Batshit crazy

Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of jail. He convinces his girlfriend, Corey, to pay with her mother's credit cards, but her mother cancels the cards. Connie learns that Nick has been hospitalized after a fight with an inmate.

A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

Eva's a mother trying to piece together her life following an incident caused by her odd child, Kevin. Once a successful writer, she's forced to take whatever comes her way, in spite of the increasingly bizarre and dangerous things Kevin says, or does.

Lula's psychopathic mother goes crazy at the thought of Lula being with Sailor, who just got free from jail. Ignoring Sailor's probation, they set out for California. However their mother hires a killer to hunt down Sailor. Unaware of this, the two enjoy their journey and themselves being together... until they witness a young woman dying after a car accident - a bad omen.

Kept on a short leash through a volatile mixture of indoctrination, misinformation and fear, three grown-up siblings--two sisters and one brother--find themselves confined to their lavish, isolated villa. As a result, holed up in their beautiful, high-walled prison, the siblings rely on their cold, manipulative parents to learn about the ways of the world, taking reality-defying lessons from instructional cassette tapes. And, as the cruel patriarch and his frigid wife deliberately keep their unsuspecting, submissive children in the dark, freedom is nothing but a word. Then, a bad influence in the shape of security guard Christina enters the equation, and suddenly, sweet, baffling temptation threatens years of meticulous mind-programming. Is the grass greener on the other side of the fence? With this in mind, how can an ordinary dogtooth stand in the way of happiness?

In this English-language remake of a deconstruction in the way violence is portrayed in the media, a family settles into its vacation home, which happens to be the next stop for a pair of young, articulate, white-gloved serial killers on an excursion through the neighborhood.

A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent.

Clean shaven a tough film for some to take, but it contains by far the most honest and moving portrait of schizophrenia every put on the screen.

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic.

In the wake of his early but undeniable theatrical success in Broadway, the idealistic author of the proletariat and self-pitying 1940s New York playwright, Barton Fink, finds himself lured to dazzling Hollywood to write scripts for eccentric Jack Lipnick's Capitol Pictures. But, instead of writing a story pivoting around the common man, Fink's first screenplay turns out to be a

Two seemingly well-educated young men, who call each other Paul and Peter among other names, approach a family on vacation. They are, apparently, friends of the neighbors, and, at the beginning, their true intentions are not known, but soon, the family is imprisoned and tortured in its own house violently, which the viewers are forced mostly to imagine and to share a certain complicity with the criminals. It might be some kind of game with the lives of husband, wife, son, and dog, but why are they doing it?

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture, and cannibalism are the exotic fare in this beautifully filmed, but brutally uncompromising modern fable.

After an uncomfortable, borderline disturbing visitation by a cryptic neighbour, the fading movie star, Nikki Grace, is thrilled to hear that she has just landed herself the female lead role in director Kingsley Stewart's sensational Southern melodrama called "On High in Blue Tomorrows". However, as she gradually disappears into her complex role, Nikki's character, Susan Blue, starts to emerge from the labyrinthine pathways of her unconscious, creeping into her delicate consciousness. More and more, as Nikki's dissociation becomes more aggressive, and her self-transcendent experience sets in motion a sometimes subtle, sometimes profound transformation, parallel worlds interweave, and a mysterious lost girl tuned into the TV sitcom,

A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won't forget.

In Paris, the shy bureaucrat Trelkovsky rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule, committed suicide. The unfriendly concierge (Shelley Winters) and the tough landlord Mr. Zy establish stringent rules of behavior and Trelkovsky feels ridden by his neighbors. Meanwhile he visits Simone in the hospital and befriends her girlfriend Stella. After the death of Simone, Trelkovsky feels obsessed for her and believes his landlord and neighbors are plotting a scheme to force him to also commit suicide.