Best slapstick and screwball comedies.

Henry J. Tyroone leaves Texas where his oil wells are drying up and arrives in New York with a lot of oil money to play with in the stock market. He meets stock analyst Molly Thatcher, who he falls in love with. Molly tries to ignore the attention he lavishes on, and keep the relationship strictly professional.

George and Gwen Kellerman live in the small, quiet town of Twin Oaks, Ohio with their two young children and pet dog. George has a strong sense of what is right and wrong, especially as it applies to himself and Gwen, but he still looks to her for validation. Working for a plastics company, George believes he is a shoo-in for the company's Vice-President of Sales, New York Division job, a position located in New York City. George is looking forward to their future life in New York City, with all the amenities and benefits living in the big city has to offer. For George's 9 am interview, George and Gwen plan on taking a flight that lands in New York at 8 pm the evening before, which gives them time for dinner at New York's finest restaurant, The Four Seasons, and a comfortable night's stay at the Waldorf-Astoria Hotel before the interview. But nothing on this trip goes according to plan. In fact, what can go wrong, does. Because of circumstances, it even looks as if George may miss his interview. As the fifteen hours preceding the planned interview progress, George and Gwen have to decide if they are going to let New York get the better of them or if they are going to get the better of New York.

Navin is an idiot. He grew up in Mississippi as the adopted son of a black family, but on his 18th birthday he feels he wants to discover the rest of the world and sets out for St. Louis. There everyone exploits his naivete, until a simple invention brings him a fortune.

A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source.

Felix's (Jack Lemmon) wife has left him and he is contemplating suicide. His friends sense his depression and one of them, Oscar (Walter Matthau), volunteers to take him in until he is fine again. The two of them are like chalk and cheese - Oscar is fun-loving, gregarious and slovenly, Felix is a shy, stay-at-home, obsessive-compulsive neat-freak. Being around Oscar brightens Felix up, but he quickly starts to irritate Oscar.

Sam Bissel is a wholesome family man with a loving wife, Min, and two loving daughters. They lead a happy suburban life. The only part of Sam's life that he is not happy about is his job as a lowly cog in the art department of the advertising firm of Burke & Hare. Sam's professional life takes a major turn when he is made executive of the Nurdlinger Dairy account. Simon Nurdlinger is a wholesome family man who wants a wholesome family man with wholesome family ideals heading his account, Sam the only one in Burke & Hare that fits the bill. Sam's home life also takes a major turn when Min's college friend, Janet Lagerlof, moves in next door. Janet stands to inherit $15 million from her grandfather's estate, but the will has a clause that she must be happily married to inherit the money. Janet is technically divorced from Howard Ebbets, and states that getting back with Howard is not worth $15 million. But when Jack Bailey and Irene Krump - two of Janet's relatives who would like to find any excuse to contest the will - come by for an unexpected visit, Janet impetuously introduces Sam as her husband, Howard. Things get more complicated for Sam when he is later forced to introduce Janet as Mrs. Bissel to both Burke and Nurdlinger. Sam and by association Min go along with the ruse, and for their troubles Janet offers to give them $1 million of her inheritance. After that, further complications occur: Janet notices a private investigator snooping around the neighborhood, the P.I. hired by Janet's relatives; Howard, Janet's ex-husband comes back wanting to reconcile with her; and without Sam's knowledge, the Nurdlinger creative includes billboards featuring a wholesome couple espousing the goodness of Nurdlinger milk, that wholesome couple being Sam and Janet as Mr. & Mrs. Sam Bissel. They just have to continue dealing with these complications until the legal hearing. But Min may just have had enough of this plan before they get the money.

Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it's a person's environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe's job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him.

A hitman is bumping off the witnesses in a Mafia trial. Only one witness remains and the hitman checks in at a hotel with the aim of shooting the witness from his window. Checking in next door is a depressed man, suicidal due to his wife having an affair with her doctor. His issues accidentally stymie the hitman at every turn.

A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind...

The ultimate disaster movie parody. A nuclear powered bus is going non-stop from New York City, New York to Denver, Colorado, and is plagued by disasters due to the machinations of a mysterious group allied with the oil lobby. When the driver is injured, a washed up, down on his luck, but used to be great type, who as it happens, used to be engaged to the inventor's daughter is brought in to drive the giant bus which includes a one lane swimming pool and a one lane bowling alley.

Forty-nine year old Bobby Bowfinger is the owner/president of a Hollywood-based production company, Bowfinger International Pictures. The company has yet to produce a film, Bobby's personal net worth is virtually zero, and the company only has $2,184 to its name, $1 invested into it personally by Bobby every week since he first decided he wanted to make a movie when he was a child. Bobby believes his fortunes will change when his accountant Afrim changes hats and writes a science-fiction alien invasion screenplay that Bobby thinks all studios will clamor for and has Oscar written all over it. He has a small stable of followers who support his vision in being part of this movie, which eventually includes Daisy as the lead actress, she a stereotypical small town girl looking to make it big in Hollywood. Having just arrived in town, she does not know her way around the Hollywood system,... except on her proverbial back. Bobby is not averse to telling bald-faced lies in his singular focus in getting the picture made and distributed all on this $2,184 as a starting point. It is using several of those lies that he is able to get a verbal confirmation from big studio executive Jerry Renfro to distribute the movie *if* it stars Kit Ramsey, arguably the biggest action star in the world. Using similar lies, Bobby, however, is unable to convince Kit to star in the movie. Kit, who has a weakness for the Laker Girls, is a self-absorbed and paranoid movie star whose life and thus career is largely directed behind the scenes by Terry Stricter, the head of a new age religion called MindHead. Bobby comes up with a scheme that he believes will get around Kit not agreeing to star: film Kit without him knowing that he is being filmed. The only person who knows of the scheme is Dave, Bobby's lowest of low level inside man turned cinematographer who has unofficial (i.e. technically stolen and thus free) access to studio camera equipment and general knowledge of Kit's general day-to-day movements through the studio system. Bobby is able to convince all the other actors that Kit's acting process involves him not interacting with them outside of filming the specific scenes he has with them. Part of Bobby's scheme involves using Kit's general paranoia that aliens truly are invading the planet to get his gut reactions to what is happening within the context of the script. But Bobby knows he has to get Kit to scream the closing lines of the movie "gotcha suckas" for the movie to be a success. Complications ensue when another of the the actors, Carol, tries to go against Bobby's policy of not making contact with Kit outside of filming, and when Bobby is required to hire a production assistant cum stunt double cum acting double, whose job in part is to stand-in for the requisite Kit Ramsey naked ass shot. Through it all, Bobby will know if he has made it in Hollywood if he gets a specific sign specifically from the heavens in the form of FedEx.

Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, won't agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mel's "birth" mother. "The best part," Mel tells Nancy, "is it's all free." Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, she's footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancy's misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until -- at last -- Mel's real parents, the Schlictings (mispronounced as "Shit-kings" by Mrs. Coplin), are discovered in remote New Mexico. There, Mel begins to wonder if he would have been better off not knowing these people, after all.

In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Arthur (Stanley Tucci) and Maurice (Oliver Platt) team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, madman Voltri, First Mate (Tony Shalhoub) plots the destruction of the ship, and Happy Franks (Steve Buscemi) is a depressed, suicidal lounge singer.

Harry Lucas works at the US mint. One night he accidentally destroys $50,000. Things look pretty bleak for Harry until he hits upon the idea of breaking into the mint and printing off some replacement cash, however, he gets more than he bargained for when everyone wants in on the deal.

Abner Audubon Peacock (Don Knotts) is the publisher of a bird-watcher's magazine which is converted into a girlie mag by an unscrupulous operator Osborn Tremaine (Edmond O'Brien).

Reverend Brooks leads the town in a contest to stop smoking for a month, But some tobacco executives don't want them to win, and try everything they can to make them smoke. If townspeople don't go nuts from wanting a cigarette, or kill each other from irritation and frustration, they will win a huge prize.

1911. Chicago lawyer Leo Harrigan and Florida proverbial snake-oil salesman Tom "Buck" Greenway, neither particularly committed and thus good at their respective jobs, accidentally get involved in the moving picture making business - one, two, three and four reelers shown at nickelodeons - Leo initially as a scenarist turned scenarist/director/editor and Buck as an action actor, despite neither initially knowing anything about their jobs and Buck in addition not knowing how to ride a horse and being afraid of heights, both things which he is asked to deal with in front of the camera. They both get into the business working for independent producer H.H. Cobb at a time when the big moving picture companies formed the Patents Company, using heavy handed tactics to prevent small companies, like Cobb's Kinegraph, from being able to make pictures by denying use of cameras under supposed patent. Via different routes, Leo and Buck initially meet at one of Cobb's secret sets located in the backwater frontier railroad stop of Cugamonga, California, so chosen to hide from the Patent Company. Leo and Buck's relationship becomes even more complicated as they both fall in love at first sight with Kathleen Cooke, an extremely nearsighted and klutzy Chautauqua girl on a national tour, she who also literally stumbles onto the Cugamonga set. Their personal and professional lives are presented over a four year period, those lives which are not only affected by the on-going battle with the Patents Company, and Leo and Buck's love for Kathleen, but their own growth within the business, the struggle for artistic control, and the changing face of the business which hits a milestone in 1915.