Diaspora Films

Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced and decides to move to Vancouver and join the household. Soon after, Lila is befriended by Judy, a transsexual about to undergo a sex-change operation. Complications ensue as the conservative Lila learns the truth about Maggie, Judy, and their diverse group of friends.

In Manhattan, the brilliant Chinese-American lesbian surgeon Wil is surprised by the arrival of her forty-eight year old widow mother to her apartment. Ma was banished from Flushing, Queens, when her father discovered that she was pregnant. The presence of Ma affects the personal life of Wil, who is in love with the daughter of her boss at the hospital, the dancer Vivian Shing. Once her grandfather has promised that her mother would only return to Flushing remarried or proving that it was an immaculate conception, Wil tries to find a Chinese bachelor to marry Ma.

Gerald Tilson (Adrian Pasdar) is a yuppie-like transvestite in his thirties. His wife arrives home earlier than expected and discovers female attire spread over their apartment. Not knowing anything about his habit, she misinterprets this and throws him (and the attire) out of their home and marriage. He rents a room in Monica's (Dame Julie Walters') house, recently divorced and around fifty. Their relationship evolves from landlady and tenant, to friends, to lovers. Monica learns about, begins to understand and finally appreciates and supports Geraldine, Gerald's alter-ego. His transvestitism, a rarely filmed subject, its ups and downs, is treated with a lot of respect, warmth, and humor.

A story of love and lies for four twenty-somethings looking to find themselves in New York City. A pair of best friends and a seemingly perfect couple meet at a local Irish pub tucked in the winding streets of the West Village. Through their chance meeting, the four bond and over time all of their relationships with one another morph into love, betrayal and heartbreak for all.

Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety. Inspried by Monica Arac de Nyeko's "Jambula Tree", which chronicles a story of two girls in love in Uganda, "Rafiki" challenges deep rooted cynicism about same sex relationships among actors, crew, friends, and family in Kenya.

Two school friends decide to start a pretend straight relationship in an effort to fit in.

In Simon Amstell's affecting, bittersweet comedy, a rising young filmmaker is thrown into emotional turmoil by a burgeoning romance and the upcoming premiere of his second feature.

A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her?

Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?

Lucy and others demonstrate outside a prison about to execute a mentally disabled man for killing a cop. She meets Mercy, who is there with her mom and dad, a cop, to support the execution. Once home again with her big sister Martha and kid brother Ben, Lucy googles Mercy. She's a lawyer. Lucy's dad is to be executed in a few months for allegedly killing her mom 8 years ago, when Lucy was 14 and Ben a baby. Martha has been like a mom for them since. The siblings have a pro bono lawyer trying to get their dad off death row. The cute Mercy keeps meeting up with Lucy.

A socially awkward, environmentally conscious teenager named AJ is dragged to a coastal holiday park by her painfully 'normal' family, where she becomes unexpectedly captivated by a chlorine smelling, sun-loving lifeguard named Isla.

For Shirin, being part of a perfect Persian family isn't easy. Acceptance eludes her from all sides: her family doesn't know she's bisexual, and her ex-girlfriend, Maxine, can't understand why she doesn't tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brother's betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of pansexual escapades, while trying to decipher what went wrong with Maxine.

It is 1950s Nevada, and Professor Vivian Bell arrives to get a quickie divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly drawn to Cay Rivers, an open and self-assured lesbian, and the ranchowner's daughter. The emotions released by their developing intimacy, and Vivian's insecurities about her feelings towards Cay, are played out against a backdrop of rocky landscapes and country and western songs.

Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman's stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood's few female directors. As she's discovering these things, Cheryl becomes involved with Diana, who's also White. The affair strains Cheryl's friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.

Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transgender woman, and she has no desire to stir up the past while she's busy forging a neat and orderly new life. Prentice, on the other hand, has charm but is a social disaster stuck in a dead-end job. His main talent is for getting them both into trouble. Amid the squabbles, they start to fall in love. One night, Kim invites Prentice to a romantic dinner at her flat. Prentice, finding the seduction unexpectedly effective, freaks out. He proceeds to make a public display of both of them and winds up in court. Humiliated and angry, Kim runs away. Only she can save Prentice now, but will true love triumph for this woman and an aging punk?

Jessica Stein is a single, straight, successful, journalist, part of a bonded Jewish family living in New York City, who finds herself not as straight as she thought when Jessica meets and begins an intense friendship with career woman Helen Cooper which ultimately leads to romance.

A grieving upper class woman becomes a "Lady Visitor" at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships with prisoners, she is most fascinated by Selina - a medium. Set in the 1870s.

Rachel is a nice girl who is going to marry Hector ('Heck'), her longtime boyfriend. While she is working on the wedding preparations she meets wedding-florist Luce and unexpectedly falls in love with her and discovers what having love feelings for another woman is like. Rachel meets Luce a few times, hiding it from her family, especially her mother Tessa who contracted Luce. At the same time Heck tries to win his in-laws' affections, especially father-in-law Ned, Rachel embarks on marriage and daily life with her husband, but her love and passion for Luce causes a secret affair between them and doubts in Rachel about the life she wants for herself.