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Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.

Seventy-three year old Alvin Straight is a simple living and stubborn man who lives on his social security. He needs to do things on his own terms. He is in failing health. Both his hips are shot, which requires him to use two canes to walk. He is diabetic. He has emphysema from years of smoking. And he has poor eyesight. Beyond the obvious maladies, he doesn't tell his mentally disabled daughter Rose, who lives with him, of many of these issues. He learns that his brother Lyle Straight, from who he has been estranged for ten years, has just suffered a heart attack. Because of both his and Lyle's mortality, Alvin wants to make peace with his brother before it's too late, which means traveling from his home in the rural town of Laurens, Iowa to Lyle's home in rural Mount Zion, Wisconsin. As with other issues in his life, he needs to make the trip on his own terms, which means on his own. As he doesn't possess a driver's license and since his eyesight is bad, he decides to make the trip driving his aged riding lawn mover towing a trailer which will carry his gear and double as his sleeping quarters. After one mis-start, he is on his way. On that trip, he affects and is affected by those he encounters. But he just hopes that he can finish the trip the way he started it, and before either he, Lyle or the lawn mower give out for good.

In small-town Washington state in 1964, Czechoslovakian immigrant Selma Jezková and her preteen son Gene live in a rented trailer owned by Bill and Linda Houston; Bill is the town sheriff. Selma also has a small group of friends, including her co-worker and primary confidante Kathy, and Jeff, who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace to drive her home, although she always refuses, not wishing to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever else she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind from a genetic medical condition. She can see just enough to be able to do her job. Her primary reason for moving to the USA and working all the time is to earn enough money for an operation for Gene when he turns 13; he knows nothing about his mother's or his own degenerative eyesight. Selma allows only one indulgence in her life: anything to do with musicals which she loves, because they're an escape from her bleak life. Kathy often takes her to the cinema to watch old musicals and must describe to her what's happening on the screen, to the other patrons' annoyance. Selma also has the role of Maria in a community-theatre production of "The Sound of Music." Close to having enough money for the operation, Selma races against time before she loses enough sight to lose her job and her role in the musical. What may also threaten Selma's goal of the operation for Gene is some financial problems facing Bill, who feels pressured to provide Linda with the comforts of life to which she's accustomed.

A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

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A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation.

A group of perfectly intelligent young people decide to react to society's cult of aimless, non-creative and non-responsible form intellect by living together in a community of "idiots". Their main activity becomes going out into the world of "normal" people and pretending to be mentally retarded. They take advantage of this situation to create anarchy everywhere they go and try by every possible means to make people annoyed, disturbed, miserable, ridiculous, angered, and shocked. The film starts as they recruit a new lost soul and introduce her to their megalomaniac leader.

An American of German descent arrives in post-war Germany 1945. His uncle gets him a job on the Zentropa train line as a sleeping car conductor. The American's wish is to be neutral to the ongoing purges of loyalists by the Allied forces and do what he can to help a hurting country, but he finds himself being used by both the Americans and the influential family that owns the railroad. After falling in love with the railroad magnate's daughter, he finds that he can't remain neutral and must make some difficult choices.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent.

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona.

In London, Belgian immigrant Carol Ledoux shares an apartment with her older sister Helen, and works as a manicurist at a beauty salon. Helen uses the word "sensitive" to describe Carol's overall demeanor, which is almost like she walks around in a daze, rarely speaking up about anything. When she does speak up, it generally is about something against one of those few issues on which she obsesses, such as Helen's boyfriend Michael's invasion of her space at the apartment. That specific issue may be more about men in general than just Michael's actions, as witnessed by Carol being agitated by hearing Helen and Michael's lovemaking, and she not being able to rebuff the advances effectively of a male suitor, Colin, who is infatuated with her. One of those other obsessive issues is noticing cracks and always wanting to fix them. While Helen and Michael leave on a vacation to Pisa, Italy, Carol chooses largely to lock herself in the apartment, ditching work. There, she is almost hypnotized by her solitude, which leads to her mental state deteriorating as those obsessions come to the fore. She quickly descends into madness, which ultimately also affects those that are trying to get in touch with her.

Still untarnished by the false promises of the rapacious film industry, the wide-eyed actress, Betty, sets foot on bustling, sun-kissed Hollywood. Brimming with hope, and eager to spread her wings and prove her worth, Betty moves in Aunt Ruth's expensive apartment, unbeknownst to her, however, that fate has other plans in store for her, setting the stage for life-altering experiences with the unexpected, the indecipherable, and the unknown. Now, in the centre of an elaborate labyrinth of half-truths, faded memories, unrequited loves, and dangerous encounters with the city's ugly face lies a strange key to a mysterious keyhole, an even stranger indigo-blue cube, the young director, Adam, and one cryptic woman: the amnesiac brunette and devilishly seductive car-crash survivor, Rita. But, time flies and Rita's opaque past demands answers. After all, both women deserve the truth. What is the secret of the serpentine, dream-crushing Mulholland Drive?

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.

A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture, and cannibalism are the exotic fare in this beautifully filmed, but brutally uncompromising modern fable.

After an uncomfortable, borderline disturbing visitation by a cryptic neighbour, the fading movie star, Nikki Grace, is thrilled to hear that she has just landed herself the female lead role in director Kingsley Stewart's sensational Southern melodrama called "On High in Blue Tomorrows". However, as she gradually disappears into her complex role, Nikki's character, Susan Blue, starts to emerge from the labyrinthine pathways of her unconscious, creeping into her delicate consciousness. More and more, as Nikki's dissociation becomes more aggressive, and her self-transcendent experience sets in motion a sometimes subtle, sometimes profound transformation, parallel worlds interweave, and a mysterious lost girl tuned into the TV sitcom,