Multimedia, Postmodern, Metafiction, and Genre bending Horror.

From the outside, it looks like an ordinary American home, but since its construction in 1956, people have vanished as soon as they go upstairs, the only clues the things they leave behind: a wedding ring, a phone...an eye.In its sixty-year history, a record number of strange events have been attributed to the house, from the neighbors waking up to find themselves standing in the yard outside, to the grieving man who vanished before a police officer's eyes. The animals gathering in the yard as if summoned. The people who speak in reverse. The lights and sounds. The music. The grass dying overnight...and the ten-foot clown on the second floor.And as long as there are mysteries, people will be compelled to solve them.Here, then, is the most comprehensive account of the Abigail House phenomenon, the result of sixty years of eyewitness accounts, news reports, scientific research, and parapsychological investigations, all in an attempt to decode the enduring mystery that is......THE HOUSE ON ABIGAIL LANE.

Detective Gabriella Versado has seen a lot of bodies, but this one is unique even by Detroit's standards: half boy, half deer, somehow fused together. As stranger and more disturbing bodies are discovered, how can the city hold on to a reality that is already tearing at its seams? If you're Detective Versado's geeky teenage daughter, Layla, you commence a dangerous flirtation with a potential predator online. If you're desperate freelance journalist Jonno, you do whatever it takes to get the exclusive on a horrific story. If you're Thomas Keen, known on the street as TK, you'll do what you can to keep your homeless family safe--and find the monster who is possessed by the dream of violently remaking the world. If Lauren Beukes's internationally bestselling The Shining Girls was a time-jumping thrill ride through the past, her Broken Monsters is a genre-redefining thriller about broken cities, broken dreams, and broken people trying to put themselves back together again.

Felix Allsey is a travel writer with a keen eye for the paranormal, and he's carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country's most haunted places, after haunting them himself.When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he's finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day.When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face all along: In Rotter House, who's haunting who?

When a young woman clears out her deceased grandmother’s home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods.When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

Ryan Adler and his twin sister, Jane, spent their happiest childhood days at their parents' mountain Colorado cabin -- until divorce tore their family apart. Now, with the house about to be sold, the Adler twins gather with their closest friends for one last snowboarding-filled holiday. While commitment-phobic Ryan gazes longingly at Lauren, wondering if his playboy days are over, Jane's hopes of reconciling with her old boyfriend evaporate when he brings along his new fiancée. As drama builds among the friends, something lurks in the forest, watching the cabin, growing ever bolder as the snow falls -- and hunger rises. After a blizzard leaves the group stranded, the true test of their love and loyalty begins as the hideous creatures outside close in, one bloody attack at a time. Now Ryan, Jane, and their friends must fight -- tooth and nail, bullet and blade -- for their lives. Or else surrender to unspeakable deaths in the darkened woods.

" a stomach-twisting ride through the depths of horror, breathing new life into an often-stagnant part of the genre" - Publishers Weekly, starred review.At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. They take walks in the park together, visit county fairs, museums, and zoos, and eat together overlooking the lake. Some might say the father is a little too accommodating given the lack of discipline when the child loses his temper in public. Some might say he spoils his son by allowing him to set his own bedtimes and eat candy whenever he wants. Some might say that such leniency is starting to take its toll on the father, given how his health has declined.What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.A new novella from the Bram Stoker Award-winning author of THE TURTLE BOY and KIN.

Sam Wakefield's ancestral home, a decaying mansion built on the edge of a swamp, isn't a place for children. Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts—threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom. As Elizabeth's due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed—and some secrets are safer locked away forever.

From the acclaimed author of The Troop—which Stephen King raved “scared the hell out of me and I couldn’t put it down.…old-school horror at its best”—comes this utterly terrifying novel where The Abyss meets The Shining.A strange plague called the ’Gets is decimating humanity on a global scale. It causes people to forget—small things at first, like where they left their keys…then the not-so-small things like how to drive, or the letters of the alphabet. Then their bodies forget how to function involuntarily…and there is no cure. But now, far below the surface of the Pacific Ocean, deep in the Marianas Trench, an heretofore unknown substance hailed as “ambrosia” has been discovered—a universal healer, from initial reports. It may just be the key to a universal cure. In order to study this phenomenon, a special research lab, the Trieste, has been built eight miles under the sea’s surface. But now the station is incommunicado, and it’s up to a brave few to descend through the lightless fathoms in hopes of unraveling the mysteries lurking at those crushing depths…and perhaps to encounter an evil blacker than anything one could possibly imagine.

Delightfully BRUTAL Psychological Horror.Jumping into this novella, I wasn't sure what to expect. To be honest, I never even read the synopsis. I see the name, Stephen Graham Jones, and immediately pick books up. It's a compulsion.Night of the Mannequins follows Sawyer, and his group of childhood friends, when a prank goes horribly wrong.Disguising a discarded mall mannequin as a patron at the local movie theater seemed like the perfect way to get back at the stuffy assistant manager. The same one who happened to recently punish the friend group for sneaking into a movie unpaid.What starts off as a fairly innocent prank, however, turns more deadly than this group of teens could have ever imagined. Sawyer seems to be the only one with a plan to limit the destruction.First, let me just swoon for a bit over how much I love SGJ's writing. I promise not to rave for too long.The style is edgy AF, yet feels like Classic Horror all the same. I love the humor and witty dialogue that he is able to bring to such dark and haunting tales.Also, his books always go there, all the way to the deepest, darkest crevices of the human mind. It's weird. It's powerful. It's freakingly disturbing.With this being said, I was really into this novella, loving everything about it until about the 70% mark. Then I started feeling lost. While I understand the ending, some of the choices of events leading up to the ending didn't seem to fit. It made the ending seem a little abrupt and disjointed for me.Overall though, this novella is fantastic. You cannot deny the level of creativity it takes to write a story like this.One that leads you in one direction, flips that on its head and then smacks you in the face with a healthy dose of depressing reality.Sawyer is a very special protagonist. He's one of those characters that (view spoiler)[can do horrible, terrible things, but still you feel like you are on their side (hide spoiler)]

Among a group I read about on Goodreads for great scary-house Halloween books, The Good House certainly lived up to that billing and then some. It is a fine horror novel, with wonderful, well-developed characters, especially the feminine half of this family. Grandma Marie and her granddaughter Angela are powerful spiritual guides for voodoo magic, but Grandma used her power for ill intent in the past and a demon has come to exact revenge on the family and only Angela can save it and her small town from this curse.The Good House is the repository of the good and the evil that has taken hold. Some of the images of the horror are quite chilling, especially one involving a tower of leaves that I won't describe, but left me unsettled. Also the demon or "baka" and his abilities are grotesque, he is able to "ride" a person, effectively taking them over, until that person has vanished and nothing is left but the baka.One thing that was very intriguing is that the characters are multi-faceted; Tariq, Angela's ex-husband and father to her only child Corey, is a troubled figure. He is trying to overcome childhood abuse, but has a temper that is barely leashed and has come close to hitting Angela and has called her a bitch in front of Corey before. He also has a drug habit, even though he holds down a high-ranking, professional job. Also, Corey is not a perfect son. He mirrors his father's treatment of his mother, in being a whiny, aggressive teenager. At one point, I thought why is Angela trying so hard to save this family, when father and son seemed barely worth it.There is a lovely twist at the end that I didn't see coming and ties everything up quite well.

Daniel is desperate for a job. When someone slides a note under his door offering him the groundskeeper's position at an old estate, it seems too good to be true. Alarm bells start ringing when he arrives at Craven Manor. The mansion's front door hangs open, and leaves and cobwebs coat the marble foyer. It's clear no one has lived there in a long time. But an envelope waits for him inside the doorway. It contains money, and promises more. Daniel is desperate. Against his better judgement, he moves into the groundskeeper's cottage behind the crypt. He's determined to ignore the strange occurrences that plague the estate. But when a candle flickers to life in the abandoned tower window, Daniel realises Craven Manor is hiding a terrible secret... one that threatens to bury him with it.

Young Jude Brighton has been missing for three days, and while the search for him is in full swing in the small town of Deer Valley, Oregon, the locals are starting to lose hope. They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.That, and there was that boy, Max Larsen...the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

Life in a slasher film is easy. You just have to know when to die.Aerial View: A suburban town in Texas. Everyone's got an automatic garage door opener. All the kids jump off a perilous cliff into a shallow river as a rite of passage. The sheriff is a local celebrity. You know this town. You're from this town.Zoom In: Homecoming princess, Lindsay. She's just barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer, alone, bra-less. Her story is already a legend. She's this town's heroic final girl, their virgin angel.Monster Vision: Halloween masks floating down that same river the kids jump into. But just as one slaughter is not enough for Billie Jean, our masked killer, one victory is not enough for Lindsay. Her high school is full of final girls, and she's not the only one who knows the rules of the game.When Lindsay chooses a host of virgins, misfits, and former final girls to replace the slaughtered members of her original homecoming court, it's not just a fight for survival-it's a fight to become The Last Final Girl.

September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River—off season—awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall...And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface...and that there are no limits at all to the will to survive.

HEY, QUARANTINERS! i wrote another readalong/booklist thing for f(r)iction! this book is on it: The Call Is Coming From Inside Youthis is short and anything but sweet, somehow managing to pack a whole lot of creepiness into just under 200 pages. it’s a story of a woman’s disintegration as she is invaded by a demonic presence that insinuates itself into her body and mind, slowly and irrevocably supplanting her free will, causing her to engage in increasingly self-destructive behaviors, blowing up her life as it sinks its claws ever-deeper into her mind; jeopardizing her marriage, her job, her reputation, and her list of “never have i evers,” leading her helplessly down a violent path…as much as she can recall of it. it’s a truly chilling little story of a character’s descent into madness, her blackouts leaving the reader to fill in some of the pieces themselves, but showing enough of the gruesome aftermath to know that whatever she did, it ain’t gonna win her any good citizen awards. a few months back, i read Freshwater, which is (in part) about possession manifesting as mental disorder/insanity, and i thought emezi did a fantastic job of writing that headspace—making it accessible and sympathetic to the reader. this is just as effective, but gran spins her similar situation in a different direction. instead of emezi's transcendent/poetic/mythological realm, Come Closer shows, through a tantalizingly slow psychological slippage, how easy it is to give in, to let it all go, how freeing, sometimes, to let the demon tear down the whole damn house of cards.and that, my friends, is terrifying.***********************************SPOOKTOBER READING CONTINUES!!come to my blog!

Quinn Maybrook just wants to make it until graduation. She might not make it to morning.Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.