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Peggy Sue was one of the most popular girls in high school, enjoying life with her friends and her boyfriend Charlie. It was the typical high school dream, until she finds herself married to Charlie and becoming a young mother. However, her life takes a serious turn, leaving her depressed and facing divorce when Charlie runs off with another woman. At her high school reunion, Peggy Sue faints and wakes up back in high school. Despite her confusion about what has happened and how to get back to her own time, Peggy realizes that she has a chance to start her life over, to avoid her depression and her marriage to Charlie. However, just because she knows the future, does that mean she can really avoid it?

All Don Baker wants is a place of his own away from his over-protective mother. Don's been blind since birth, but that doesn't stop him from setting up in a San Francisco apartment and making the acquaintance of his off-the-wall, liberated, actress neighbor Jill. Don learns the kind of things from Jill that his mother would never have taught him! And Jill learns from Don what growing up and being free is really all about.

A divorced woman and her daughter come home to find that her boyfriend has left for an out of town job with no warning. This has happened before. The second surprise comes in the form of another actor who has sublet the apartment from her boyfriend (who did not mention the pair of females who would be in residence). After some negotiation the two decide to share the apartment even though she has vowed to stay away from actors.

Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she will make something of him the family expects. Arthur proposes but then meets a girl with no money, with whom he could easily fall in love.

Sam Stone (

Writer Nick Gardenia is kidnapped from his California cliffhouse and forced to rob a bank. Now a fugitive, he seeks help from his ex, Glenda. She is a public defender remarried to a prosecutor, and we get a houseful of hijinks.

Joanna hires country carpenter Dean to build a closet on her yacht. When the two don't see eye-to-eye, Dean is left unpaid while Joanna sets sail. The following day, Joanna is fished out of the sea, after falling overboard, suffering from amnesia. Dean sees a neat way to regain the money she owes him - he tells her she's his wife; that way Dean gets a free housekeeper and mother for his four kids.

Angela deMarco is unhappily married to high Mafia member Frank deMarco. When Frank is killed, Angela takes the opportunity to break free of the Mafia world entirely and start a new life. But Frank's boss, Tony Russo, begins to court the unresponsive Angela. The FBI begins surveillance on her, thinking her to be his new mistress. FBI agent Mike Downey goes undercover as Angela's neighbor, but soon finds himself attracted to Angela himself.

Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things are going along predictably until her ex-husband shows up, needing a place to stay. The three of them form an intricate circle, with Emma's son liking Murphy but desperately wanting his father back.

The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the "black sheep" of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.

Jake and Kristy Briggs are newlyweds. Being young, they are perhaps a bit unprepared for the full reality of marriage and all that it (and their parents) expect from them. Do they want babies? Their parents certainly want them to. Is married life all that there is? Things certainly aren't helped by Jake's friend Davis, who always seems to turn up just in time to put a spanner in the works.

Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss.

Lauren and Sandy are total opposites who end up in the same acting class and who don't know they are sharing a lover. When he disappears under mysterious circumstances they refuse to believe that he is dead and are the only ones who are searching for him across several states. Ending up in the western US., they discover he had other interests as they find their lives in danger.

When her husband dies on their wedding night, Judy decides to join the United States Army. She realizes that she has never been independent in her entire life. What looks like a bad decision at first, turns out not so bad at all. That is, until her superior officer makes sexual advances on her. She has been transferred to NATO headquarters in Europe and (re)meets the Frenchman Henri Tremont. Judy and Henri decide to marry, but will they?

A seminal Thirty-Something movie in which a group of old college friends who are now older and experienced come together for the funeral of Alex, who was at one time the brightest and the best of them at college and yet who never managed to find his way. The friends use the occasion to reacquaint themselves with each other, discuss where their lives have led and speculate on what happened to their idealism which had been abundant when they were younger.

Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.

Bette Midler plays The Rose, a female rock star strikingly similar to

A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.