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DJ Zack and pimp Jack end up in prison for being too laid-back to avoid being framed for crimes they didn't commit. They end up sharing a cell with eccentric Italian optimist Roberto, whose limited command of the English language is both entertaining and infuriating. More useful to them is the fact that Roberto knows an escape route.

Osbourne Cox, a Balkan expert, resigned from the CIA because of a drinking problem, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A CD-ROM falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for cosmetic surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house.

The monotonous life of Selim,a shirt store owner changes when he finds a suitcase full of American dollars in a taxi.

In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.

A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along with a friend, they eventually end up visiting their aunt in the wastelands of Cleveland and then proceed to Florida where they lose all their money gambling before unwittingly gaining a fortune.

The plot of this movie, like smoke, drifts and swirls ethereally. Characters and subplots are deftly woven into a tapestry of stories and pictures which only slowly emerges to our view. This movie tries to convince us that reality doesn't matter so much as aesthetic satisfaction. In Auggie Wren's (Harvey Keitel's) New York City smoke shop, day by day passes, seemingly unchanging until he teaches us to notice the little details of life. Paul Benjamin (William Hurt), a disheartened and broken writer, has a brush with death that is pivotal and sets up an unlikely series of events that afford him a novel glimpse into the life on the street which he saw, but did not truly perceive, every day. Finally, it's Auggie's turn to spin a tale.

Amid the intense political violence of Istanbul, Kadir is released on parole two years early on the condition that he become an informant for the police gathering terrorist informations, activities, and searching for bombs on trash cans.

A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter.

Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell befriends with the two boys and later asks them to help him pursue Romeo's beautiful elder sister. He gradually becomes more violent after she rejects him ...

The sailors who were duped by woman sellers, want to steal their capitals to retaliate from them. There are four men and one woman in a ruined boat. Four lazy and dissatisfaction sailors. The woman represent lust, delectation and appalling potential enemy. The men know each other but woman is unknown. Four of them know the responsibility of life. The woman is dangerous with her chastity and her depressed wishes and she represent a chick who gets men's life into trouble. Four men signpost themselves with a breathtaking game, with their decrepitude and modesty, sometimes with their depressed and additive beauty in a closed location. And none of them can not get off without a loss.

Muezzin Musa falls for his neighbor, the Catholic nurse Clara. The story gets even more exceptional when Musa meets Yakup, who turns out to be connected with Clara.

In the wake of his early but undeniable theatrical success in Broadway, the idealistic author of the proletariat and self-pitying 1940s New York playwright, Barton Fink, finds himself lured to dazzling Hollywood to write scripts for eccentric Jack Lipnick's Capitol Pictures. But, instead of writing a story pivoting around the common man, Fink's first screenplay turns out to be a

You will see the story of four sailors who were cheated by woman sellers in "A patroness in Laleli". While the sailors was selling the women in Laleli, one of artisan of there said that he would pay one billion for a special girl. After this, three sellers began to debate with each others. They found the girl. But while they were taking on the girl to the customer, they were under attacked and girl was stolen.

The pain of growing up, as seen by three Turkish youths: Ömer, the son of the local imam, who wishes the death of his father; his best friend, Yakup, who's enamored with the village schoolteacher; and Yildiz, who is forced to balance her studies with the needs of her demanding mother.

Texas bar owner Julian Marty, who is generally regarded as not a nice person, hires shady private detective Loren Visser, who is able to obtain what Marty requests evidence - in this instance, photographic - that his wife, Abby, and one of his bartenders, Ray, are having an affair. As Ray and Abby realize that Marty has found out about them, it allows them to plan for their future away from Marty, while being up front with Marty about the situation. Marty, in turn, decides to hire Visser once again, this time to kill Abby and Ray, and dispose of their bodies so that they won't be found. The out-in-the-open affair and the contract hit lead to some actions based on self-interest and a standoff of sorts between the four players, which is compounded in complexity by some wrong assumptions of what has happened, with an innocent bystander, another of the Marty's bartenders, Meurice, potentially, and unwittingly, adding to the scenario.

Bad Boy Bubby is just that: a bad boy. So bad, in fact, that his mother has kept him locked in their house he's not entering middle age, by convincing him the air outside's poisonous. After a visit from his estranged father, circumstances force Bubby into the waiting world, a place which is just as unusual to him as he is to the world.

Bloomington, Minnesota, 1967: Jewish physics lecturer Larry Gopnik is a serious and a very put-upon man. His daughter is stealing from him to save up for a nose job, his pot-head son, who gets stoned at his own bar-mitzvah, only wants him round to fix the TV aerial and his useless brother Arthur is an unwelcome house guest. But both Arthur and Larry get turfed out into a motel when Larry's wife Judy, who wants a divorce, moves her lover, Sy, into the house and even after Sy's death in a car crash they are still there. With lawyers' bills mounting for his divorce, Arthur's criminal court appearances and a land feud with a neighbour Larry is tempted to take the bribe offered by a student to give him an illegal exam pass mark. And the rabbis he visits for advice only dole out platitudes. Still God moves in mysterious - and not always pleasant - ways, as Larry and his family will find out.

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture, and cannibalism are the exotic fare in this beautifully filmed, but brutally uncompromising modern fable.