Willie T. Stokes is a convicted con man who's led a miserable life. He drinks heavily and constantly embarrasses himself publicly. He only works once a year dressed as Santa. But then come Christmas Eve, he and his pint-sized helper dwarf Marcus stage elaborate robberies and take their department stores for everything they got. This time around, Willie gets distracted by large women, a bartender who is attracted to Santas, and a kid who's convinced he's the real deal. However, Marcus must once again put up with Willie's heavy drinking and a series of incidents that constantly shoot themselves in the foot. Will Willie and Marcus make it to next Christmas? Or will this be the year the dynamic duo finally face justice?

A small group of adventurous American soldiers in Iraq at the end of the Gulf War are determined to steal a huge cache of gold reputed to be hidden somewhere near their desert base. Finding a map they believe will take them to the gold, they embark on a journey that leads to unexpected discoveries, enabling them to rise to a heroic challenge that drastically changes their lives.

A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines.

Brooklyn, 1988. Crime is rife, especially drugs and drug violence. A Russian thug is building his heroin trade, while everyone laughs at the cops. Brothers have chosen different paths: Joe has followed his father Bert into New York's Finest; he's a rising star. Bobby, who uses his mother's maiden name, manages a club. Bobby too is on the rise: he has a new girlfriend and a green-light to develop a Manhattan club. Joe and Bert ask him to help with intelligence gathering; he declines. Then, Joe raids Bobby's club to arrest the Russian. From there, things spiral out of control: the Russian puts out a hit on Joe, personal losses mount, and Bobby's loyalties face the test.

Kate Macer leads a Phoenix based kidnap response unit for the FBI. Following Kate's team leading a raid on a known drug den in nearby Chandler, Kate is recruited to work on a special ops team led by Matt Graver of the CIA, he who is on special assignment for the Department of Defense. They recruited her because they wanted someone with tactical procedures knowledge. Outwardly, the team's mission, which works behind a Delta Force team as its primary gun power as required, is to decapitate a Mexican drug cartel by capturing or dismembering the workings of the main players, cartel head Manuel Díaz, his second in command Guillermo Díaz (Manuel's brother), and drug lord Fausto Alarcón. Kate agrees to the assignment as she feels the work of this team would be more effective in stopping the drug trade in the US than the piecemeal work of her current kidnap response unit. The third on the team is a mysterious Hispanic or Latino man Kate only knows as Alejandro, and who she does not fully trust as she can tell that he is suffering from a very traumatic past. When Kate and the team arrive in El Paso for their first mission, Kate learns that the team's workings are not all they appear on the surface - many of the proceedings which would not be considered above board or legal - despite the end goal being as she knows it to be. Still largely in the dark and only given information on a need to know basis, Kate decides to stick it out with the team if only to discover all that she is not told while still believing in the end goal. She may have changing or at least mixed emotions as she learns more and more about what is going on, including the specific reason why she was recruited.

After Black September's assassination of Israeli athletes at the Munich Olympics in 1972, Prime Minister Golda Meir okays a covert operation to hunt down and kill all involved. A team of five gathers in Switzerland led by Avner, a low-level Mossad techie whose father was a war hero and whose wife is pregnant. It's an expendable team, but relying on paid informants, they track and kill several in Europe and Lebanon. They must constantly look over their shoulders for the CIA, KGB, PLO, and their own sources. As the body count mounts -- with retribution following retribution -- so do questions, doubts, and sleepless nights. Loyalties blur. What does it mean to be a Jew?

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.

While exploring uncharted wilderness in 1823, legendary frontiersman Hugh Glass sustains injuries from a brutal bear attack. When his hunting team leaves him for dead, Glass must utilize his survival skills to find a way back home while avoiding natives on their own hunt. Grief-stricken and fueled by vengeance, Glass treks through the wintry terrain to track down John Fitzgerald, the former confidant who betrayed and abandoned him.

2015 film directed by Alejandro González Iñárritu

A successful cocaine dealer, who has earned a respected place amongst England's Mafia elite, plans an early retirement from the business. However, big boss Jimmy Price (Kenneth Cranham) hands down a tough assignment: find Charlie Ryder (Nathalie Lunghi), the missing rich Princess daughter of Jimmy's old pal Eddie Temple (Sir Michael Gambon), a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade "A" ecstasy, a brutal Serbian gang, and a whole series of double crossings. The title "Layer Cake" refers to the layers or levels anyone in business goes through in rising to the top. What is revealed is a modern underworld where the rules have changed. There are no "codes", or "families", and respect lasts as long as a line. Not knowing who he can trust, he has to use all of his "savvy", "telling", and skills which make him one of the best, to escape his own. The ultimate last job, a love interest called Tammy (Sienna Miller), and an international drug ring threaten to draw him back into the "cake mix". But, time is running out and the penalty will endure a lifetime.

Hard-drinking, burnt-out ex-CIA operative John Creasy has given up on life until he's hired as a bodyguard to protect 9-year-old Pita Ramos. Bit by bit, Creasy begins to reclaim some of his soul, but when Pita is kidnapped, Creasy's fiery rage is finally released and he will stop at nothing to save her as he sets out on a dangerous, revenge-fueled rescue mission.

Anthony "Swoff" Swofford, a Camus-reading kid from Sacramento, enlists in the Marines in the late 1980s. He malingers during boot camp, but makes it through as a sniper, paired with the usually-reliable Troy. The Gulf War breaks out, and his unit goes to Saudi Arabia for Desert Shield. After 175 days of boredom, adrenaline, heat, worry about his girlfriend finding someone else, losing it and nearly killing a mate, demotion, latrine cleaning, faulty gas masks, and desert football, Desert Storm begins. In less than five days, it's over, but not before Swoff sees burned bodies, flaming oil derricks, an oil-drenched horse, and maybe a chance at killing. Where does all the testosterone go?

This movie charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighborhood, through to his ascension through the decade of excess and indulgence into the early 1990s, where he forms a business partnership with an African warlord and his psychotic son. This movie also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined INTERPOL Agent and his inner demons that sway between his drive for success and the immorality of what he does.

Three separate but parallel stories of the U.S mortgage housing crisis of 2005 are told. Michael Burry, an eccentric ex-physician turned one-eyed Scion Capital hedge fund manager, has traded traditional office attire for shorts, bare feet and a Supercuts haircut. He believes that the US housing market is built on a bubble that will burst within the next few years. Autonomy within the company allows Burry to do largely as he pleases, so Burry proceeds to bet against the housing market with the banks, who are more than happy to accept his proposal for something that has never happened in American history. The banks believe that Burry is a crackpot and therefore are confident in that they will win the deal. Jared Vennett with Deutschebank gets wind of what Burry is doing and, as an investor believes he too can cash in on Burry's beliefs. An errant telephone call to FrontPoint Partners gets this information into the hands of Mark Baum, an idealist who is fed up with the corruption in the financial industry. Baum and his associates, who work at an arms length under Morgan Stanley, decide to join forces with Vennett despite not totally trusting him. In addition to Burry's information, they further believe that most of the mortgages are overrated by the bond agencies, with the banks collating all the sub-prime mortgages under AAA packages. Charlie Geller and Jamie Shipley, who are minor players in a $30 million start-up garage company called Brownfield, get a hold of Vennett's prospectus on the matter. Wanting in on the action but not having the official clout to play, they decide to call an old "friend", retired investment banker Ben Rickert, to help out. All three of these groups work on the premise that the banks are stupid and don't know what's going on, while for them to win, the general economy has to lose, which means the suffering of the general investor who trusts the financial institutions. That latter aspect may not sit well with Baum. Some of these assumptions may be incorrect and may be far more manipulative than they could have ever imagined, which in turn may throw curves into the process.

Despite his tarnished reputation after the events of The Dark Knight (2008), in which he took the rap for Dent's crimes, Batman feels compelled to intervene to assist the city and its Police force, which is struggling to cope with Bane's plans to destroy the city.

In an airport waiting room, a man in a wheelchair tells a stranger a story about a fixed horse race in 1979 that resulted in a family's deaths. In Manhattan, two bookies and the son of a Mob boss die. A young man just out of the shower answers the door to a neighbor woman and explains that he's visiting, has had a bad week, including being mugged, and doesn't know where his pal, who lives there, is. The neighbor is chatty; she's a coroner. Two thugs arrive and, believing the visitor to be the guy who lives there, take him to see the boss with the dead son, who tells him to kill the son of his Mob rival. Mistaken identity? What connects the threads? Cops are watching.

When a devastating hit knocks a professional football legend and quarterback Cap Rooney out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to augur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci, now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the marketing and business of football, in which all coaches and players are merely properties.

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