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As her marriage to Jack Faye (Stanley Tucci) flounders, eminent High Court judge Fiona Maye (Dame Emma Thompson) has a life-changing decision to make at work - should she force a teenage boy, Adam Henry (Fionn Whitehead), to have the blood transfusion that will save his life? Her unorthodox visit to his hospital bedside has a profound impact on them both, stirring strong new emotions in the boy and long-buried feelings in her.

Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self.

Three time periods - young adolescence, mid-teen and young adult - in the life of black-American Chiron is presented. When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn't understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban-American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan's caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula's abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified in terms of its problems when he reaches his difficult teen years when peer pressure affects what he and many of his peers do, unless he follows Juan's advice of truly making his own decisions for himself.

A theatre director's latest project takes on a life of its own when her young star takes her performance too seriously.

Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara's adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy.

Two women's lives will intersect while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track.

Still living under the same roof, the Moscow couple of Boris and Zhenya is in the terrible final stages of a bitter divorce. Under those circumstances, as both have already found new partners, the insults pour down like rain in this toxic familial battle zone, always pivoting around the irresolvable and urgent matter of Alyosha's custody, their 12-year-old only son. Unheard, unloved, and above all, unwanted, the introverted and unhappy boy feels that he is an intolerable burden, however, what his parents don't know is that he can hear every single word. As a result, when Boris and Zhenya finally realize that Alyosha has been missing for nearly two days, it is already too late. But is this a simple case of a runaway teenager?

Behind any great man, there's always a greater woman - and you're about to meet her. Joan Castleman (

A decade after the death of an American television star, a young actor reminisces about the written correspondence he shared with him, as well as the impact those letters had on both their lives.

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

Manny, Joel, and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah embraces an imagined world all on his own.

Jimmie Fails IV, a black man, is a third generation San Franciscan. Having been pushed out by circumstances like many others, Jimmie, who works a low paying job as a nurse in a seniors' care facility, returned to San Francisco three years ago and has been living in his best friend Montgomery Allen's house that he shares with his blind grandfather, Jimmie who sleeps on the floor in Mont's already cramped bedroom. Despite the house, Mont's situation is not much better than Jimmie's, Mont who works at a supermarket fish counter while he sketches and writes a play on the side. Other black people around him who are showing their anger in also being disenfranchised from San Francisco life are the soapbox preacher who Jimmie and Mont often watch as they wait for the bus, and a group of young black men who hang outside of Mont's house. All of Jimmie's family, who he rarely sees, are also disenfranchised from that San Francisco life in one way or another: his estranged father lives in an SRO; his mother and her new husband long moved to Los Angeles; and his paternal Auntie Wanda has been pushed out to the suburbs. Jimmie has long wanted to reclaim what he sees as his place in San Francisco, which to him means the house he grew up in and which his same named paternal grandfather built in the post-war era in a style indicative to the area a century earlier. The problems are that his father lost the house long ago, the neighborhood has since been gentrified from the immigrant neighborhood it once was, increasing the value of the house to the several millions, and a white couple currently lives there, there being no indication that they are either planning on leaving or selling even if Jimmie could afford it. Regardless, Jimmie, with Mont by his side, has and continues to take steps to reclaim the house as his to his standards.

Set in 1950s Montana, "Wildlife" shows and tells the drama and angst that a teenage boy, Joe, goes through, witnessing both his parents split up in his presence. His father, Jerry, loses his job. And though he was offered his job back, he refuses to take it back because he "won't work for those kind of people anymore". So instead, he takes a job fighting a forest fire, which his wife, Jeanette, is dead set against, both for safety reasons, and because she's convinced that he will be unfaithful while away. But he leaves anyway. And yet, without anything happening to him, or any evidence of hanky-panky on his part, she acts the way one would expect her to act had he perished in the fire, or if she had found out that he had been unfaithful while away. This fact causes Joe to acquire uneasy feelings toward his mother. His father does return however. But the three are no happier for it, as Jeanette has taken up with a new significant other in her life. And Jerry reacts furiously against this. The parents wind up separating as she moves to take up a teaching job in Oregon, while Joe continues to live with his father. And then, she suddenly announces that she's taking the bus to visit over the weekend. Perhaps in an odd way, this movie combines both a satisfactory and unsatisfactory ending.

An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.

Three Palestinian women living in an apartment in Tel Aviv try to find a balance between traditional and modern culture.

1964. Cathleen Harris, in her late teens, has resided at the Convent of the Beloved Rose in her home state in the American south for close to two years, first as a postulant for six months, before taking her first vows to become a novice. Unlike the other postulants and novices, Sister Cathleen was raised in a household without religion, let alone Catholicism. As such, her decision to become a nun, which went against her divorced mother's wishes, may be more secure in her mind than her colleagues for which this life course may be more bred within them. The convent is led by the Mother Abbess, Reverend Mother Marie Saint Clare, whose entire life is this convent off of where she not stepped foot in forty years. Reverend Mother believes she is the voice of God within the walls of the convent, and thus does not tolerate any of the sisters questioning her authority. She also believes that the Catholicism which she has known all her life is perfect. When she receives an edict regarding the Second Vatican Council - more commonly referred to as Vatican II - which, opened in 1962 as a process to make the Catholic church more open to modern ideals, she refuses to implement any of the changes, let alone discuss the edict with any of the sisters, especially with the likes of Sister Mary Grace, the Mistress of Postulants and Novices who has more contemporary views of the church. Sister Cathleen's drive to become a nun is set against this backdrop, her process which is not as easy as it appears to the others, and whether she makes it to nun is affected by the Reverend Mother's strict methods and refusal to modernize.

Inseparable best friends and cousins Autumn and Skylar precariously navigate the vulnerability of female adolescence in rural Pennsylvania. When Autumn mysteriously falls pregnant, she's confronted by conservative legislation without mercy for blue-collar women seeking abortions. With Skylar's unfailing support and bold resourcefulness, money to fund the procedure is secured and the duo board a bus bound for New York state to find the help Autumn needs.

Chela and Chiquita are both descended from wealthy families in Asunción and have been together for over 30 years. But recently, their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection. Chela finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution.