Lists

Picture of a movie: Pride & Prejudice
Picture of a movie: Mamma Mia! Here We Go Again
Picture of a TV show: The Time in Between
Picture of a TV show: The Red Tent
Picture of a movie: Chocolat
Picture of a movie: Mamma Mia!
Picture of a movie: A League of Their Own
Picture of a book: Garden Spells
Picture of a movie: Matilda
Picture of a movie: Little Women
Picture of a movie: Julie & Julia
Picture of a movie: Mona Lisa Smile
Picture of a movie: Little Women
Picture of a movie: Fried Green Tomatoes
Picture of a movie: Steel Magnolias
Picture of a movie: Practical Magic

15 Movies, 2 Shows, 1 Book

porweful stories for powerful women

Sort by:
Recent Desc

strong female characters and sisterhood bonds, and a bit witchy too

Picture of a book: Garden Spells
books

Garden Spells

Sarah Addison Allen
The women of the Waverley family -- whether they like it or not -- are heirs to an unusual legacy, one that grows in a fenced plot behind their Queen Anne home on Pendland Street in Bascom, North Carolina. There, an apple tree bearing fruit of magical properties looms over a garden filled with herbs and edible flowers that possess the power to affect in curious ways anyone who eats them. For nearly a decade, 34-year-old Claire Waverley, at peace with her family inheritance, has lived in the house alone, embracing the spirit of the grandmother who raised her, ruing her mother's unfortunate destiny and seemingly unconcerned about the fate of her rebellious sister, Sydney, who freed herself long ago from their small town's constraints. Using her grandmother's mystical culinary traditions, Claire has built a successful catering business -- and a carefully controlled, utterly predictable life -- upon the family's peculiar gift for making life-altering delicacies: lilac jelly to engender humility, for instance, or rose geranium wine to call up fond memories. Garden Spells reveals what happens when Sydney returns to Bascom with her young daughter, turning Claire's routine existence upside down. With Sydney's homecoming, the magic that the quiet caterer has measured into recipes to shape the thoughts and moods of others begins to influence Claire's own emotions in terrifying and delightful ways. As the sisters reconnect and learn to support one another, each finds romance where she least expects it, while Sydney's child, Bay, discovers both the safe home she has longed for and her own surprising gifts. With the help of their elderly cousin Evanelle, endowed with her own uncanny skills, the Waverley women redeem the past, embrace the present, and take a joyful leap into the future.
movies
movies

Practical Magic

1998
Sisters Sally Owens (Sandra Bullock) and Gillian Owens (Nicole Kidman) have a special bond with each other despite being different in personality and outlook. Having grown up with their spinster Aunt Frances (Stockard Channing) and Aunt Jet (Dianne Wiest) in the long time Owens family house on an island off the coast of Massachusetts following the death of their father and then their mother, they are the latest in a long line of witches. Rumors of the Owens women being witches have existed for generations in the small close-minded town in which they live, despite there being no hard evidence. The Owens women are also under a curse that any man with who they fall in love is doomed. With this experience, extroverted Gillian decides to leave the island to live life to the fullest, in the process, falling for Jimmy Angelov (Goran Visnjic), a Bulgarian who grew up near Transylvania. More introspective Sally, who has sworn off the use of magic except in its most practical sense, has taken measures not to fall in love because of the curse, but ends up falling for and marrying Michael (Mark Feuerstein), a local merchant, the two who end up having two daughters of their own. The curse works its way into Gillian's and Sally's lives in different ways. The outcomes of the curse on their collective lives become more complicated with the arrival into town of Tuscon Police Detective Gary Hallet (Aidan Quinn), whose arrival is not by accident and involves more than just his stated professional purpose.

Inspired by this list

Picture of a movie: Pretty Woman
movies

Pretty Woman

1990
Because of his extreme wealth and suave good looks, Edward Lewis could seemingly have any woman he wants, that committed significant other which he needs on his arm at social events to further how he makes his money as a corporate raider. However, he focuses more on his corporate raiding pursuits with his partner in crime, Philip Stuckey, his lawyer of ten years, than those women, with every significant other he's had in his life feeling neglected and eventually leaving him, this fact about which he is just coming to the realization. In Beverly Hills, Edward, in needing that woman on his arms as he and Philip work toward taking over the company owned by the increasingly insolvent James Morse, decides, based on a chance encounter, to hire Hollywood Boulevard hooker Vivian Ward as his escort for the week 24/7. He does so because he wants to have a professional who would be committed to the work, yet not have any commitments to her after the week is over. Beyond their chance encounter, he also makes this decision because she surprises him about how unhookerish she is in certain respects. Vivian, relatively new to Los Angeles and the business, still has to look and act the part, with Edward, beyond giving her money, leaving her largely to her own devices to do so. So she gets a somewhat unlikely Henry Higgins in Barney Thompson, the manager of the Beverly Wilshire Hotel where Edward is staying. Barney has to draw that fine line of keeping the hotel's upscale clients happy, while maintaining the posh decorum of the upper class, which does not include people coming into the hotel looking for rooms with hourly rates. As Barney and his associates are able to transform Vivian into a Cinderella, the questions become whether Vivian can go back to her Hollywood Boulevard life and whether she does have her Prince Charming beyond this week in the form of Edward or anyone else who truly does see her as Cinderella as opposed to a Hollywood Boulevard streetwalker.
Picture of a movie: Under the Tuscan Sun
movies

Under the Tuscan Sun

2003
Frances Mayes is a San Francisco-based literature professor, literary reviewer and author, who is struggling in writing her latest book. Her outwardly perfect and stable life takes an unexpected turn when her husband files for divorce. He wants to marry the woman with whom he is having an affair. Frances supported her husband financially as he was writing his own book, and he sues her for alimony despite her financial difficulties. And he wants to keep the house. Frances eventually accepts her best friend Patti's offer of a vacation, a gay tour of Tuscany which Patti and her lesbian partner Grace originally purchased for themselves before Patti found out that she is pregnant. The gift is a means to escape dealing with the divorce, from which Patti feels Frances may never recover emotionally without some intervention. Feeling that Patti's assessment may be correct in that she has too much emotional baggage ever to return to San Francisco, Frances, while in Tuscany, impulsively ditches the tour to purchase an aged villa, which ends up being a fixer-upper. Frances has many obstacles in eking out a productive and happy life in her new surroundings, that happy life which she hopes will eventually include rediscovering romantic love. In a discussion with sympathetic real estate agent Signor Martini, Frances outlines what emotionally she wants to accomplish with the villa, despite none of those items in a substantive material sense currently being in her life. In response, Martini tells her the story of a set of railroad tracks that were laid between Vienna and Venice before an engine that could make the trek being built, a train which now regularly travels the route. The question becomes whether Frances, in going through the process, will be laying another Vienna to Venice track, and if so whether that end product emotionally will be exactly as she envisions.