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Picture of a book: Brokedown Palace
Picture of a book: cathadeus (the walking gates, #1)

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Picture of a book: The War of the Flowers
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The War of the Flowers

Tad Williams
Derivative. Reminds me rather unfortunately of Christopher Golden's the Veil trilogy, and Terry Brooks' Landover series, neither of which I enjoyed. Bear with my summation, so that I may explain the multitude of ways in which this book alternately irritated and bored me.30-something Theo is lead singer in a garage band, contemplating changing his life as his girlfriend has a baby on the way. Except, of course, he's not going to change it tonight, despite generally disliking his bandmates; he's going to go home late without returning her calls and sneak in. Asshat. He discovers sneaking doesn't matter, as she's been bleeding out in the bathroom after a miscarriage. Although he tries to support her, she breaks up with him and her mom whisks her away. Its the first bud of sympathy I develop for him. He takes refuge with his mom, who is dying of cancer, and she states "I never loved you like I should." The seedling of sympathy inches a little taller, and even sprouts a leaf. She dies, he goes through her things and discovers a mysterious safety deposit book holding a book written by his great uncle. 'Hey,' he thinks, 'I'll read it.' To his surprise, it's all about his uncle's adventures in Fairyland. Perhaps it's a fiction book.' Well, maybe it's worth something,' he thinks and keeps reading.Meanwhile, he decides to sell mom's house, live off the proceeds and go find himself in a cabin in the woods. 'Good idea,' I think. 'Time to focus on some personal growth.' Then one night he gets really drunk at a bar, drives home (ass) and wakes up to discover Tinkerbell Applecore the sprite hanging out in his room. They start talking but are rudely interrupted by Big Body-snatching Evil knocking on the door (very polite Big Evil). Evil, of course, realizes the bathroom window is open, so heads there next. Dumbass opens the door to the bathroom to verify Big Evil has indeed entered the house, thus forcing Applecore to fight on his behalf because he's too stupid stunned to react. She opens a door to Fairyland, he goes through it and pulls her with, spoiling her intentions about where they would land in Fairyland.Part two: Fairyland. Every trope you've ever read. First we had the trash-talking-adorable-Tinkerbell stereotype (which might have been funny the first time someone thought of it twenty years ago), followed by the I'm-not-the-one-to-answer-questions trope, which leads to the take-action-before-you-understand-consequences device. Action starts off with the faceless-band-of-thugs-chasing-me contrivance, which continues the no-time-for-questions ruse. Then there's the mysterious/sexy-stranger-saves-me-on-the-train device (the only acceptable example of this is in North by Northwest), a beautiful goth-looking chick that you just know is destined for him after a misunderstanding, just to round out the tropey-tropes.Character-wise, Theo remains an ass. Despite being told early on that his saying, "Jesus Christ" all the time is physically offensive to the fae (causes them pain), and despite not having a shred of evidence as to his Christianess, every other exclamation is some version of "Jesus," or even "goddamn." Applecore tells him about ten times, but he still doesn't listen. As I said, an ass. Meanwhile, all this time he's carrying around his uncle's little guide to fairyland travelogue, but he doesn't bother to open it because he's too frustrated and tired of not understanding anything (!?!). He gets the hots for the fairy on the train and gets pissy with Applecore for ruining his chances, despite earlier suspicion and dislike of nearly every creature in Fairyland--especially the ugly ones. He's so sure a ogre is hitting on him that he thinks he's being kind when he says that he doesn't like her type when she was just trying to be nice. Any sympathy generated in his rough beginning is soundly stomped into dust by this time. Applecore says it best when she says, "hey, if I wasn't working for the good guys, I would consider joining the bad side after meeting you."Plot and characterization aside, how was it? Well, it rather picked up around page 300 or so when it stopped focusing so much on the whiny lead and started focusing on the plot, when a small alliance of fairy houses makes a bid to take control of the fae world and ours. Then it goes into some oddness about the goblin revolution, and suddenly the tone is quite serious. I might have kind of liked that part if I didn't have to read about Theo, who suddenly looks inside and discovers a heart that grows three sizes at the end. Overall: Quite possibly beyond redemption, except for one or two phrases and the singularly interesting idea of a 'goblin's tale'--it will always have a hole in it. Much like this one.Cross posted at: http://clsiewert.wordpress.com/2013/0...
Picture of a book: Roger Zelazny's To Rule in Amber
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Roger Zelazny's To Rule in Amber

In my review I assume people are familiar with Zelazny's original. If not, your loss - doubled. This is one of the most imaginative fantasy series and I will not hide spoilers from it.Thus from the original series we know that Dworkin created Pattern from which countless shadow worlds appear. Both Dworkin and his son Oberon were alive in the beginning of it, thus it is obvious they would survive at least this long. The previous two books explained why Dworkin had to create the Pattern and why Oberon was attuned to it to a high degree. The previous book ended with recreation of the Pattern. Here Oberon had to get used to the new shadow worlds. No only he did, but he also found a great shadow close to the Pattern with excellent terrain. He and his siblings hired architects, stonemasons, etc. from the nearby shadow and thus the kingdom of Amber was born. Oberon was a natural choice for the king. This book is mostly about Oberon's efforts to build his kingdom. He also has to sort out his uneasy relations with his siblings, dodge assassination attempts, find Chaos spies, and finally try to protect the Pattern (and thus all shadows) from machinations of Chaos. In other words, he did not have time to get bored. In my opinion this book is slightly weaker than the previous two. Oberon was mostly busy with administrative tasks and they are not exactly fun to read about. Luckily these tasks were always interrupted with sabotage, assassinations, and his siblings - some tried to help, some needed to be helped, and some just being against anything he was doing. Even though the book was weaker it provided a nice closure to the trilogy with Amber finally being built. While Dworkin did not have much screen time, some of his children were present and at least some of them were interesting by themselves. As far as characters go I would not call them excellent, but they were quite serviceable for the purposes of the story. So speaking about the whole trilogy, in my opinion it is worth reading for any Amber fan. Just do not expect the same quality as Zelazny's writing. I consider this as a story taking place in the world(s) Zelazny created. From this point of view the trilogy works just fine: it is entertaining fantasy, something I do not see often lately.
Picture of a book: Seeker's Mask
books

Seeker's Mask

I've recently decided to re-read this excellent epic fantasy cycle, and review as I go.What to ExpectThe story continues from where Dark of the Moon left off. Hodgell is continuing to explore the Kencyrath culture and world, this time focusing on the Women's World within it and the Riverland valley that they occupy.This time, the story again focuses on Jame, while Tori (her twin, who took half the previous book) is relegated to brief interludes in the narrative. As often happens in epic fantasy, there is a slow beginning and accumulating clues, as the plot progresses towards realisation and mythic confrontations. As with the previous books, there are open questions leading to the sequels - the cycle is far from over.What I likedHodgell's story-telling and world-building are top-notch, her story pacing is excellent, and she balances light and dark themes perfectly. We learn more about Jame's past, about the complex politics of her people, and about the supernatural powers that inhabit her world. I absolutely love the mythic feel of the supernatural world and competing powers, between the old-world native powers and the Kencyrath own.What to be aware ofThe story builds up on the previous volume. While referenced events are explained in short, it always helps to read in order. Do start with God Stalk.The opening reflects Jame being trapped in the Women's World of her people. A lot of the story is told from other points of view, and reflects the frustration of Jame being muzzled. Some of this frustration naturally leaks to the reader, but it does get better after the first part, once Jame gets proactive again.Torisen needs a swift kick up his back side (perhaps the reason he was relegated to the interludes), and one hopes the event in this volume provide it.SummaryA highly recommended series. This is epic fantasy done right, with perfect balance of light and dark, and excellent, slowly-building pacing. If you love fantasy, I strongly suggest you add it to your TBR pile.--Assaph Mehr, author of Murder In Absentia: A story of Togas, Daggers, and Magic - for lovers of Ancient Rome, Murder Mysteries, and Urban Fantasy.