Helen Lyle is a student who decides to write a thesis about local legends and myths. She visits a part of the town, where she learns about the legend of the Candyman, a one-armed man who appears when you say his name five times, in front of a mirror. Of course, Helen doesn't believe all this stuff, but the people of the area are really afraid. When she ignores their warnings and begins her investigation in the places that he is rumored to appear, a series of horrible murders begins. Could the legend be true?

In the wake of his early but undeniable theatrical success in Broadway, the idealistic author of the proletariat and self-pitying 1940s New York playwright, Barton Fink, finds himself lured to dazzling Hollywood to write scripts for eccentric Jack Lipnick's Capitol Pictures. But, instead of writing a story pivoting around the common man, Fink's first screenplay turns out to be a

Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her androgynous, bisexual nymphomaniac lover, who's also a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model's casual sex partners begin disappearing. This increasingly bizarre scenario's observed by a lonely woman in the building across the street, a German scientist who's following the aliens, and an equally androgynous, drug-addicted male model (both models are played by Anne Carlisle). Darkly funny and thoroughly weird.

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely.

Mad with pain by the festering wound in his thigh, an extreme sado-sexual "Metal Fetishist" dashes out into the street, and is accidentally hit by the car of a white-collar worker and his girlfriend. But, strangely, instead of dying, the salaryman finds himself before a mysterious and agonisingly majestic transformation--one that twists and bends the pliable human flesh, inextricably intertwining it with the strong and cold iron. Now, there is no turning back, and nothing can stand in the way of the glorious final mutation. Is this the beginning of a new era?

The Egyptian vampire lady Miriam (Catherine Deneuve) subsists upon the blood of her lovers. In return, the guys or girls don't age until Miriam has had enough of them. Unfortunately that's currently the case with John (David Bowie), so his life expectancy is less than 24 hours. Desperately he seeks help from, the famous, Dr. Sarah Roberts (Susan Sarandon). She doesn't really believe his story, but becomes curious and contacts Miriam . . . and gets caught in her spell, too.

must see