ancient demon, which has been tormenting children since the dawn of man, before it destroys him and everyone he loves. On the surface Devil's Whisper is a supernatural horror film about demonic possession but at its core it's a psychological thriller about repressed memories, childhood trauma and the cycle of abuse.

In their secluded farmhouse, a mother (a former surgeon) teaches her daughter, Francisca, anatomy, and how life and death are not to be feared. One afternoon, a mysterious visitor shatters the idyll of their family life, and deeply traumatises Francisca, but also awakening curiosities. Years later, Francisca clings to her increasingly distant father, but the trauma she sustained reawaken when her desire to connect with the world around her takes on a dark form.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence, but as they get closer to discovering the truth, things get dangerous.

Mike Milch, an employee of Belko Industries, while driving to work is stopped by street vendors selling "lucky" handmade dolls. Barry Norris, also of Belko Industries, arrives at the remote office building in rural Bogotá, Colombia, to find unfamiliar security guards turning away the local Colombian staff at the gate. New employee Dany Wilkins reports for her first day on the job and is told that a tracking device is implanted in the base of every Belko employee's skull in case they are kidnapped. This is explained as being common in Colombia due to the high incidences of kidnapping.

Dead-tired, Karen, a young psychiatric nurse, catches the last subway train of the night. Before long, she finds herself trapped, along with a handful of other late-night passengers, fighting for their lives against the murderous zealots of a doomsday cult. Now, as the bodies start piling up, Karen, and the rest of the lucky survivors, must fight tooth-and-nail to stay alive, facing the unknown, and the impending apocalypse. But, at the end of the line, there is no place to go but down.

After returning to his childhood home, a disgraced children's puppeteer is forced to confront his wicked stepfather and the secrets that have tortured his entire life.

Mary, a new mother, gives birth to twins, but only one of them is alive. While taking care of her living child, Adam, she suspects that something, a supernatural entity, has chosen him and will stop at nothing to take him from her.

Becoming the documentary itself, the changing nature of friends Aaron and Jim's latest documentary film is presented. The original subject of the documentary was the bizarre world of conspiracy theorists, most specifically one named Terrance G., not the actual content of the video which came their way of one his old fashioned soapbox styled street-side rants that intrigued them, but rather the fact of the number of comments to the video supporting his theories that did. In addition to their interviews with Terrance, much of that original documentary included interviews with a female psychologist talking about the mental state of someone like Terrance. The nature of the documentary changed when Terrance went missing without a trace midway through their filming. During Aaron and Jim's online search in trying to figure out what may have happened to Terrance, they thinking something nefarious, Aaron, in the process beginning to believe many of the theories Terrance espoused, stumbles across a story/theory that a secret organization called the Tarsus Group, comprised solely of powerful white men, is in the process of creating and controlling a new world order. As such, they have to discover not only if the Tarsus Group truly does exist, but if it does whether they are doing what is purported, namely taking over the world.

Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.

A family become imprisoned in their home by intruders who force them to play a life and death game where the mysterious rules become clear as the night unfolds.

A frustrated, angst-ridden teenage girl awakens something in the woods when she naively performs an occult ritual to evoke a witch to kill her mother.

BRAID is the female driven psychological thriller and horror story of Petula Thames and Tilda Darlings, two self proclaimed artists turned dealers and schemers on the run. The Girls moved to NYC to follow their dreams, but ended up getting involved in illegal activities instead. One unfortunate night, they mishandle eighty thousand dollars worth of narcotics and are given 48 hours to pay their vengeful drug lord back. The girls leave town and arrive at a desolate, gothic mansion in the countryside with the plan of robbing their wealthy childhood friend, Daphne Peters. Daphne inherited a fortune when she was little and has since been living secluded in the manor her whole life, growing into a dangerous schizophrenic agoraphobe, prisoner of the fantasy world the three created as children. To take her money the girls have to take part in Daphne's twisted and violent game of make believe. The three of them quickly descend into a deadly maze of hallucinations, role play, torture and murder. A female version of A Clockwork Orange, Mulholland Drive meets Heavenly Creatures meets Funny Games, with The Others twist at the end.

Soon after moving in with her aging aunt Dora, Adele meets Beth, seductive and mysterious, who tests the limits of Adele's moral ground and sends her spiraling down a psychologically unstable and phantasmagoric path.

Stained by the brutal death of a young woman, the tranquil and vacant New England mansion of the prolific horror authoress, Iris Blum, has become her silent prison. To take care of the ageing writer who suffers from chronic dementia, the property's manager hires the gentle and soft-spoken live-in hospice nurse, Lily Saylor; however, this is far from an ordinary job. Little by little, Lily's imagination will run wild, as shadowy sightings of eerie female spectres blur the frail boundaries between reality and fantasy, fable and truth. Iris has talked about man's coexistence with the spectral realm in her novels that chill the bone to the marrow. Could her secluded white house at the end of the road be an aerial limbo caught in the middle of life and death?

Following her aunt's death, Colleen and her daughters inherit her house. However, during their first night in their new home, murderers enter the home, putting Colleen in a situation where she must fight to save her daughters' lives. When the girls suffer a terrible trauma during the night, their disparate personalities diverge even further. The younger daughter, Beth, is said to become a famous horror author with a perfect family and life in Los Angeles, while her sister, Vera, can't cope, and loses her mind faced to an unshakable sense of paranoia. Sixteen years later the daughters and mother reunite at the house where Colleen and Vera continue to reside, it is then that strange events begin to take place.

In Daniel Goldhaber and Isa Mazzei's paranoid horror thriller "Cam," an erotic webcam performer finds her followers stolen by a doppelganger who hijacks her channel, pushes the sexual envelope further, and otherwise seems determined to destroy her life. Call it identity theft of a possibly supernatural kind.

A soon-to-be-stepmom is snowed in with her fiance's two children at a remote holiday village. Just as relations finally begin to thaw between the trio, strange and frightening events threaten to summon psychological demons from her strict religious childhood.