James Cole, a prisoner of the state in the year 2035, can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth's population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly and Jeffrey Goines, the mad son of an eminent virologist. Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there.After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asimov's trademark.

The book is always better than the film, but I'd never read 2001 before. What I didn't know, until reading the foreword, is that this novel was literally written in tandem with the film, with Clarke and Kubrick feeding each other ideas. At some points, however, filming overtook writing, or vice versa, and the two stories, though similar, split along two different paths. After reading the book, the film becomes little more than a very well crafted container: It's pretty and neat to look at it, but open it up, and it's empty. There is none of Clarke's vision of how a being we'd call God would communicate with us across unfathomable time spans, or teach us, or lead us into higher consciousness. Stripped away by Kubrick is the sense that this being truly wants us to be in its image, and that the whole breadcrumb trail of monoliths was designed to do just that. And completely erased is the notion that David Bowman, as Star Child, is now one with the Universe, in some Zen-like way, and also much more like something we'd called a god.Don't get me wrong, 2001 is still one of my favorite films, but to get the full meaning and understand the full weight of why 2001 has been called "the perfect science fiction story," you must read the book. Clarke marries science, mysticism, theory, and fantasy in ways like no other. Unfortunately, Kubrick stripped away the mysticism and theory and left us what is, in comparison to the book, only a glimmer at something bigger.Kubrick touched the monolith, but Clarke went inside.

For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future -- to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save mankind, Seldon gathers the best minds in the Empire -- both scientists and scholars -- and brings them to a bleak planet at the edge of the Galaxy to serve as a beacon of hope for a future generations. He calls his sanctuary the Foundation.But soon the fledgling Foundation finds itself at the mercy of corrupt warlords rising in the wake of the receding Empire. Mankind's last best hope is faced with an agonizing choice: submit to the barbarians and be overrun -- or fight them and be destroyed.

* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

May include other science fiction stories that are not specifically about space.

Space Stories 🚀

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