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A documentary that explores the world of children who reside in discounted motels within walking distance of Disneyland, living in limbo as their families struggle to survive in one of the wealthiest regions of America. The parents of motel kids are often hard workers who don't earn enough to own or rent homes. As a result, they continue to live week-to-week in motels, hoping against hope for an opportunity that might allow them to move up in the O.C.

A significant number of American children and teenagers - from all social backgrounds - suffer from mental disorders, schizophrenia, autism and emotional problems, leading them to isolation from society while treating their issues in mental health facilities. But there's no end in sight for those young individuals when they face obstacles and mistreatments in inadequate places under the supervision of careless and inexperienced professionals. The documentary follows some of those public mental institutions and another private center dealing with troubled kids and reveals what's wrong with their procedures, and the irreparable harm they cause in those patients.

Before Oprah, before Arsenio, there was Mr. SOUL. Ellis Haizlip ensures that the Revolution would be televised with "SOUL!," America's first "Black Tonight Show." From 1968 to 1973, the public-television variety show SOUL!, guided by enigmatic producer and host Ellis Haizlip, offered an unfiltered, uncompromising celebration of Black literature, poetry, music, and politics--voices that had few other options for national exposure, and, as a result, found the program an improbable place to call home. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. With participants' recollections and illuminating archival clips, Mr. SOUL captures a critical moment in culture whose impact continues to resonate, and an unsung hero whose voice we need now more than ever, to restore the SOUL of a nation.

A year in the life of a dying shopping mall.

ATOMIC HOMEFRONT reveals St. Louis, Missouri's atomic past as a uranium processing center for the Atomic bomb and the governmental and corporate negligence that lead to the illegal dumping of Manhattan Project radioactive waste throughout North County neighborhoods. Our film is a case study of how citizens are confronting state and federal agencies for the truth about the extent of the contamination and are fighting to keep their families safe.

What begins as a documentary following the final tour of a dying magician - "The Amazing Johnathan" - becomes an unexpected and increasingly bizarre journey as the filmmaker struggles to separate truth from illusion.

Documentary depicting day to day life in Angola Prison mostly from an inmate's perspective. Interviews are with several inmates including one with a life sentence who is about to die.

An in-depth look at the director James Ronald Whitney's family history of incest spanning at least three generations and the devastating consequences that include drug abuse and alcoholism.

In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to-and public censure of-their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will future will be like if we can't learn how to take a joke?

He began a film, a search, to discover not only what had happened to Stevie over the past ten years but to understand the forces that had shaped his entire life. Part way through the filming, Stevie is arrested and charged with a serious crime that tears his family apart. What was to be a modest profile turns into a intimate four and half year chronicle of Stevie, his broken family, the criminal justice system and the filmmaker himself, as they all struggle with what Stevie has done and who he has become.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA.

Rick Kirkham was a successful TV reporter, and could have been a major U.S. television profile if it hadn't been for his massive drug and alcohol abuse. Kirkham filmed his life every day with a video camera from the age of 14 years. On the basis of his video material the story of his life is told in this documentary.

One of the most astonishing and engaging cinematic works of the past decade, CHILDREN UNDERGROUND is a profoundly intimate and heart-wrenching drama about homeless children struggling for survival on the streets and in the subways of Bucharest, Romania.

An inside look at former FLDS teens who have become religious refugees in mainstream America.

Recounting the extraordinary life of author Kurt Vonnegut, and the 25-year friendship with the filmmaker who set out to document it.

A gripping, emotionally charged film that follows wrongfully convicted men freed by DNA evidence after decades in prison as they struggle to transition back into society.

Jen Senko, a documentary filmmaker, looks at the rise of right-wing media through the lens of her WWII vet father who changed from a life-long, nonpolitical Democrat to an angry, right-wing fanatic after his discovery of talk radio on a lengthened commute to work. In trying to understand how this happened, she not only finds this to be a phenomenon, but also uncovers some of the forces behind it: a plan by Roger Ailes under Nixon to create a media for the GOP; the Lewis Powell Memo, urging business leaders to influence institutions of public opinion - especially the universities - the media and the courts; and under Reagan, the dismantling of the Fairness Doctrine - all of which helped to change the entire country's direction and culture, misinformed millions, divided families and even the country itself.